The title "Education of Love" makes me think about what love is in this pluralistic world. With this in mind, I trudged with an Italian primary school student to find an unknown answer.
Love, like air, is always ignored by us every day because it is invisible. In fact, its meaning has been integrated into life. Just like the love of parents, we just put a new book that children love to read on the shelf. When we cough, the pills are in front of us. We don't forget to see the children before going to bed, which is the deep love we need to embrace with open arms. When we are in trouble, no one supports us, but our parents are still with us. Don't forget to tell you at night: go to bed early. After reading the story of Amway, I realized that all parents in the world love their children deeply. Amway bought a diary that they read and wrote with their parents, and now many students still hang small locks on it. The simplest things are also the most easily overlooked, just like the deep love between parents and children in this broad love, many people can't feel it.
If love is a journey, some people may disagree. But love is an endless and pleasant journey. Just like life, if you treat life as a prison sentence, people will do heavy work in order to get out of prison one day. Then such a life will inevitably make people feel very painful and tired. On the contrary, if you regard life as a trip, it will be very relaxed, and every day will be enriched by understanding and learning new things. So, you just want to go on, and even be enthusiastic, no matter how long it will last. At this point, this feeling has been sublimated into a kind of love, a kind of love for life. I read Education of Love and entered Amway.
If love is a rushing blood and a jumping soul, then I think it is a noble love for the country. It sounds like a slogan, but as a person with conscience, this kind of love should be firmly implanted in our hearts. When reading the touching scene of the Italian people blowing off their legs and soaking their homes for their country, I can't help thinking that our motherland is also soaked with the blood of Chinese sons and daughters. This is also for our country. I can also abandon everything and fight together. I am deeply impressed by this supreme state of love. I don't need to throw my head for my motherland, but our motherland still needs a lot of things. Love is great because it is not only for individuals, but also for the dignity and emotion of the whole nation.
In the education of love, love is compared to many things, which is true and not just these. "What is love?" I don't think there will be a clear answer, but I have finished thinking about love-love is vast, infinite and great.
Cultural tour
Writing, the arduous journey of writing culture. Describe the ups and downs of history.
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China's splendid civilization is being obliterated by time. I wonder if those people who reminisce about that sad history in the corner while lambasting historical sinners have really closed their eyes, calmed their hearts and returned to the indifference and rationality of history. I have always admired those scholars who know history and dare to criticize it. At the same time, I think Mr. Yu, a professor at Shanghai Theatre Academy, is a hero among countless scholars, and his Cultural Journey is the most outstanding top grade among thousands of literary and historical prose works.
This book is Mr. Yu's first collection of cultural essays. Some of these articles won the first prizes of various literary awards. The main purpose of this book is to seek the secrets of cultural soul and life with the help of scenery, and to explore the historical fate of China culture and the historical composition of China literati. These articles by Mr. Yu, with their profound knowledge of literature and history, rich cultural perception and artistic expression, not only reveal the great connotation of China culture, but also provide a brand-new example for contemporary prose circles.
Mr. Yu attracts readers with his unique writing charm, which is a bitter memory, an understanding after anxiety, a relaxation after meditation and a youth after old age. Like many educated youth scholars, he once sighed deeply in this book, but the same sigh appeared in different places, and the charm was far from the same. As he said, "I can be young", his life is flexible. He always upholds the passion of his youth and enjoys the leisure of his old age to spend his rich middle-aged time. Therefore, Yu Xiansheng is a half-breed at any time. So his articles are always mixed with different feelings. For example, his sadness about the loss of China culture is full of young people's insults to dissatisfaction, middle-aged people's helplessness to the world, and old people's regret for vicissitudes.
Maybe some ideas are completely unintentional, but the inspiration for writing this book is definitely intentional. Obviously, he discovered the dusty place of China's history and culture. In today's era of vigorously promoting China's splendid civilization, it is naturally more striking and thoughtful to put forward such a specious view. China's ancient civilization once created a prosperous time in ancient times. In order to preserve its prosperity, people handed down splendid culture from generation to generation, and successively built large buildings such as Mogao Grottoes and Dujiangyan. Even ordinary arched buildings and library buildings are printed with cultural traces. But people's ideals are always good, but time is against people and changes endlessly. What people want to preserve will still be washed away by time within a certain limit. Although some of them are artificial, in the final analysis, they still come from the blank of historical roulette. Some historical dust can't be left behind, and many scholars are sad and regret it. They always live in a past that doesn't belong to them, and they will never get out alive. Therefore, "facing up to the past and the present" is an important topic I have learned from this book, and I also think it is the subject of Mr. Yu's research and warning. Because only those who truly understand the historical situation can print their own rut marks on the basis of conforming to the wheel of history.
Smoke a wicker and break a peach branch. Have a cup of tea and read a good book.
Walk into the leisure, walk into the "cultural journey".
Reflections on Border Town
The article Border Town has a strong local flavor, and I like it very much, probably because I grew up in a county town with a strong local flavor. Reading this article is like smelling my hometown. The Border Town written by 1934, like the modern novels such as Medicine written by Lu Xun and Orange written by Bing Xin, is full of symbols and very apt, unlike the overwhelming and filthy things now, which are far-fetched and all gimmicks. But as a student with limited level, it is really a very difficult behavior to analyze its symbols. Over the past 70 years, people have thoroughly read and understood it, and Mr. Shen Congwen himself has mentioned one or two things, specifically what it means. Therefore, if I exclude the symbols recognized by people and try to find new symbols, I will inevitably fall into an obscure and far-fetched routine. So I'll try to talk about my feelings, the earthy atmosphere that permeates Mr. Shen's works. Border town, with such a name, Mr. Shen obviously wants to show simple folk customs that are not affected by utilitarianism. Most of the backgrounds and things in this paper are natural things or things that are integrated with nature ―― products of nature shaking hands with people, rivers, mountains and rivers, ferries, bamboo forests, huts and small towns. The people in the article are not utilitarian. Grandpa refused to accept money when he ferried to death. Instead, people are invited to drink and buy pork everywhere to push each other's money. Marriage in this town is free as long as the children like it. Even Shunshun, the richest man in the article, is a generous man who doesn't care much about money. In a small town, it is not news that the son of a rich family likes the girl of a poor family and throws away the appropriate dowry to marry the girl of a poor family. It can be seen that a place like the border town values righteousness over profit and is not corrupted by commercial atmosphere. The most convincing thing is that the culture of delivering vegetables (prostitutes) mentioned in the article is so different. Even the product of the most snobbish things in society, the most snobbish corner of the town, is so perfunctory and snobbish because of people's simplicity, and strives to live such a humanized life. Even the singing upstairs, that is, her livelihood, can be stopped abruptly by a whistle on the river. The article does not point out the non-utility of border towns everywhere, and everyone is proud of anti-utility. Reveal Mr. Shen's love for this. I will focus on analyzing Grandpa's emphasis on righteousness over profit. The two granddaughters live in poverty, but grandpa is so "not fond of money", and seems to hold a grudge against money and worry about it everywhere. In fact, grandpa is a traditional border town person who is proud of not loving money. There are several proud references to the moral character of the tea cave people, and it is precisely because grandpa's moral character conforms to the moral concept of the tea cave people that he is highly respected by people. Speaking of the ferry, everyone knows this generous old man. Of course, we can also say that everyone ferry, so we know her. However, from people's familiarity and attitude towards the old man, we can see that people respect his character and even go shopping. "There must be many shops." There is a detail in the article. Cui Cui doesn't want to go sightseeing. When she wants to keep the boat with grandpa, grandpa will use the virtue of tea cave to pressure her to play. Why use morality to oppress a girl? Because it is the most authoritative thing for Grandpa himself, he subconsciously used it to "intimidate" Cui Cui. This article describes the way grandpa handles things related to money-he must be shirking his responsibility, as if money is something that everyone doesn't want. In these disputes, whoever finally takes advantage of money is the loser. This reminds me of the scenery in my hometown, and sometimes it does. Pass the buck, come and go, and sometimes even throw money on the ground and people run away. There are also several scenes of pushing money, which are as real as what happened in life. What impressed me most was the dispute with the butcher and a ferryman who insisted on keeping money. Mr. Shen relishes such scenes, which shows his love for this style. Everyone values friendship and is proud of not asking for money. This is a folk custom that Mr. Shen never forgets. However, the article also shows the foreign culture that values profit over righteousness, revealing Mr. Shen's worries. The most snobbish thing in the border town is the mill, and the miller is accompanied by money. She described that the lady naturally took out a copper coin from her body, stuffed it into Cui Cui's hand, and left, completely confused by local customs. Of course, I didn't say anyone's fault. I mean, the mill is used to marry him, and so on. It can be seen that the Wangs have always attached great importance to money, even if they don't think about it, they don't hide it. This is essentially different from the border town customs. Mr. Shen is deeply worried about where the local flavor of Border Town will go in the erosion of foreign culture. She loves the smell of earth, hates the value that benefits outweigh righteousness, and pretends to be a countryman, but she also sees the general trend that the purely paternalistic cultural tradition will die out, and the whereabouts of Cui Cui symbolizes where the border town culture will go. In fact, no matter where you go, it is not what Mr. Shen wants, and Mr. Shen will not think it is a comedy. Mr. Shen is dissatisfied with his elders when he marries them. Marrying two elders symbolizes the deterioration of local culture. If you leave, as Lu Xun said, you will either come back or fall. The above symbols are the opinions of others, but they are in line with Mr. Shen's original intention. However, with Mr. Shen's character, he doesn't want to see a bad ending. In his own words, he is actually doing his best to care about them. Therefore, "Border Town" will wait for the ending, and will not lead Cui Cui to the inevitable future. In other words, Mr. Shen is waiting for a better ending and a way to save Cui Cui and local culture, which is in line with Mr. Shen's own mind. He left Cui Cui's waiting on paper, waiting for decades, hoping to wait for a good way out for Cui Cui. Look at the world around us, the culture symbolized by Cui Cui. Does it really have a good way out today? Perhaps, it was preserved, perhaps, leaving only traces. Perhaps, only Mr. Shen's inscription will remain in the world forever-according to my thinking, you can understand me; I can understand people according to my thinking. Only the simple beauty written by Mr. Shen will be preserved. Perhaps, if you write a eulogy to your husband, you can only write three words. -Beauty lasts forever.