Mei Baojiu, Mei Baojiu, the son of Mei Lanfang, a descendant of Mei School, is 67 years old. He is the most authentic and brilliant actor in the Mei school today and is highly respected. Mei Baojiu Oil City Court Training; Mei Lanfang hired Wang Youqing, Zhu and other predecessors, which laid a solid foundation for them. During the performance, Mei Lanfang personally took the stage for them. In the past, when I watched the posters or advertisements of American theatrical troupes, I often saw the record of Mei Baojiu singing the opening song for his father. Mei Baojiu is highly educated and good at absorbing new things. He likes playing with cameras and audio equipment since he was a child, and he has always been interested in listening to classical symphonies and bel canto. Male Dan was abolished and was responsible for the stage sound operation of Shajiabang, which added a lot of color to the drama. After ten years of turmoil, he resumed performing Mei Opera. His art came into maturity last year, and his vocal music is very valuable. Mei Baojiu has always wanted to pass on his father's masterpiece The True Legend (about the love story between Yang Guifei and Li Longji) in a new form, so today's "Tang Guifei" came into being. Liu Changyu was born in 1942. She is a Peking Opera actress and works in Tsing Yi and Hua Dan. My ancestral home is Wuxi, Jiangsu, and I was born in Beijing. 195 1 was admitted to the Chinese Opera School, and studied under Cui Hua Juvenile, Furong, Hua Huilin, etc. 1958, studied under Xun Huisheng, and learned The Red Chamber and Er You. 1959 After graduation, he worked as an actor in the 4th Regiment of China Peking Opera Theatre, and studied under Xue Yanqin, Li Yuru and Chen Bohua. She knows a lot of plays, with solid basic skills, handsome appearance, sweet and crisp voice, good singing and free performance. She can start with the characters' personalities, such as Ye, Shisan Sisters, Qiu Jiang, Taohua Village, Red Lantern, etc., and show the vitality and personality of life in stylized performances. 1983 performed "Two Yous in the Red Chamber", with You Sanjie in the front and Second Sister You in the back, which not only retained the characteristics of Xun School, but also incorporated his own understanding and creation in singing and performance. She also performed modern plays such as Kunlun Grass, Battle on the Plain and The Story of the Red Lantern, especially The Story of the Red Lantern is Li Tiemei's most outstanding achievement. Won the Mei Lanfang Gold Award in the Mei Lanfang Gold Award Competition held in 1994. Li Weikang, an actress of China Peking Opera Theatre, was born in 1947 and originally from Beijing. 1958 was admitted to the Chinese Opera School, and 12 years old took to the stage. Graduated from Cheng Yujing, Hua Huilin, Zhao Tongshan, Li Xiangyun, Xue Yanqin, Xun Lingxiang, Yu Yuheng, Zhang Junqiu, Li Yuru, 1966. She is dignified in appearance, generous in typhoon, broad, bright and sweet in voice, especially in singing, full of innovation, integrating the arts of Mei, Cheng and Zhang, learning from the singing methods of local operas and songs, and singing with emotion according to her own conditions, and gradually forming her own singing style. Yan Xingpeng, born in 1953, was once famous. He was born in Shanghai and originally from Beijing. Born into a family in Liyuan, his grandfather Yan founded the old school of Peking Opera, and his parents Yan and Ma were both legends. Influenced by family education and artistic environment since childhood, I was able to sing "Zhentanzhou", "Wen Zhaoguan" and "Going to the Roof" at the age of 6. During the Cultural Revolution, she worked as a dancer, sang martial arts in Hangzhou and Zhejiang Peking Opera Troupe, and went back to Shanghai to perform Yue Opera. 1984 transferred to Shanghai Peking Opera Theatre, devoted to the development of repertory theatre. His family's academic background, under the careful cultivation of his parents, gained the truth. Yan Xingpeng often plays representative dramas of Yan School, such as Mourning of Wolong, Let Xuzhou, Baidicheng, Going to the Roof, Playing the Golden Brick, Playing the Golden Branch, The Prince and the Singing Girl, etc. In his newly edited ancient drama Cao Cao and Yang Xiu, he made full use of the artistic means of philology and developed it, which successfully shaped the artistic image of Yang Xiu and won unanimous praise from the audience and artists. Yan Xingpeng's art inherits the characteristics of Yan School's delicate and euphemistic singing, combining rigidity with softness and clear articulation, and absorbs the advantages of Ma School's elegant figure taught by Nai's father. He is handsome in appearance, generous in performance and creative in art. He has also filmed the Beijing opera TV series Cao Xueqin and the opera art film Going to the Roof. 1992 left Shanghai Peking Opera Theatre on business. Ma became famous in the 1920s and has enjoyed a high reputation for decades. His singing art is called "Ma School", which is one of the most influential old schools in contemporary times. On the basis of learning from many senior artists, Ma is unique and integrated, forming a complete performance system with "beauty" as the core and distinctive personal characteristics. Ma is brave in reform and good at innovation. In addition to constantly compiling new dramas, adding the beginning and end of traditional dramas to make them into single dramas with complete plots, and constantly innovating performances and vocals, it is also reflected in the beautification of costume props and stages. He designed and used Qiao Xuan's colorful mink and python in The Story of He Lv, and Zhuge Liang's colorful crane in Visiting the Cottage, which was lost. He also pays great attention to the coordination of colors on the stage, and the Wuliangye stone carving patterns he uses are conservative, which adds to the artistic conception of classical beauty on the stage. Gao Shenglin Gao Shenglin was born in 19 15 and died in 1989. His original name was Lin Zhong, and his ancestral home was Yuci, Shanxi. His grandfather is Gao, a famous ugly man, and his father is the founder of the old school. At the age of 9, he joined Beijing Fulian City as a teacher, and successively studied under Wang, Wang, Wang, Wang and Wang. He joined Wuhan Peking Opera Troupe in 1950s. 1972 transferred to Beijing to engage in opera education. Gao Shenglin's youth is delicate, dressed as a general, with a loud voice and a rich singing voice. After middle age, I have a lot of experience in Hongjing Opera, and I live in Wang Hongshou as an artist. Representative works include Pick a Chinese Car, Changbanpo, Hero's Righteousness, Seal of the Top Scholar, Tielong, Zhanwan City, Evil Tiger Village, Serial, Lake Rome, Gu Chenghui, Hanjinkou, Huarong Road and Zheng Chenggong. Zhou's stage name Kirin Tong has enjoyed a high reputation since the 1920s. The performance system he established is the main school of Southern School and one of the important schools of contemporary Peking Opera, which is called "Qiqi School". Its main feature is that the performance is natural and true, with a sense of the times and a strong sense of life. Zhou is good at absorption. Influenced by Sun Juxian, Tan Xinpei and Wang Guifen in the early stage, he performed in Shanghai for a long time. He also absorbed the artistic essence of Wang Xiaonong, Wang Hongshou, Pan and Xia Yuerun, and borrowed the performances of some famous artists from Danxing and Jingxing, and integrated their verve and essence into his singing, reading, doing and playing, and finally formed his own unique style. Zhou's basic skills are exquisite. Although he has a bad voice, he can sing. His voice is wide, sandy, but it's not sizzling. In his later years, he turned to a mellow tone, showing that he felt mellow when he raised his voice and his bass was more vigorous. His singing is characterized by desolation and vitality, simplicity and straightness, full of ups and downs, and special attention is paid to expressing the feelings of characters.