Professor Che Ying is a professor at Wu Da School of Journalism and Communication, executive deputy editor of Journal of Wuhan University (Philosophy and Social Sciences Edition), visiting professor at Guangdong University of Foreign Studies and visiting professor at Hebei University of Economics and Business. Member of China Calligraphers Association, Director of Calligraphy Professional Committee of China Education Association, Vice President of Zhong You Printing Society, and Chairman of Hongshan Calligraphy Association. He also served as the director of China Institute of Private International Law and the director of Hubei Aesthetics. At the same time, China, an adjunct professor of calligraphy in the School of Foreign Students Education of Wuhan University, has been teaching for more than 30 years, and more than 10,000 foreign students have listened to his classes and been taught by him. It's really "peaches and plums all over the world"!

When I was studying at Wu Da University, my husband didn't teach me directly, but I can always see his grace and listen to his calligraphy at the "Cherry Blossom Pen Club" every March. /kloc-at the "Cherry Blossom Pen Club" in 0/993, I asked my husband where he was from. He said, "There's a box (gun) hanging on his ass." I said, "It's guaranteed." My husband was very happy to give me an extremely precious work-Linjiang Xian. Rolling the Yangtze River to the east. " Later, I heard that the famous Japanese media Asahi Shimbun once introduced this work in a large space.

Not long ago, the famous writer appreciated the "Qinyuan Spring Snow" presented to me by Professor Che. Cloud, the works are warm, harmonious, secluded and unique, which obviously inherits the meaningful and peaceful wind since Wei and Jin Dynasties. Like Dong Yuan's landscape paintings, he expresses his spirit and balance with pen and ink. "The brushwork is folded, which means release, the composition is neat and free, and the words are bizarre." Knots are big or small, or simple or complex; The strokes are oblique or oblique, light or heavy, which can make people ponder repeatedly. "

Cai Yong said in "On Books": "Books are scattered; If you want to read a book, just put it down, put it down and read it again. " This can be roughly regarded as the original definition of the essence of calligraphy. Temperament often determines creation, and temperament and personality state are displayed through pen lines. Professor Che Ying's happiness, tolerance and caution are reflected in his books from time to time. His brushwork is rich and varied, simple and meaningful, with ups and downs in words and beautiful posture. The overall layout is broad and straight, and I especially like the layout of symmetry, balance and overlap. There is obvious oriental aesthetic consciousness and creative thinking between each stroke of the work. In his works, he sometimes breaks the conventional writing style, and even breaks the strokes in the center from time to time, forming a kind of unrestrained struggle of "imposing manner, staggered and free", which is commanded by strength and weight. It is worth mentioning that in some of Professor Che Ying's works, ink and flying white are skillfully combined, with changes such as one hidden and one obvious, one rising and one shrinking, and one drying and one moistening, which achieve the best effect in ink color and line movement. The filling of blanks and the layout of conclusions are exquisite and appropriate, just like cinnabar between the eyebrows of a beauty and milk stains on the corners of a baby's mouth, which are both playful and just right cute.

Wei Heng said in "Four-body Book Potential": ... Bai Yang vibrates, and an eagle hits a bird. The neck is stretched and the wings are closed, and the potential is like lingyun. Or lightly thrown, the bottom is thick; If it is absolutely connected, the lower end hangs down like Ruth. From a distance, swans will be delayed if they swim in groups. I looked at it forcibly, but I couldn't see it. What do you mean? Invincible. In short, consider the pitch of the font. This is about "potential". Calligraphers in this world can get the message and go too far. "The neck stretches like a lingyun", and Professor Che "will be able to communicate with Zhi Tong" (Ming? There are not many people who can really "think about the pitch of fonts in a word". Everything in the world is easy to know, easy to do, and difficult to stop. It is not a question of learning.

The pen and ink of calligraphy is related to the soul and has always been regarded as edifying life. This is the state of life, and so is the state of calligraphy. Calligraphy, honest and upright, indifferent and quiet, following the true spirit, will inevitably go further and further. Nowadays, we yearn for the realm of "being alone with the spirit of heaven and earth", and calligraphy is the bridge to this realm.

Strike, strike, strike, strike, strike, strike, strike, strike, strike, strike, strike, strike, strike, strike, strike.

It suddenly occurred to me what it would be like if the professor held a book exhibition.

According to alumni, Professor Che is busy sorting out the works of previous "Cherry Blossom Pen Club" of Wuhan University after his official duties, and he has served as a consultant for the book. I am very pleased to read the autographs of Professor Liu Daoyu, the former president of Wuhan University, and the current president, and the inscriptions of famous calligraphers such as Rao Xingcheng, Huang, Li Youming, Tan. However, I think Professor Che is going to hold a book fair. With his ancient mind, it is best to set the time in autumn. In Luojia Sakura Garden, deep in the long staircase, there is sunshine. In the simple and clean courtyard of the old law school, the stones are clean, the stone pillars are green, the stone steps are quaint, and the gold leaves are all over the ground and the steps are in full bloom.

Beautiful!