As the youngest professor in the history of Peking University, Xu devoted himself to journalism research. While presiding over the seminar, he wrote a book called Journalism, which was regarded as "unprecedented" by the press, and actively planned to set up a journalism department in Peking University. Later, he fell to the pulpit due to illness, leaving a touching song of life for future generations. Shao Piaoping, the instructor of the seminar, explained the professional journalists incisively and vividly with his iron shoulders and tough style. His passionate ideals and excellent qualities (in Mao Zedong), as well as his spirit of giving up life for righteousness and generosity, have left valuable wealth for news seminars and journalism in China. These spirits inspired generations of China people to fight for national independence, freedom and democracy, and the older generation of journalists, represented by Xu and Shao, also set an example for future generations to engage in journalism. If the understanding of journalism can express the characteristics of journalism in the New Culture Movement in one sentence, then Shao Piaoping's "journalism-oriented" is the most appropriate, because journalism in China has returned to the discipline construction itself, and journalism (19 19, Xu) and applied journalism (65438) have appeared in the New Culture Movement successively. Ren), Practical Journalism (Shao Piaoping, 1923), Introduction to Journalism (Shao Piaoping, 1924), History of Chinese Journalism (Ge, 1927) and other representative works mark the real establishment of journalism in China.
No matter how different these works are in frame design, argumentation level and content, the open mind of the New Culture Movement makes them have the same perspective: from the past, they opened their eyes (many people actually only opened a crack) to look at China from the modern world communication system. Xu wrote: "Since Traffic Day, human life has become increasingly complex and rich, and our concern has transcended national boundaries and political circles. Therefore, newspapers should not only provide domestic political news and local news, that is, foreign and social events, but also provide clear and detailed records. " When it comes to modern newspapers, Xu thinks of the responsibility of news communicators, and Liang Qichao thinks of the heavy responsibility of political propagandists. It seems that different starting points are doomed. In Liang Qichao's case, journalism is at most "art", while in Xu's case, knowledge and art are integrated and inseparable.