Regarding lines, there are obvious aesthetic differences between oriental painting and western painting. Western painting pays attention to the combination of lines to shape characters, and uses more realistic pictures to express the painter's understanding of life and the painter's unique painting language. Chinese painting, on the other hand, completely summarizes objects with lines, shows people's inner world with concise, bright and smooth lines, and focuses on people's mental state and ideological realm. The straightness, Fiona Fang and thinness of lines, full of both rigidity and softness, all contain the meaning of life and emotion, and reflect the artist's humanistic background and philosophical thoughts. Simple lines to express objects can make people have rich associations. Therefore, we can't ignore the understanding of "line" in teaching, and let students give full play to the function of "line" to express objects and images and show their inner world. Teachers can deliberately draw some lines on the blackboard to further analyze and imagine the image displayed by the lines. At the same time, they can compare the images formed by lines in Chinese paintings with those in western paintings, and then compare the shapes formed by lines, so that students can have a full understanding of the beauty of lines. Therefore, students have a passion for Chinese painting and China traditional culture.
Second, feel the charm from the shade of ink.
Chinese painting not only makes people feel magical in the skill of "line", but also contains profound philosophy. The charm produced by the combination of dark and light pen and ink makes people think. For western painting, it is impossible to show this special texture effect, and it is impossible to reach this realm of humanistic spirit and Taoist thought. We can see that there are many excellent freehand brushwork in Chinese painting. Even if the picture is large, we can create works with wonderful brushwork, profound meaning and high realm in a short time and fast speed, while western painting is impossible to complete. In traditional Chinese painting, it is often mentioned that "ink is divided into five colors", and the shades between strokes are colorful and wonderful. The interest in pen and ink is the highest realm of ancient literati's artistic accomplishment. For today's China painters, the interest in pen and ink is still the highest goal of learning Chinese painting well. It contains a person's knowledge, cultivation, personality, vision and realm. Similarly, art teachers should try their best to show the ink color effect that meets the aesthetic requirements of Chinese painting, and teach students the spiritual realm of China literati painting since ancient times, so that students can experience the fun of ink painting between brushwork and painting, find happiness in the black and white world, and realize the philosophy of life. So as to stimulate students' interest in learning Chinese painting and their patriotic mentality of being proud of learning Chinese painting well.
Thirdly, association is generated from blank processing.
On a piece of propaganda paper, Chinese painting pays great attention to the treatment of blank. A painting, black (ink) is a painting, white (blank) is also a painting, real is a painting, and virtual is also a painting. At the same time, Chinese painting also has the saying that painting is inside and painting is outside. Every corner of Chinese painting will arouse people's association. Many excellent Chinese paintings, whether ancient or modern, attach great importance to the treatment of blank space and the collocation of poetry seals. It makes people feel poetic and picturesque, and that's how "poetic and picturesque" came about. And "poetry" refers to people's association. The realistic place provides a fulcrum and an opportunity for people's imagination, while the blank place provides a platform for people to associate, from the blank of painting to the outside of painting, from the content of painting to the social outlook, living conditions and ideal life ... Imagination is people's freedom, the release of people's psychology and the promotion of people's spiritual realm. This is the wonder of Chinese painting. Therefore, by appreciating Chinese painting, students can be inspired to spread their wings of association and ignite the spark of imagination. For example, Jiang Xue, a traditional Chinese painting by ancient painter Ma Yuan, is a large-scale painting with blank space. We can ask students to read Liu Zongyuan's poem Jiang Xue: There are no birds on a hundred mountains, but there are no footprints on a thousand roads. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. Then analyze the artistic conception of this painting painted by the painter Ma Yuan. In this way, students will realize the perfect combination of poetry and painting, and realize that the wonderful expression of artistic conception of Chinese painting provides people with an imagination space, which will increase their wisdom, imagination and innovation consciousness. Therefore, students have a strong sense of pride and honor in learning the traditional culture of the motherland.
Fourth, get aesthetic feeling from the form of composition.
The composition of Chinese painting is absolutely different from that of western painting. Chinese painting pays attention to scattered perspective in perspective, giving people a glimpse of thousands of miles. The ancient painter Wang Ximeng's "A Thousand Miles of Rivers and Mountains" and the late Qiandongnan Diaojiaolou painting school leader Mr. Zhang's "A Hundred Miles of Dong Township" both give people the feeling of seeing a thousand miles between a piece of paper. In each painting, the painter stands at the highest place to watch the painting, and stands at a high place to make an organic choice of painting elements such as rocks, rivers, trees, buildings, wooden bridges, fertile fields and clouds, forming an all-encompassing, continuous, magnificent, diverse and refreshing artistic picture scroll. Western painting, on the other hand, pays attention to the perspective of focus, and when viewed from a lower position, only shows the scenery visible to the naked eye, and the picture lacks the feeling of width, distance and depth. What a pity.