Abstract: Film and television performance is the art that film and television actors perform the plot in the script in front of the camera lens according to various roles set in the script. Drama performance refers to the performing art in which the roles played by actors shape characters and images according to scripts and express their inner activities. Film and television performances and drama performances belong to the category of performing arts. Film and television performances and drama performances have the same basic laws, and both are the process of actors creating roles. Film and television actors and drama actors must also follow the performance law of the trinity of three senses and three movements.

Keywords: film and television performance; Dramatic performance; Lens; Stage; time

First, the commonness between film and television performances and drama performances.

(A) the consistency of the two forms of performance in the stage of role preparation and analysis

The first time an actor comes into contact with a character, that is, when he reads a script, he sees the creation of a screenwriter. Therefore, both film and television actors and drama actors are recreated on the basis of scriptwriting, and also through the rich life materials of the actors themselves. Only the characters reshaped by the actors themselves are alive and well. During this period, both film and television actors and drama actors must analyze the script with the same purpose, even if the actors get a real feeling about the script and the role life; Make the actors really know and understand the ideological connotation of the script and the position and role of the role in the expression of the ideological connotation of the whole play, and let the actors reveal the thoughts and philosophies contained in the script and tasks through their own creation; On the basis of knowing and understanding the role, we can find and feel the places where actors can communicate with the role and the gap between them, and use the materials in our own lives and our own internal conditions to overcome and narrow the gap with the role.

Whether it is a movie or a drama performance, the cultivation and life experience of actors are all for better performance and creation, and they are all based on the actors themselves. Both performances are based on life in the process of actors' self-preparation.

(B) two forms of performance for the unity of the three elements of action

Action is the foundation and core of performance. Stanislavski once said, "In a sense, performance is the art of action." Whether it is a film performance or a drama performance, the organization of actions can show an actor's skills, that is, the unity and coordination of the actor's psychological actions, language and body movements.

But it is impossible for every character to show exactly the same happiness, exactly the same anger, exactly the same sadness and exactly the same happiness. Therefore, how to effectively organize the three elements of action is one of the compulsory courses for film and television actors and drama actors. The monotonous action line will make the actors in front of the camera look as thin as paper; It will make the dramatic actors look dull and colorless.

Second, the differences in role interpretation between film and television performances and drama performances.

(1) Film and television performances should have a sense of lens, and drama performances should have a sense of stage.

The process of film and television performance and the rehearsal of drama are two completely different concepts. Film and television dramas pursue true and perfect visual effects, and the focus of film and television dramas is to highlight the plot, that is, the development of the situation. The drama pursues strong inner emotional infiltration and impact, and the live performance can resonate with the audience. The focus of drama is the characters, that is, the roles, because of the change and development of the situation. Because film and television dramas and dramas express their works in different ways and media, actors will have different interpretations of roles.

So the requirements for actors in the same script are really different. Film and television dramas require actors to integrate into the specified situation when interpreting roles, even if they become part of the situation. Drama actors live in the specified situation and always interact with the specified situation.

(2) Film and television performances are greatly limited by science and technology, while drama performances are small.

The film and television drama pursues the true story reproduction, while the drama pursues the inner sublimation, one is realistic oil painting and the other is poetic landscape, so the expression is very different. The film and television actors can only communicate indirectly with the audience, so what the audience sees on the screen must be the most harmonious shot, which must be processed by art, and the director uses montage to decorate the story. Due to the limitation of terrain, weather and various technical conditions, film and television performances will be greatly restricted. The shooting schedule of film and television drama is not determined according to the time stipulated in the script, but according to the time of venue rental. The camera is a highly sensitive device, which is very sensitive to light. The connection of each shot has been debugged countless times, which requires the actors to maintain a very high mood in the plot. However, such problems will not appear in the drama performance. All the equipment and venues are indoors, completely controllable, even thunder, rain, wind and lightning. These weather conditions have great restrictions on the shooting of film and television dramas. For example, a film and television drama must wait until the weather conditions recognized by both the director and the photographer, which will greatly restrict the actors. Maybe a few days ago or even a few months ago, when the actors finished shooting the night part, the emotional connection between the characters would be satisfied.

Therefore, for film and television drama actors who require a very harmonious integration of people, scenery and events, the technical conditions are very restrictive when participating in film and television dramas, while for dramatic performances that highlight characters and hearts, the technological conditions are relatively small.

Three. Similarities and differences between film and television performances and drama performances in shaping roles and their relations.

(A) the establishment of basic information on the role of film and television performances and drama performances in common

It is the most basic and important stage for actors to establish basic information about roles, because film and television actors and drama actors will make their inner roles more vivid, three-dimensional, externalized and vivid under the guidance of the general director, even if the roles are from the heart.

Film and television performances and drama performances have a lot in common when establishing basic information of characters. Film and television actors and playwrights understand the plot at the first time they contact the script, that is, they understand the prescribed situation. Then film and television actors and dramatists must seriously feel the prescribed situation. We know that any action is carried out under certain prescribed circumstances. Whether it is a film actor or a drama actor, as long as they want to act in a play, they can't help but study and feel the prescribed situation provided by the script for the action of the role. What film and television actors and dramatists have to do next is to perform seriously and naturally in the specified situation. This is the first time that film and television actors and dramatists are looking for actions in the script. Everyone also uses' verbs' to decide their behavior, such as persuasion, accusation, courtship, request, refusal and so on.

When analyzing the script, we can find the basis of basic actions, and then we can find the basic information of the role. In the way of establishing the basic information of the role, the methods and skills used in film and television performances and drama performances can be said to be basically the same.

(B) the differences between film and television performances and drama performances in role performance

"The stage is the real life of the actors, and the drama performance is the real performance." This is a famous saying of Shakespeare's prince Oliver. For actors, the freedom of drama performance is much greater than that of film and television performance. From the moment the curtain was opened, the actor took control of the whole stage, and the dramatic actor was his own director. Dramatic actors can communicate directly with the audience and resonate with them. But for film and television dramas, the actors are faced with the lens, and finally they are presented to the audience through the director's montage and post-processing. Therefore, in the production process of film and television dramas, the decision is in the hands of directors rather than actors. In the process of film and television performance, the actor's efforts and emotion are only one of the elements needed for the development of the plot in the eyes of the director, while the actor in the drama performance is the most important element for the development and promotion of the plot, and there is no one.

On the stage, the communication object of drama actors is very clear, but in the performance of film and television dramas, the communication object of actors is very vague, which may be a double body, a rice polo board, a fist and so on. Therefore, film and television actors and drama actors are absolutely different in their handling of role performance.