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Kan, a master of Zhai and Tang, is a member of Beijing Calligraphers Association, a registered teacher of China Calligraphers Association, a member of China Hard Pen Calli

Xi' andianmo education

Kan, a master of Zhai and Tang, is a member of Beijing Calligraphers Association, a registered teacher of China Calligraphers Association, a member of China Hard Pen Calli

Xi' andianmo education

Kan, a master of Zhai and Tang, is a member of Beijing Calligraphers Association, a registered teacher of China Calligraphers Association, a member of China Hard Pen Calligraphy Association, a contracted artist of China Education Television Ink Painting and Calligraphy Institute, a former calligrapher of the General Armament Department of China People's Liberation Army, a researcher of Hebei Calligraphy and Painting Art Research Institute, a director of An Calligraphy and Painting Art Research Institute, and a special editor of the series "China Calligraphy and Seal Cutting Masters".

On the bank of the Yangtze River in Yiling, a beautiful piano city, far away from the noisy metropolis, he likes to live in a humble room, reading, listening to music and writing. Sometimes I read the clock ink in small letters, sometimes I wash my hands and change clothes, spread paper and inkstones, soak Xuanzong Zhu liquid with endless lanterns, and walk into the wonderful world of classic Tang poetry and Song poetry. He likes to be quiet, quiet, and doesn't like to sell his fame. He stays in a corner and enjoys the spiritual enjoyment brought by painting.

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Lower case, slow down, just like drinking a cup of hot mocha, you can't rush, you can't rush. The same is true for writing lowercase works. Urgent is out of shape, fast is rootless.

Some people say that writing regular script is not like writing cursive script, and politeness alone can't fully express feelings. In fact, the creation of regular script comes from the basis of posts and the inspiration gained from reading posts. Writing regular script is more about writing heart, expressing feelings and refining nature. In the world of beans, listening to the piano and waving a little ink will never stop. Although there are no stormy waves, it is very interesting to see the clear spring dripping wet and quiet.

Many people who read Kan Jing Rong's works in small print will express their feelings. In today's impetuous society, there are not many people who can write small letters quietly, and it is rare to write so quietly. He worships lower case letters and learns from Zhao. He adopts ancient methods, is good at statutes, writes beautifully and elegantly, and uses a pen very freely. He is a casual writer in contemporary lower case letters.

I like to copy classics in my spare time, such as Diamond Sutra, Tao Te Ching, Heart Sutra, Auspicious Sutra and Filial Piety Sutra. In his spare time on weekends, it is often difficult to stop writing for four or five hours. No matter how late he is every day, he insists on writing. Every time a friend asks him, isn't it tiring to write like this every day? He always smiles and answers: How can you be tired if you like it? In this way, he has been enjoying it, enjoying it.

Making tea and cooking snow and playing in seclusion are his spiritual pursuits. Being quiet and free from distractions is his artistic creed. If you like his small letters, let's walk into his art world together.