Cut one of them short with a box of matches, which is equivalent to the width of the matchbox. Put this short match horizontally in the matchbox so that it can't stop other matches from falling. Now, the preparatory work has been completed. First, show others the matches inside, but don't show others the horizontal matches. Then, you draw an area on the table and say that I want to make the gravity of this place disappear. Then, pull out the box inside face down, so that the match won't fall. But you slowly move the matches to other areas. At this time, you only need to gently pinch the width of the matchbox before and after, and the matches will naturally fall off.

Coincidence of two numbers

There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not for the audience to see). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict? Specific operation: The performer puts a pencil lead about 1cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!

Money turns white.

Work: 65,438+00 banknotes and 65,438+00 blank sheets of paper. Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few pieces of front and back from the fan-shaped banknotes to explain, and take the opportunity to move the 10 banknote to the bottom, and there is a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper. Note: The paper money and white paper used for performance should be new and strong.

Psychic magic

Prepare two books of the same type (such as business education) and let two audiences come up to check them. Then let an audience turn to which page at will, and then you tell him which page is on the left or which page is on the right, and then let another audience turn to the page that the first audience said, so that he can remember the first word on that page, and then the magician writes down that word. Decryption: In fact, the contents of these two books are exactly the same, except that the magician changed the cover of the book. When the magician asks the first audience whether it is the left page or the right page, the magician can see the first word generously, and it is also possible to do some mysterious actions when you guess the word. Note: These two books must be of the same type.

The coin pierced the throat.

The magician first prepared a coin for the audience to check, and then asked the audience to make a mark. Then he said I ate it from my mouth and it came from the back of my neck. As a result, the coin was put in his mouth, and then the audience saw that there was nothing in his hand and took it out from the back of his neck. Secret: Actually, the magician is saying, "I'm going to put it in my mouth and take it out from behind my neck. This is what he put behind my neck. But you must pretend to hold the coin. The next step is to play tricks, submit to humiliation, and show uncomfortable appearance. The longer you do this, the better, that is, let the audience forget what you just did and take it out from behind your neck.

Poker magic

Work: Prepare about 15 cards. Let the audience check the cards first, then unfold them by hand, quietly put the first card behind the cards and ask the audience what the lucky number is. The magician began to count cards. Note: Don't count the first card just now, and don't let the audience see that card. ) Count the card that the audience just said and let the audience remember it. Then buckle the cards and count them again. (Note: Count the first card at this time. When you count the lucky numbers that the audience just said, tell him that this is the card just now. Note: Don't open that card, or it will be exposed. Then, put all the cards counted before at the end, and then read a spell or something to tell the audience: "Now this card has reached the top!" " Then turn the first card over.

Cup magic

Prepare two playing cards and a glass of water. Fold one of the playing cards in half and stick it side by side on the back of the other playing card in a T-shape. At the beginning of the performance, the flat and non-stick card faces the audience, and the water cup is placed on it, which looks like the water cup stands smoothly on the playing card.

Empty hands turn into flowers

Professional reform:

Hide it in your sleeve and practice a rubber band between the flower and your finger. There is a mechanism to catch flowers in your sleeve (open when bending your wrist), that's all.

One of the most retarded tricks.

Ordinary reform:

When performing, the palm of your hand faces the audience, and the flowers are small and fixed behind the middle finger, so that the flowers will reach the palm of your hand when you clench your fist, and you should move quickly.

Rubber belt penetration

Hook a rubber band on the little finger and middle finger of both hands, and pull the two rubber bands apart for four rows.

The ring finger hooks the fourth thread from the outside.

Then hook this from the outside with your index finger.

So the first one in front is actually the fourth one.

Press the rubber band vertically upward with your thumb and middle finger.

Loosen the index finger for the first time, and loosen the thumb for the second time, and the middle finger will rise a little at the same time, otherwise the spacing is too small to expose the filling.

Finally, loosen the ring finger.