Russian composer, music educator and conductor Anatoly Constantinovici Ryadov was born in May 1855+0 1 in a musical family in Petersburg. /kloc-since 0/870, Ryadov has entered the Petersburg Conservatory of Music and made friends with other composers of the "strength school" through his teacher Rimsky-Korsakov. He was favored by Mosolski, Stasov, Balakirev and others. After graduation, Ryadov stayed in school to teach theoretical courses, and later taught theoretical courses in the court singer instrumental music class. Composers Myaskovski, prokofiev and Asafyev are all his students. 1938+0879 Conductor of music lovers' group band and choir in Petersburg. There, I met a famous Russian music activist and art protector, Bie Rayev who plays the viola. In this regard, Ryadov became one of the main members of Bie Rayev Group, and some of his works were shown at Bie Rayev's "Friday Party". Together with Rimsky-Korsakov and Glazunov, he also selected periodicals for the music publishing house founded by Rayev. In 1980s and 1990s, he often served as the founder of anton rubinstein.

Ryadov's creations are mostly short pieces of music, such as interludes, Arabic-style songs, new stories, impromptu, preludes and mazurka dances. The poetic images in Russian folk songs and Russian folklore became the new source of his creative thoughts. His major orchestral works, such as Eight Russian Folk Songs, Witch and Magic Lake and Legend of Orchestral String, which were concentrated in the early 20th century and the last decade of his life, were all created under the profound influence of Russian folk music.

Ryadov passed away in Novgorod on August 28th, 19 14.

Magic lake

Russian composer Anatol Liadov (1855- 19 14) is not as famous as his contemporaries Rimsky-Korsakov and the "Big Five", at least in part because he has the habit of procrastination all his life. While studying in St. Petersburg Conservatory of Music, he was expelled from Rimsky-Korsakov's composition class because he was too lazy to attend classes! Nevertheless, his music partners always liked and respected him, and his teaching idea of music theory later became the basis of a textbook written by Rimsky-Korsakov. In 1873, the modest Moussorgsky, an old politician among composers at that time, described Liadov as "a new, unmistakable, original and Russian young talent."

Volshebnoye ozero, or "Magic Lake", is one of three colorful orchestral works, and is considered as one of the best works written by Liadov (the other two are BabaYaga and Kikimora). Written in 1909, it was originally intended to be included in an unfinished opera Zoliushka. Music weaves a quiet fairy-tale beauty, rich colors and orchestral effects, which will certainly be admired by his Russian colleagues, just like today.

Anatol Liadov, a younger generation of Russian nationalist composers, was one of the first people to attend Beryayev's Music Friday evening, which replaced the self-styled "Great Musician" guide of Stasov's "Popular in Balakirev". He comes from a musical family. His grandfather was a musician, and his father was a conductor in the Mariinsky Theatre in St. Petersburg for 18 years until 1868, when his son was born there in 1855. 1860s, the Rubinstein brothers set up conservatories in St. Petersburg and Moscow despite Stasov's opposition. Stasov objected to anton rubinstein's description of his favorite musician as an amateur, and worried about the possible reforms imposed by the German-style conservatories. Liadov learned his first lesson from his father, and was admitted to St. Petersburg Conservatory of Music in 1870, where he began to learn piano and violin. These interests were soon replaced by Johansen's counterpoint class, which was a lasting interest and also a composition class for Rimsky-Korsakov. From the second quarter, he was expelled for being absent for no reason. The composition class resumed on 1878, and Liadov graduated with a part of Schiller's Bride of Messina as the background. After completing his studies, Liadov was employed by the Conservatory of Music as a primary theoretical teacher, and later began to teach counterpoint music. He resigned in 1905, when Rimsky-Korsakov was dismissed and students rioted that year. Rimsky-Korsakov expressed sympathy for this. When Rimsky-Korsakov was reinstated, he resumed his post, as were other staff members. Glazunov replaced bernhard as the head of the agency. Even in A.D. 1870, Liadov had already left an impression on these five people, and his name was associated with them. Musorgskiy called him an original Russian young talent, and he shared the same theme with Bao Luoting, Cui, and Shcherbachev, a relaxed and pleasant variation "Para Frazzi", which made Liszt very happy. He showed this work to the students as a demonstration work. At first, Liadov came out of the silent period and was encouraged by Balakirev, but he was still encouraged by disturbing religious enthusiasm. In the1880s, he became one of the first people to join the Beryayev Group. After Beryayev's death in 1904, he served as the consultant of the publications funded by the latter, and shared the responsibility with rimsky-korsakov and Glazunov. As a composer, Liadov is not as diligent as he should be. When the score of Firebird was not completed in time, it was his creative tendency that made Stravinsky lose the opportunity to cooperate with Zia Gilev, even though the work had been advertised to be performed in Paris. On that occasion, Dyagilev asked him how his music was going, and he replied that everything was going well. He just bought some newspapers. Liadov's music was used by Dia Gilev's company after the composer 19 14 died. Kikimora was choreographed at 19 16Massine, which was the first time to perform in SanSebastian. This is part of a longer ballet, The Story of Russia, which was staged in Paris in 19 17 season. The role of Kikimora was created by LydiaSokolova. Baba-Yaga, completed in 1904, is a part of Massine's ballet, which tells the story of the witch Baba-Yaga, who stepped on the hut with the legs of a bird, crushed the bones of a child and flew in the air. Intermittent, Op.8, was written for piano in 1883, but it was arranged by the composer in 1902. A ballad with the subtitle "Prostarinu" was composed for piano in 1889 and arranged for orchestra in 1906. The work 62 Volshebnoye ozero was completed on 1909, which is a magical work based on Russian legend, while the work 19 Mazurka (work 19) was awarded by the hotel (Skaya Stesena U of Sel). Nie, Op. 67(Skoronaya pesn), Liadov's last symphonic poem, is an elegy written in the last year of his life, which marks the extension of the harmony style, while Polish Dance, Op. 49, and Polonaise, Op. 55, were written in 1899 and1900 respectively. Kikimora is reminiscent of one of the ugliest demons in Russia, Domovoi's troublesome wife, who can only be appeased by washing pots and pans with fern tea. This article was written in 1909, followed by 19 12, from the 66th volume of Revelation. Kikimoraand and Magic Lake both contain music written for an aborted opera Zoryushka, the theme of which is an ancient Slavic legend. The procedural attraction of these works and the strong rhythm of dance music can easily explain the attraction of Liadov's music to choreographers. American conductor Stephen Gunsenhauser was educated in new york and further studied in Berlin, Mozart Conservatory in Salzburg, New England Conservatory of Music and Cologne State Conservatory of Music. He won the Afwerbright Scholarship for his last performance, and then won the award of the West German government, and won the first prize in the conducting competition held in Santiago, Spain. Recorded Tchaikovsky's fifth symphony, Beethoven's overture, St. Sa? Northgen Symphony, Orff's Carmena Blana and Borodin Symphony.

I really can't find more self-information, otherwise I won't learn English.

I hope it will help the landlord.