What do you need to learn to be a filmmaker?

Producer: Generally, he is responsible for the market research in the early stage of the film to see whether the film market of similar films has prospects (such as box office situation, popularity, possibility of sequels, etc.). ), and through the investigation to decide whether it is worth making this film. If the answer is yes, then they will find their film group to invest in producers and related personnel and start choosing directors, scripts, actors, sponsors and so on.

Producer: The task is basically the same as the producer. He is responsible for the "catalysis" of the whole film, urging everyone to finish the film quickly and ensure the quality. At the same time, he is also the "manager" in the filming process, responsible for supervising the whole filming process to ensure that everyone does not "cheat" and waste investors' money, which is similar to the role of project supervision.

Consultant: If it is a film with historical themes or other professional themes, in order to make the film more convincing or credible and provide necessary guidance and help, the producer will invite authoritative people to be film consultants.

Director: Responsible for carving all the characters in the script and using various shooting resources (props, venues, actors, etc.). ) to interpret the script, make a movie and copy.

Assistant director: He is both a director and a producer, and he is the director's right-hand man.

Producer: Mainly for the script, give advice to the director's shooting work, so as to keep the original script.

Actor: Interpret the content of the script according to the requirements of the director and the script.

On-site service (audience seating): responsible for providing necessary items and convenient measures for shooting, such as preparing props, selecting scenes, maintaining the order of the studio, and providing logistics services.

Scene designer: responsible for setting the scene according to the script and the director's requirements.

Lighting: In order to achieve the artistic effect of the film, the lighting effect of the studio is arranged according to the requirements of the script and the director.

Stylist: according to the script and the director's requirements, set the shape for the actors in the film.

Makeup artist: "Heavy makeup is always appropriate". The makeup artist should also make up the actors according to the script and the director's requirements, and also consider the requirements of modeling.

Special effects: according to the content of the script, add wonderful scenes to the film, but it must be performed by professionals, and special effects personnel are indispensable.

Post-processing: After the whole film is shot and sealed, the director and producer feel that some places need to be treated by scientific and technological means to achieve the artistic effect of the film, and some scenes may be re-shot if necessary. There was music, dubbing, subtitles and special effects. There will be composers, voice actors, special effects personnel and so on.

Composition: Arrange the appropriate music for the film. Correspondingly, there will also be bands, conductors, singers and other personnel.

Editing: As there will inevitably be many repeated or redundant shots in the shooting process, in order to make the overall effect of the film natural, harmonious and smooth, and at the same time take into account the style requirements of the director and the script, the editors need to cut the unnecessary shots in the whole film.

Film Copy: After the master film is processed, the producer will find a professional film copy company to copy the film, and the film will be transported to various film markets for listing or screening.

The production of a film embodies the hard work and sweat of many film workers. All those who work hard for the successful release of the film are those who wholeheartedly want to contribute good works to the broad masses of the people. They are great and selfless. If someone deliberately films "crooked ways and goes against historical facts", then he is the scum of society and the enemy of the people!

(2) What qualifications do you need to be a film producer? Is there a threshold for art education training classes?

If you want to be a producer, you must be able to deal with directors and investors, manage equipment and contacts as a whole, market and distribute, and have the ability to make movies sell well. There should be no threshold for training courses in Yi Rong education, but there should be restrictions on students.

(3) After completing the producer course, can I go to the crew to be a production assistant?

No, because you need some other exercises to improve yourself.

(4) Are there any refresher courses for filmmakers?

make an effort

⑤ What are the specific courses for postgraduate film majors in Britain?

1, University of Exeter

Master of International Film Business

This course is jointly offered by the University of Exeter and london film school, who has an epic position in the film industry. It is divided into three semesters: the first semester is at the Stretham campus of the University of Exeter; I studied in london film school for two semesters. The course mainly involves international film financing, production, distribution and market planning. Every February, students have the opportunity to attend the annual Berlin Film Festival, and the cost of this trip is generally included in the course tuition.

Admission requirements

Academic aspect: related background in film and television study, with an average score of 80 points or years of working experience in film and television industry; Applicants may need to submit original works or attend Skype interviews.

IELTS: The total score is required to reach 6.5, and each item is not less than 6.0.

2. Royal University of holloway (University of London).

Master of film and literature; Television, film and television producers

The course focuses on helping students who are eager to develop in film production management to expand their abilities in innovation, management, financing and law. Compared with other universities offering film and television production, Royal holloway University has integrated law courses which are easily overlooked but occupy an extremely important position in the film and television industry, so as to enhance students' legal awareness and * * * awareness.

Admission requirements

Academic aspect: film and television study related background, with an average score of 80 points or media-related work experience; Applicants may need to submit papers and telephone interviews.

IELTS: The total score is required to reach 6.5, and the single writing requirement is 7.0.

3. Bournemouth University)

Master of arts in film and television production

The main content of this course focuses on helping students understand how to explore, expand and sell their own production ideas, improve their production management skills, consolidate their production management capabilities, and help them grow into a successful producer.

Admission requirements

Academic aspect: film and television study related background, with an average score of 80 points or media-related work experience; Applicants need a telephone interview.

IELTS: The total score is required to reach 6.5, and each item is not less than 6.0.

6. What major do you want to study as a filmmaker?

Producers generally refer to the owners or management agents of film companies. Responsible for coordinating and directing the preparation and production of the film, and have the right to change the plot of the script and decide the director and main actors.

Most producers know about film art creation, audience psychology and market information, are good at raising funds and are familiar with management.

Not only do you have to study all the director's courses, but you also have to dabble in mathematics, statistics, mass communication, public relations, humanities, computer and photography, fine arts, screenwriter, recording and printing, as well as a series of literacy knowledge such as operation management, marketing, human resources, psychology and law.

What a producer should know about movies: A producer does not specialize in film theory, but only needs to know all kinds of terms and knowledge of movies, and then consult the film art dictionary and related books when necessary. For film aesthetics, film philosophy, film poetics, film sociology, film psychology and other theoretical categories, we only need to choose the relevant parts to study. Some lame nouns can even be ignored.

Second, producers should understand the production process: 1 The first is the script. No matter whether it is a costume film or a fashion film, whether it is a martial arts film or a science fiction film, always be creative first, write an outline, and then write a script or workbench according to the theme clues. With this drama, we have the initial conditions for shooting.

Second, capital. No matter what theme you shoot, you must have enough funds to guarantee it. You can raise funds in the studio and ask for subsidies. You can also make joint ventures with other units and individuals or apply for bank loans. Anyway, it is absolutely impossible to have no money.

Thirdly, the organizer, the first person to look for is the director and production director, who are two key figures in film creation and production management, then the artist and photographer, then the lighting leader, the sound recorder, the editing leader, the deputy director and the audience. Then there are makeup, costumes, props, scenery, scene recording, fireworks, accounting, actors, composers and deputies of each group.

Third, producers should grasp the market conditions: there are many factors that affect the market, including politics, economy, culture, nationality, emotion, religion, and even an emergency can change the market conditions. Therefore, producers must have a keen sense of smell and a strong sense of advance when capturing the trend of market information.

Producers should be good at choosing scripts: the conditions for choosing scripts should be clear, the plots should be true and typical, the ideas should be ingenious and innovative, the structure should be rigorous, and the rhythm should be ups and downs, because the scripts of film literature are the foundation of the film, and the most important thing is to grasp the psychology of the audience and conform to the taste of observation.

Producers should be good at logistics management: 1 Producers are commanders who plan from the office, operate from top to bottom, and win battles thousands of miles away. His first plan is whose book to use, what film to shoot, how long to shoot, how much money to invest, and how much money to make from the film.

Then, the second step is to plan when to start shooting and when to print the copy, taking into account the seasonal factors. There are several seasons in the script, will it be crowded in the shed in the later period, will it be submitted for review in time for the Spring Festival holiday, and will the film release time catch up with the award season and the peak season?

Third, we should consider it more carefully-who will be the director and who will be the production director. The main actors must be decided by the producer.

Producers should know legal knowledge: producers have legal personality, so important agreements and contracts must be signed by producers.

7. Producers should learn to know people and be good at their duties: as a producer, they should not only plan the filming and production of film and television works, but also deal with the daily affairs of the company. There are many facts about learning and meeting, and there are also miscellaneous things about specialty, specialty, personnel and administration, so you can liberate yourself by learning to know people and being good at performing your duties.

Producers should move from experience management to scientific management, and then to cultural management, so that films, as a cultural and creative industry, can be pushed to the international stage from the mainland and seek higher output value.

What are the directors, producers, producers, screenwriters, planners and producers doing? What is the order of size?

Generally speaking, the producer has the greatest power, followed by the director. The others are in no order of size, but with different division of labor.

1. Director: Mainly responsible for the performance part of the film and managing the creative part of the film. Such as Zhang Yimou and Xiaogang Feng.

2. Producer: It may be an individual or a company. Responsible for script co-ordination, preliminary preparation, formation of film crew (including the signing of contracts for cast members and shooting equipment), cost accounting of shooting funds and financial audit; Make shooting and post-production; Assist investors to issue shares at home and abroad and apply for prizes at home and abroad. Such as Huayi Brothers and Wang.

3. Producer: It may be the same person as the producer or someone else. Manage all the work related to the whole TV or film production process, such as personnel search and coordination, budget control, shooting time schedule, etc. So that the film can be completed within a reasonable time and budget.

4. Script: The overall design of a program or film is expressed in the form of words. A work is called a script, which is a performance blueprint in a film and television drama. A professional screenwriter with outstanding achievements is called a playwright. Such as Wang Yi's TV series "Mother Musical Instrument World".

5. Planning: internal production, external publicity, advertising and other pre-production, mid-production and post-production links, so that the film can produce the greatest economic benefits.

6. Producer: the investor of the film. The commercial nature of the film determines that the producer is the owner of a film, and has the right to decide all the affairs of filming, including what kind of script to shoot, hiring directors, photographers and actors, and sending filmmakers to manage the filming funds, audit the filming funds and control the whole filming process.

Film production process:

1, select script

That's all that matters. Generally, producers choose scripts, but there is no shortage of directors to choose scripts. However, after choosing a script, the director must persuade the company and producers to invest in him. But in 2 1 century movies, the director has no right to adapt the script. If he wants to revise the script before shooting, he must get the approval of the company's upper board of directors.

2. Funds

The cost of a film includes not only the director, screenwriter, cameraman, actors, scenes, shooting, post-production, accommodation, etc., but also marketing and publicity expenses. Usually, the marketing expenses are equal to the shooting expenses or shooting expenses 1/2. According to different concepts and requirements, each movie can be divided into small-budget movies, medium-sized movies and large-scale movies. Small budget movies are basically below 6.5438+million yuan, medium-sized movies are about 6.5438+00-80 million yuan, and large movies are more than 80 million yuan.

Domestic small-budget film masterpiece "33 days of lovelorn love" (about 9 million RMB, excluding publicity expenses), domestic medium-sized film masterpiece "Man in a dilemma" (about 30-40 million RMB, excluding publicity expenses), and Hollywood large-scale film masterpiece "Avatar" (about 600 million US dollars, excluding publicity expenses).

3. Choose directors and actors

There is no such thing as choosing a director in China's films. In a film, the director is the person in charge, which means that they are not only responsible for the quality of the film, but also for other aspects of the studio. In international film production, the director only needs to be responsible for shooting. In international film production, it is the script that chooses the director, not the director who chooses the script. Producers also have to undertake the task of selecting actors in film preparation. In Chinese mainland, these are all done by assistant directors.

4. Star lineup

A successful film requires not only great scripts, good stories and good directors, but also the participation of big-name stars. Stars are the shining focus of movies and the guarantee of box office.

5. Form a film crew

The photography group includes: field notes, makeup, props, lighting, art, post-guidance, and group editing.

6. Movie editing

In American commercial films, directors have no editing rights, but they are all edited by production companies, but it is different if they are first-line directors.

7. issuer

Publishers and producers in commercial films are not the same. Publishers get the right to distribute through competition, and the quality of a film can also be expressed by watching publishers.

8. Publicity methods

Generally speaking, as early as four months before the release of the film, the advertisements and posters of the film have been released.

9. International distribution of films

Distribution of film dubbing rights and editing rights.

10, attend the film festival

How does a film director become a producer?

First of all, if you were a director, you wouldn't ask such questions. Judging from your question, you are not a professional in this field. I will answer your question later. ...

Foreign directors and producers are all decided by the company, because directors can save a lot of costs in shooting, so I won't elaborate on this.

Producers have specialized courses. Beijing Film Academy is divided into many majors, including director, screenwriter, photographer, makeup and producer. If you don't get into the school by examination results, you can also sign up for advanced courses. ...

Finally, I want to say that no matter what field or occupation, it needs a process, which has a lot to do with experience. Producers need professional knowledge, which is essential. There is also experience. When you have more cast, you will naturally be able to play this role well. Similarly, if you are a professional director, you will often work with the producer, and you will know his scope and field of work. ...

As a director, if you are not afraid of being distracted at work, you can be a producer and even play a more professional role with these conditions. .....

Finally, I need to explain the concept of producer in the crew. There are many producers who are bosses, that is, investors. There are also many producers sent by investors, whose responsibility is to control and distribute all the funds of the crew. And the producer sent by the company. For example, cultural media companies will also hire producers to shoot film and television works. They are also responsible for the operation of the fund. .

Pet-name ruby when producers learn what major?

You can choose major in film and television production and film production management, such as Beijing Film Academy, China Communication University and other mainstream art colleges. Of course, you can also find majors with similar names in comprehensive universities; Or if your intention is stage performance, you can also consider the stage management major of the Theatre Academy.

Generally speaking, there are three kinds of "producers":

1. refers to the planner responsible for the whole movie or TV series, the producer responsible for shooting and production, and the financier.

The second is the producer who is technically responsible for the whole film or TV series project.

Three, refers to the film or TV investors themselves (generally only signature, non-professional producer).

In Hongkong and Taiwan Province Province, the producer's name is usually called producer. They are the top managers of movies or TV series, and are fully responsible for the overall work of "selecting books, finding money, teaming up and selling films".

The producer is the master of the whole crew, and the highest authority of the film crew has the right to decide to hire outstanding members and to expel members who violate discipline in the crew. From the completion of the film to the release, it is the core figure throughout the film.

(9) Extended reading of filmmakers' courses:

In the absence of the producer of the crew, play the role of producer, manage the crew on behalf of the producer, and implement the rights and obligations of the producer.

1. Supervise the artistic quality, production progress and capital flow of film and television drama shooting.

2, timely handle the contradiction between administrative management and artistic creation or creative departments.

3. Make a publicity plan and implement it at the same time to prepare for the release of film and television works.

4. Review the completed film and television works, prepare the review materials, report them to the competent department for review, and obtain the issuance and projection license.

5, the sales and distribution of film and television works, responsible for the withdrawal of funds.

Attending what do filmmakers mainly do?

Producer: the highest person in charge of a film (looking for funds and forming a crew)

Director: the highest person in charge of the creative team (arouse the enthusiasm of the whole crew and complete the shooting plan within the set time)

Producer: the highest post-director (post-editing as producer)

Planning: Responsible for the producer (responsible for the desk work of the film except the script)

Screenwriter: Responsible for the producer and director (writing and revising the script in the first place).

Producers are divided into many departments. Life producers are managers who manage the life and logistics of the crew, eat, drink and sleep. On-site production is the discipline of on-site management to ensure the smooth creation of the main creative department; The producer is the manager who manages the production and presentation of the scenes of the crew (in the previous film studio, the producer was also responsible for the shooting plan of which crew).

Outreach producer, as the name implies, is the manager who contacts the crew to shoot the scene outside (just like the public relations department of a unit); Each production department has a production director, and the production director has an executive producer (some directly face the producer, and the executive producer is between the production director and the producer). There are several spectators, all of whom are people who do some concrete things.

The people in the production department do not participate in the whole artistic creation of the crew, which is equivalent to the logistics department of a unit.

(10) Extended reading of film producer course;

Usually, many people confuse producers with producers, but there is a big difference between them.

If the enterprise is defined as a metaphor, the producer is equivalent to the chairman (investor, enterprise legal person or authoritative person), and the producer is like the president (in charge of the overall situation), demanding to know books, understand the market, build a crew, perform filming, post-production and release.

More importantly, budget control, shooting time schedule control and so on, so that the film or TV series can be completed within a reasonable time and budget. In the process of filming, the producer's every move can easily affect the quality of the whole film, which is an indispensable position.

In China, because the signature of film and television works is not clearly regulated, many producers are also the position of signature producers, which leads to disputes among experts in the industry. The producer's artistic gold content in film and television works can't be defined and distinguished.

Although the producer pays more and contributes a lot to the success of a work, it is impossible to set up an award for the producer because the signatures of the producer and the producer are confused and indistinguishable.

The producer is responsible for the market research in the early stage of the film to see whether the film market of similar films has prospects (such as box office situation, popularity, possibility of sequels, etc.). ), and through the investigation to decide whether it is worth investing in making this film. If the answer is yes, then they will start hiring producers, choosing scripts and attracting sponsors.

Producers are generally the main investors or legal representatives of heavyweights who are helpful to film sales in the film and television industry. Producer is the soul of the whole film, which determines the style, category and market trend of the film.

The producer is the person in charge of the whole film preparation, responsible for sponsoring, finding investment, setting up a crew, deciding which director to use and which actor to choose, etc. , responsible for the daily life of the crew and maintenance of the crew's shooting activities, as well as publicity and broadcasting after shooting.