Xue Qin used a lot of pen and ink to praise Baoqin's talent and character through the mouth of everyone. Obviously, this girl must be one of the important characters in the book. Unexpectedly, until the end of 1980s, people didn't see her occupy any important position in the book. They didn't see any important plot about her except playing with everyone and writing poems together. Presumably, her main story is after the 1980s.
There is a sequel to Gao E, so read on. Unexpectedly, after reading it, people were at a loss. Within forty times, Baoqin hardly showed up. Only at the end, Mrs. Wang confessed, "That girl, Qinqin, married to Mei's family and had a full stomach."
It seems that there is no other way to solve the mystery of Xue Xiaomei except looking for clues from foreshadowing, suggestion and fat criticism 80 years ago.
The top of the Grand View Garden
Bao Qin's brothers and sisters and other relatives of the Jia family came to Fu Rong 49 times. When Baoyu saw this, he came back and said to Aroma and others, "Go and see people! ..... You only said that Sister Bao was a stunning figure in the N family. Now look at his sister, and there are two sisters, eldest sister-in-law, which I can't describe. Oh, my God, how many wonderful things you have to give birth to these people! " Qingwen and others went to see it early and came back. They said to Aroma, "Look! A niece of the first lady, a sister of Miss Bao, and two sisters of the first lady are like four onions. " These two sisters, sister-in-law and niece of the first lady, are said to be foil. Later, Tanchun praised the piano, only to understand the meaning of the words: "Sure enough, as far as I can see, even his sister and others are always inferior to him."
Among the sisters, Baochai and Daiyu are the best. They are thin and fat, and beautiful for a while. According to Tanchun, Baoqin's beauty has surpassed that of her sister and all the girls in the Grand View Garden, including Daiyu. She must be moderately fat and thin. If she gains one point, she will be too fat, and if she loses one point, she will be too thin. "Its bright charm is like Baochai, and its romantic charm is like Daiyu".
Xue Luan wrote poems, and Baoqin Daiyu fought Xiangyun. As a result, Xiangyun was the first, Baoqin the second and Daiyu the third. Baoqin's poetry is agile, surpassing Daiyu and chasing Xiangyun. Xing Xiuyan, Li Wan and Bao Qin all praised Yongmei's poems, and they all pointed out that Bao Qin's poems were better. Daiyu and Xiangyun poured a small glass of wine, Qi and Baoqin. Baochai said, "I'm tired of playing tricks on me every day, and now you're playing tricks on him." In Daiyu's Peach Blossom Garden, Baoqin joked that she wrote it, and Baoyu thought she really had this talent. It can be seen that Baoqin's poems have both the advantages of Chai Daixiang.
In terms of personality, "Bao Qin is young and enthusiastic. Seeing that her sisters are not so frivolous and they get along well with her sister, she refuses to ignore them. Among them, seeing that Daiyu is outstanding, I am even more respectful to Daiyu. Baochai said to Xiangyun, "Say you have no heart, but in fact you have a heart;" Although I have a heart, my mouth is too straight. Our piano is a bit like yours. "In this way, Baoqin has both the advantages of Baochai's personality: the sum of Baochai without its cold, the height of Daiyu without its surprise, and the speed of Xiangyun without its stupidity. However, all this is still treated according to the general criteria for evaluating girls. The most important advantage of Baoqin is that the author did not write it with a clear pen. Aunt Xue said the following because Grandmother Jia wanted Baoqin to be her granddaughter:
"It's a pity that the child is not blessed. His father died the year before last. He has seen a lot of the world since he was a child and has been to four mountains and five mountains with his parents. His father is very happy. Because of business, he took his family around this province for a year, and then went to that province for half a year next year, and the world stopped five or six times. When he was here, he married Mei Hanlin's son, but the next year his father died and his mother suffered from phlegm ... "
It can be seen from this passage that Baoqin's mother was suffering from phlegm disease, and she must have died at this time, but before the words were finished, Xifeng interrupted her. Because of the death of their parents, the two brothers and sisters came to Beijing in silence, and then lived in Aunt Xue's house for a long time and became a member of her family. We used to live separately. Baoqin's father is an ordinary businessman, different from Xue Pan. Baoqin has stopped with his father since he was a child, stopping five or six times and seeing a lot of the world. She is bound to be broad-minded, very liberated and concerned about reality, unlike Baoyu, who has many fantasies. These are far less than the Jia people.
For example, two of Bao Qin's ten nostalgic poems are related to The West Chamber and the Peony Pavilion. Baochai said, "I don't know much. I'd better write two more." Daiyu said, "Although we haven't read these stories, we don't know how to get hysterical. Can't even watch two plays? Tanchun said, "That's right." . "Li Wan said," Besides, I didn't read the lyrics of' The West Chamber' and' Peony' for fear of reading evil books. It's just as well. Keep it. "Obviously, four people have read this" evil book ",otherwise why do they all admit that they haven't read it? As for Baoqin, since she wrote those two poems, she felt it was normal to read such books, and there was no need to pretend that she had never read them. This one is better than the above four people.
Baoyu wants to open a club to recite daffodils and wintersweet, and Baochai joked that he would invite a club to recite Tai Chi pictures. Bao Qin used the topic to say, "When I was eight years old, I followed my father to buy foreign goods on the west coast. Unexpectedly, there is a girl who is a real country ... Some people say that she knows China's poetry books, can speak the Five Classics and can write poetry lyrics ... "Then, she read the bold" Bamboo House Dream Last Night "written by the blonde. This shows that Bao Qin has a unique view of poetry because of his broad mind. If she writes poetry seriously, her style must be bold. This also shows that she has been abroad and has been exposed to foreign society and culture.
A top-notch figure like this is bound to occupy an important position in the book.
Second, secular beauty.
Chen Geng's "Wu Heng Blue Army Xie Yan Yi Batch" has the following comments 42 times ago:
Although there are two famous jade women, all dressed up, this magic pen is also. By the time the book reached chapter 38, more than a third had passed, so the writing came back, which made the two become one. ……
Mr. Yu Pingbo attached great importance to this criticism. He said, "This is a new view of readers of A Dream of Red Mansions." However, this view was basically denied later.
In my humble opinion, it is necessary to re-discuss the theory of "the combination of women and clothes", and to comment on this theory, we must first understand what the above-mentioned fat criticism says. Zhi Yanzhai played an important role in the writing of A Dream of Red Mansions. He is well aware of the background of this book and is responsible for sorting and copying it. Maybe he provided a lot of materials. Therefore, it is not appropriate to deny a fat batch easily without knowing its meaning. In fact, the stranger the criticism, the deeper it may be.
In my opinion, the view of "the integration of women and clothes" occupies an important position in the overall artistic conception, and can even be said to dominate the book. This view has two aspects: "Although Chai Yu has two names, everyone is one, and this magic pen also refers to the first aspect, which simply means" one is divided into two women ". The rest of this batch is talking about the second aspect, which is simply "two women become one."
Now let's see what it means to be divided into two women. Jia Baoyu, the hero of the book, is a noble son born in the last days of feudalism. What kind of life path he should take is one of the most important issues to be dealt with in A Dream of Red Mansions. A dream of red mansions is anti-feudal. In order to deal with the problem of Baoyu's life path, the author can mold him into such a person: on the one hand, he opposes feudal ethics, on the other hand, he has a strong sense of professionalism. Under the feudal system, the two are contradictory. If you want to make achievements, you must conform to feudal ethics; Otherwise, it is difficult to make a difference. How does Baoyu choose his own life path? To solve this problem, the book should say that he often struggles with his own thoughts. It's boring. It doesn't look like a novel. Xue Qin didn't treat it like that. He created two daughters, Xue Baochai and Lin Daiyu, and opposed the two ideas that should have been given to Baoyu, giving Daiyu a rebellious thought. Baochai believed that people should make a difference. These two women are flesh and blood figures, not conceptual. They come from life and are higher than life. In order to strengthen the opposition between the two women, he set them against each other in appearance, talent, personality and other aspects, each with its own strengths. As Mr. Yu Pingbo said, the two women "will be extremely wonderful if the two peaks confront each other and the two waters diverge. They will be so full of love and they will do their best." In this way, Qin Xue replaced Baoyu's own ideological struggle with contradictions and disputes between two women. In order to prevent Daiyu from being too isolated in Jiafu, a feudal aristocratic family, the author portrayed Baoyu as a rebel who refused feudal ethics and lacked enterprising spirit.
We know that the first five chapters are very important for understanding the whole book, and the fifth chapter is especially important. In the unreal world outside, there are three forces competing for Baoyu on the road of life. First, the police fantasize about fairies, who want to cultivate Baoyu into an infatuated person and persist in the word "psychosexuality" regardless of the slander of the world. Second, the spirit of Rong Ning and Gong Er. They hope Baoyu can make progress in his studies. Third, there are many scholars and mysterious real people who want to get rid of Baoyu's fascination and become a monk. On this day, Jing Huan met Rong Ning's spirit, and the two sides reached an agreement through negotiation: Jing Huan came forward to lead Baoyu's dream to the dreamland, and tried to teach him, so that he could not only be infatuated with love, but also attach importance to Confucius and Mencius and devote himself to the economy. The police ghost first took him to the unlucky department and showed him the pamphlets. The first page of the book is a photo of two women, and the next four sentences are nothing more than asking him to accept Baochai's exhortation to stop working and pity Daiyu's talent of chanting catkins. Then let him listen to a dream of red mansions. [Introduction] The first song behind is the [lifelong mistake] of two women, which makes him not only pay a lot for a beautiful marriage, but also pay attention to his former alliance. The second song "Bending Eyebrows" has always been advocated by researchers at home and abroad. This song is also the song of two women. This is to say to Baoyu that both women are fine and have a fate with you. "If you say that there is no strange fate, you will meet him again in this life." Obviously, this picture and two songs are Qin Xue's tips for "one body is divided into two women". After reading the brochure and listening to the music, "Idiot hasn't realized yet." So Jinghuan played a trump card and married Baoyu with her sister's nickname and kind words. Being a beautiful girl is Qin Xue's hint of "two women in one". On the second day after marriage, Baoyu and Kanami went out swimming together, and a black stream blocked the way. This is a maze. The vast number of scholars and ethereal real people sent wooden laymen to take the helm, and the waiter in gray took the pole and drove the raft in ambush in the maze. As soon as Baoyu arrives, he will be pulled off the raft and crossed to the other side to become a monk. The police phantom chased after him and shouted, "Don't go forward quickly, the important thing is to turn around quickly!" " Before the words were finished, there were many temptresses and sea ghosts dragging Baoyu down in the maze. Baoyu shouted, "Please help me!" In other words, only the beauty of "two women combined into one" can save Baoyu from the maze and let him find the right life path.
The thing in the dream is that Qin Xue pointed out the plot behind the book with romantic brushstrokes. So, does the tenth book have the earthly beauty of "two women are one"?
Yes, but it's not enough for Qin Keqing. Qin Keqing's appearance is just graceful and delicate, not "glamorous and seductive like Baochai, charming and graceful like Daiyu". Her thoughts and personality have nothing in common with Chai Dai, let alone her talent. The word "beauty" in the dreamland is only the author's suggestion that Qin Keqing and Baoyu are not proper relationship. As for Cheng Yiben's statement that "another official name of Qin Keqing is beauty", that is Gao E's presumptuous remarks, because there is no such sentence until Cheng Yiben.
Who is this earthly beauty? This is none other than our Baoqin girl! As we have seen in the last section, Baoqin is both beautiful and beautiful in appearance, talent and personality. But more importantly, from an ideological point of view.
Bao Qin's brother and sister were born in an ordinary businessman's family, and their father took them everywhere to do business, which made them widely exposed to social and commercial activities. They belong to the new citizen class in the dry period. The ideology and demands of this new citizen were of progressive significance at that time. They have the requirements of developing their own businesses, and they also have spontaneous anti-feudal tendencies. These two aspects are unified in thought. Therefore, Bao Qin's thought is the unity of Chai Dai's thought. It is not the unity of hard rubbing, but the unity of sublation to a new realm.
Baoqin was deliberately created by Qin Xue, with a comprehensive appearance, talent, personality and thoughts, and a beautiful life in the world. Therefore, "the combination of women and clothes" is not an abstract concept, not an illusion, but there is such a character in A Dream of Red Mansions. In this case, then, what can we doubt about the theory of "the unity of men and women"?
Baoqin entered the Grand View Garden as a "combination of women and Dai", which played an enlightening role, indicating that Baoyu will embark on the right path, devote himself to writing books and engaging in enlightenment work in the future. ⑤
Bao Qin entered Jia Fu forty-nine times, and the first sentence he replied was "Snow White and Plum Blossoms in the Glass World", followed by a lot of descriptions of plum blossoms in fifty sections. The following passage is particularly noteworthy:
Looking around at the silver, I suddenly saw Baoqin standing far away on the hillside, with a maid holding a bottle of red berries behind her. ..... I saw a man in a scarlet carpet turn out from behind Baoqin. The old lady asked, "Is that girl again?" Everyone laughed and said, "We are all here. That's Baoyu. "
Baoqin is the last plum blossom in the snow and ice. She stood on the hillside waiting for Baoyu to catch up from behind. How profound the author's moral is!
Eighty years ago, this primrose was in bud. Her main story is still after the eighties. We must also explore this point in order to fully understand her important position in the book.
Thirteen poems by Wu Xiang in three years
Dating back to the 50th and 51st times, people did lantern riddles in Wu Wenxiang. Baochai, Baoyu and Daiyu each have a poem riddle. Baoqin wrote ten ancient poems on the topic of ten historic sites, which is both nostalgic and puzzle-solving. Baoqin is a "mysterious figure". In order to explore how Xue Qin wrote the post-80s character, let's start with these thirteen poems.
In addition, Wu Wenxiang has several riddles, the answers of which are given in the book. Only these thirteen poems have no answer. "Everyone guessed once, but they didn't." Cai Yijiang ⑥ and Liang Guizhi ⑥ think that these riddles all contain the deeds of the characters in the book, which is the real answer. I quite agree with you, but I have a slightly different view on the hidden people or things. Thirteen riddles are a whole. I think Baochai's riddle and Daiyu's riddle are equivalent to the introduction of A Dream of Red Mansions, and the nostalgia of Chibi is equivalent to the end. The other ten riddles contain twelve women, namely: Daiyu, Baochai, Xiangyun, Yuan Chun, Li Wan, Xifeng, You Sanjie, Xichun, Tanchun, Qin Keqing, Yingchun and Baoqin. Baoyu's riddle hides the first three women who have a love and marriage relationship with him, and Baoqin's other nine riddles hide the other nine women in turn. This is another twelve hairpin different from the official version of Taixu Dreamland, which can be called "Twelve Hairpins in Warm Fragrant Dock". This is You Sanjie and Baoqin, not Miaoyu and Qiaojie. These twelve hairpins were not fixed at first. For example, after forty-nine times, another kind of twelve hairpin was clearly listed.
Now let's analyze two poems by Third Sister Ewing and Bao Qin:
Guangling nostalgia
Cicada sings and perches in the blink of an eye. What's the scenery like near Suidi?
Because of romantic numbers, a lot of words have been provoked.
This poem suits your third sister very well. "Chanming" refers to Jia Rong and Jia Lian's teasing of Third Sister, and "Crow Habitat" refers to Jia Zhen's insult to Third Sister. Third sister was ashamed, and these people didn't dare to bully, so "cicada singing" disappeared in an instant. "Suidi" is covered with willows, which means Liu Xianglian. Third sister wanted to marry Liu Erlang, and Jia Lian happened to meet her on the road, so she got married. "What's the scenery near Sui Dyke?" That is to say, Third Sister is thinking about Xiang Lian, and she doesn't know how he is doing recently. She hopes that he will "come back early and complete his lifelong event". The last two sentences of the poem say that because Ningfu has a reputation for romance, only the two stone lions in front of the door are clean, so it "caused a lot of discussion": the second and third sisters "had a long history with Jia Zhen and Jia Rong", and even Baoyu said "a good couple" and ended up divorced. "My little girl was ashamed to return to Yinfu, and Jiro was cold in an empty door".
Meihuaguan nostalgia
Not by plum blossoms, but by willows. Who will pick up the painting?
I didn't remember the arrival of Chunxiang when I met again. It was another year to say goodbye to the west wind.
As long as you look at the word "plum blossom" in the title and the word "plum" in the first sentence, you will know that it is Baoqin, not others. This is the last poem of her nostalgic poems, so it is very appropriate to talk about herself with this last poem. The meaning of this poem is obvious: in the future, Baoqin did not marry Mei Hanlin's son, but married a man named Liu, and collected all the male characters in the book. Only Liu Xianglian and the grandson of Liu Biao, Duke of Guo Li, who was attending the 14th funeral, attacked Liu Fang. Since Liu Fang attacked the viscount, she has been married. So Baoqin can only marry Liu Xianglian! The second sentence of this poem is about this portrait that Leng fell in love with just like the one Liu Mengmei saw. Du Liniang and Liu Mengmei are a plum blossom and a willow. They have deep feelings for plum blossoms. Compared with Xue Xiaomei and Liu Erlang of plum blossom, it is also a plum blossom and a willow, just for comparison. The name "Chunxiang" is borrowed. The word "Xiang" is homophonic, and "Chunxiang" refers to Xianglian. Three or four sentences: Baoqin Xianglian separated for some reason after marriage. Farewell to autumn, the west wind is bleak today. Baoqin misses Xiang Lian day and night, hoping that he can come back and reunite with his wife. As the saying goes, "If you don't remember the fragrance of spring", reunion is out of reach.
Twelve women should represent twelve types of women. The twelve women in the dream were shown to Baoyu by the police illusion, so they have limitations. You Sanjie, Baoqin and Xianglian all belong to the ordinary citizen class outside the Jia family, and both women are married to Xianglian. Two women replace Miaoyu and Qiaojie in the dreamland to form twelve women in Warm Sweet Room, which is probably the idea of Qin Xue in the later period of Five Additions and Deletion.
Four catkin words and plum blossom poems
Is there any doubt that the analysis of "plum blossom fragrance looking back on the past" is attached? If there is only that poem, it will inevitably make people feel that the evidence is insufficient. Then, let's look at Baoqin's words and poems again.
After the seventieth session of "Shi Xiangyun occasionally wrote catkins", girls began to write lyrics on catkins, which were limited to various minor tunes. This time, the club was founded for the last time before the 1980s, and then Fu Rong changed hands many times. From then on, it will be more serious. I'm afraid it's hard for DUZH to reappear after the 1980s. Therefore, the five words filled in this time are by no means moaning without illness, but they must have implications, or indicate that all the fragrance will fall like catkins after the downfall of Jia's family, or imply the poet's own future experience. The author once analyzed Xiangyun's dream, the son of Tan Chun and Yu Bao (5) Here we look at Xijiang Moon:
Hanyuan is sporadic and limited, and Sui Dykes are dotted. Three spring career pays east wind, bright moon and plum blossom is a dream. In several courtyards, whose house is covered with fragrant snow? Jiangnan and Jiangbei are roughly the same, but they hate being separated from others.
In this word, "a bright moon and a plum blossom dream" obviously means that Baoqin didn't marry Mei's son. "Hanyuan" planted willows, and "Suidi" planted willows, both referring to Liu Xianglian. "Hanyuan" means Chang 'an. "Limited Hanyuan" means that Liu Xianglian and Baoqin met or got engaged when they were in Beijing, but they didn't meet much. At that time, the emperor dug rivers from north to south to build dikes, so "Sui Dike Infinite Decoration" said that they got married after the Xue family came back from north to south. Three or four sentences recall the decline of the Jia family. At that time, "the fragrance was exhausted after three spring", and the marriage between Baoqin and Mei Gongzi became a dream. "A dream of bright moon and plum blossoms" also means that Baoqin and Mei's sons meet under the moon, and after they meet, they become farewell. The first half of the word is equivalent to saying "not at the plum edge but at the willow edge", but it is more detailed.
When You Sanjie committed suicide, there was a eulogy saying: "When peach blossoms are crushed all over the ground, it will be difficult to help Yushan." This is the "Falling Red House". "Xiangxue" describes catkins. The second half of the word refers to the war between Jiangnan and Jiangbei. Some people spilled blood in the yard, and some people fled home like catkins. This is true in all areas of Jiangnan and Jiangbei. The last section said that Baoqin Xianglian separated for some reason after marriage. Judging from this word, the two were separated in the war. "The most important thing is to leave people and hate them." After separation, they were deeply separated and could not be together again. Several Yards may imply that Baoqin and You Sanjie have the same tragic ending.
Now look at Bao Qin's Ode to Red Plum:
Sparse branches are gorgeous flowers, and spring makeup is children's luxury.
There is no snow in the quiet room, and there is a sunset in the running water.
Dreams are cold with the rainbow sleeves, and the fragrance is crimson.
The predecessor must be a Yaotai species, and the color difference is beyond doubt.
As Yongmei, the first sentence is of course plum blossom. The moral of this story is that when Jia Jia was in its prime, there were flowers and trees everywhere in the Grand View Garden. The next sentence says that the children's clothes and makeup in the garden are competing with each other. Forty-nine times "Glass World, Snow White and Red Plum" happened to have a long paragraph about everyone's clothes in the snow. The Xue family lives in a quiet house in the northeast. There is no snow on the threshold, and the word "snow" is homophonic with the word "snow". The Jia family didn't lag behind, and the Xue family returned to the south. There was no Xue family in that family. "Sunset" refers to the falling plum blossoms. "An empty mountain has a sunset" means that Mei's son died, and Baoqin and his marriage became empty, like running water.
"Cold dreams follow the red flute", and the word "cold" refers to Lengjiro. This poem is about Xiang Lian and Bao Qin dreaming of each other and accompanying each other in their dreams. It's like Liu Mengmei and Du Liniang meeting in a dream. The word "Xiang" is homophonic with the word "Xiang", which refers to Xianglian. "Pan Xiang He Jiang Tea with Fairy" means that workers, such as cowgirls, will get married in the Milky Way. "Ancestors must be Yaotai": Such a good couple must be the golden couple of Yaotai. "There is no doubt about the color difference": Can we doubt this good marriage because of the different worldly circumstances? What's the difference? Look at the next section. This poem says nothing about their marriage, and its tone is cheerful.
Fifth, it is not that enemies don't get together.
The above two sections look at her relationship with Xianglian from Baoqin's perspective, and this section looks at Xianglian's perspective again.
Forty-seven times, when Xiang Lian appeared, he had an unusual relationship with Xue Family. As the saying goes, "it's not that enemies don't get together." He beat Xue Pan to "run away from home". The Xue family hates him. Xue Pan "slept on the kang and scolded Liu Xianglian bitterly, and ordered the boys to tear down his house, kill him and go to court with him." Aunt Xue "wanted to ask Lady Wang to send someone to find Liu Xianglian", but fortunately Baochai persuaded her.
Strangely, Xiang Lian and Xue Pan became sworn brothers 66 times. Later Xiang Lian went to Beijing. "First of all, I came to visit Aunt Xue, and then I met Aunt Xue ... Aunt Xue didn't think about the past, only felt new gratitude, and both mother and son were very grateful. Let's talk about getting married. Everything is ready, just wait for another day. Liu Xianglian is also very grateful. " Such an unexpected description is obviously an important foreshadowing. What is written here is that Xue and his mother are like a family, and the Xue family is planning a marriage for him. Isn't this just like the Xue family wants to recruit someone else to be a son-in-law? The word "meet Xue Ke again" is by no means a casual article, because they will be relatives of Lang Jiu in the future.
After You Sanjie committed suicide, Xiang Lian burst into tears. "When you go out in a daze. I thought about what I just did. It turned out that You Sanjie was so beautiful and so strong, and I regretted it. " The following words are also very strange:
While walking, I saw Xue Pan's page looking for home, absorbed in his thoughts. The page took it to his new home, very neat.
It says here that Xianglian missed You Sanjie, so she followed the Taoist priest. Why did you suddenly insert these words to write that he seems to be in Xue Jia's new room? This seems to be an unnecessary complication, so later versions completely deleted these. Now we understand: this just implies that Xiang Lian did not become the son-in-law of the You family, but later became the son-in-law of the Xue family.
The following way of writing Xiang Lian and Taoist monks is also meaningful:
Hearing this, Liu Xianglian felt cold all over, pulled out his male sword, waved his hand, swept away all his troubles, and followed the Taoist priest, I don't know where he went. See you later.
At the beginning of 67, there was a similar statement:
When Liu Xianglian saw You Sanjie's death, she fell in love with him, but it was broken by the coldness of Taoist sentences. She cut herself off from home and drifted with that crazy Taoist. I don't know where to go. I won't show it for the time being.
These words clearly show that monks are not real monks, and "throwing away all troubles" is only a temporary excitement. Otherwise, why do you cut your hair as a monk in an old road? They all say "I don't know where I went, see you later" and "I don't know where I went, so I won't show it for the time being", which shows that I will write his story in the future. Since you want to write, it must be an important story, otherwise it is not a snake foot?
There is a saying in Zhen Yinshi's "Good Songs": "If you train well, you can't be a girder in the future." There are a large number of "Liu Xianglian 1000 people". This shows that Liu Xianglian will become a mountain king in the future. When is this? I think it was before I married Baoqin. When they got married, one was in Qinglin and the other was the daughter of the people, so they said "color difference". The last section said that they were separated in the war after marriage, obviously because Xiang Lian and others rebelled and were defeated by the court.
"Dream of Red Plumes" mainly talks about "Zhu Fang". Author Baiyun: "I suddenly thought of my children on that day. After careful investigation, I feel that their behavior and knowledge are above me." ..... Don't protect yourself because of my incompetence, and let it disappear at the same time. "In stone words," these women are not as good as what I have seen and heard for half my life, although I dare not say that they are all better than the previous generation ... They have also changed the eyes of the world, ... "Gao Xu actually wrote only one fragrance of Lin Daiyu, even Xue Baochai, and Shi Xiangyun and Xue Baoqin even" disappeared "together. Qin Xue wrote Baoqin after the 1980s. Although it was difficult to write on the website at that time, it would be very exciting and moving to use a curved pen.