1. The schema dominated by color and integrated with pen and ink, in the disorderly collision between color and pen and ink, constitutes a grand landscape with infinite scenery.

Second, pay attention to the linguistic features of color, try to explore the expressive force of color beauty, break through the shackles of the theory of "one product" and literati painting, and make people feel the eternal changes of nature in the harmonious colors of red, green, Rayna Sue, green and ink.

Third, emphasize the diversity of painting, do not blindly follow the writing, but also get rid of the traditional sketch and rendering paradigm. The symphony of color blocks and ink blocks, the fusion of lines and colors, and the enhancement of ink color accumulation become the generate of life and emotion in the works.