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Information about Su Shi
Su Shi (103765438+1October 8th-1August 24th, 2008) was called Su Dongpo and Su Xian, also known as Tieguanyin and Dongpo lay man. Han nationality, Meishan, Meizhou, is a famous writer, calligrapher and painter in the Northern Song Dynasty.

After Song Huizong acceded to the throne, Su Shi was successively transferred to Lianzhou Resettlement, Yong Ying Assistant and Yongzhou Resettlement. In April of Fu Yuan's third year (1 100), the imperial court granted amnesty, and Su Shi was reinstated as an official of the imperial court.

Su Shi died in Changzhou (now Jiangsu) on July 28th (11August 24th) in Jianzhong, at the age of 65. Su Shi left a will and was buried in Shangrili, Juntai Township, Tancheng County, Ruzhou (now Jiaxian County, Henan Province). The following year, his son Su Guo transported his father's coffin back to Tancheng County for burial. After Song Gaozong acceded to the throne, he posthumously awarded Su Shi as a teacher and posthumous title as a "Wen Zhong".

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Su Shi's Literary Achievements

Su Shi has made extraordinary achievements in the creation of ci. As far as the development of a style itself is concerned, the historical contribution of Su Ci has surpassed that of Su Wen and Su Shi.

After Liu Yong, Su Shi carried out a comprehensive reform of ci style, and finally broke through the traditional pattern of "Ke Yan", improved the literary status of ci, changed ci from an accessory of music to an independent lyric style, and fundamentally changed the development direction of ci history.

The transformation of Su Shi's ci is based on his concept of ci and his creative idea of "being unique". Ci has been regarded as "Tao" since the late Tang Dynasty and the Five Dynasties. Liu Yong devoted his life to the creation of ci, which promoted the development of ci style, but failed to improve the literary status of ci. Su Shi first broke the concept that poetry is superior to ci in theory.

He believes that poetry is homologous, and the word "is the seedling of poetry". Although there are external differences between poems and words, their artistic essence and expressive function should be the same. So he often compares poetry with poetry. Because he raised the word to the same position as the poem from the stylistic concept, it provided a theoretical basis for the word to move closer to the poetic style and realize the mutual exchange and infiltration between the word and the poem.

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