Huang Tingjian, the leader of Jiangxi Poetry School, failed to get a fair evaluation in academic circles like his calligraphy. Since Yan Yu wrote Canglang Poetry in the Southern Song Dynasty, Huang Tingjian's poetry has long been dismissed as formalism and neglected. It was not until the early 1980s that this situation was reversed. However, the academic circles may argue endlessly about Huang Tingjian's views of "taking the fetus as the new bone" and "taking the vulgar as elegance and taking the old as the new". Or have different views on Huang Tingjian's philosophy. Or evaluate his creative gains and losses, and published many papers, but so far no monograph has been published. This book regards Huang's poetry as a systematic project for the first time, and systematically and comprehensively discusses it from seven aspects: literary view, feelings, conception, friends, style, interest and culture. Using some modern critical methods such as aesthetics, psychology, literature and art, sociology, history, philosophy, religion and so on, based on the artistic characteristics of specific works, especially Huang's poems, a detailed and in-depth analysis is made; Adhere to the scientific attitude of "knowing people and discussing the world" and realistically evaluate the aesthetic value and ideological and artistic gains and losses of Huang's poems. This will help us to accurately grasp the aesthetic characteristics of Song poetry, establish its position in the history of China poetry, and deeply discuss and correctly evaluate why "Jiangxi Poetry School", especially Huang Tingjian's poetry creation, had such a great influence at that time and later generations. As for Huang Tingjian's noble personality and the operability of model poetry, there is no doubt that even today, it still has great reference significance for our life and literary creation.