The awareness of national defense in China is not limited to individual talents. Every man is responsible for the rise and fall of the world. National defense security is closely related to our lives. The following is what I arranged for you, I hope it will be useful to you!

appreciate

Picture 1

Picture 2

Picture 3

Picture 4

Calligraphy collection

In the kingdom of stone carving, there are not only inscriptions and cliffs, but also small and exquisite inscriptions. The big one wins with gas, and the small one wins with rhyme.

The general practice of engraving posts is to trace stones with ink. It is naturally impossible to find large pieces of ink. Before calligraphy prevailed on the walls in Ming and Qing Dynasties, the works of people in Tang and Song Dynasties all won with small font size. Because of the huge scale of the monument, we can see its momentum. Once it falls on the ink, we prefer to spread it horizontally: a piece of paper can be rolled for several meters by hand and placed on the desk, and there is not enough space between heaven and earth. Only in this way can Moshu file a case. It should be said that in the early history of calligraphy, there were various differences between tablets and stickers, including a difference in size. The boundary between the greatness of the monument and the exquisite elegance of the post is self-evident.

Since the engraving is based on ink, it is naturally not too big. But it is also a stone carving, so it is the smallest family member in the stone carving kingdom. It can even be said that it has a character of riding a wall: taking the material of inscriptions and the dirt of ink. If it is too big, there will naturally be no majestic momentum of cliff stone carving, but its texture and texture are different from calligraphy. This is a complex of contradictions.

It is a very difficult technical requirement to replace the pen with a knife and chase the pen, which determines the duality of seal cutting. On the one hand, it uses different materials to describe the softness and elasticity of brush in ink and the subtle exudation of rice paper, which often makes it elongated and ignored. On the other hand, the level of carving and carrying is greatly improved. At the peak of Tang and Song stone carving, some of the most fragmentary stones were carved by ancient craftsmen, and one of them was as wonderful as ink. This is a sign of high skill. Although there may be no custom of engraving posts in the Tang Dynasty, the pursuit of calligraphy and traces of Dan by carving hands is basically the same in nature as the pursuit of ink fragrance in the Song Dynasty.

Of course, there are too few people who can worship the imitation stone printing ink step by step to reach a high level. Moreover, with the continuous extension of the history of stone carving calligraphy from inscriptions, cliffs, statues to epitaphs, the techniques are becoming more and more sophisticated, and its aesthetic independence is becoming more and more clear. The carved post should be attached with ink, but its stone rules make it disdainful to be a vassal of ink. It is true that engraving was only a kind of skill in printing in the early days, but it may not be the case in the history of calligraphy in the post-Song Dynasty. The inherent lines of stone, its lasting erosion, and even all kinds of accidental fractures and injuries no longer belong to the aesthetic content of the ink system. The sense of vastness like DingwuLanting is beyond the expression of paper hanging materials.