193 1 year, my father returned to China and worked in Tangshan railway machinery repair shop on the state-owned railway beining line. The whole family moved from Tianjin to Tangshan, Hebei Province with their father and lived in the railway dormitory. 1932 studied in "Rotary Primary School" of Tangshan Railway.
1935, because my father was transferred to Tianjin Railway Bureau and my family moved back to Tianjin from Tangshan, I transferred to CoCo Lee No.1 Primary School in Tianjin.
1937, Japan launched the "July 7th Incident", Tianjin fell and was transferred to Tianjin private Muzhai Primary School.
1940 studied at the private Bohai Middle School in Tianjin. During this period, I studied seal cutting with Mr. Wang, a famous seal engraver in Tianjin.
1943 graduated from high school. As the Tianjin Railway Bureau has been taken over by the Japanese, my father is unwilling to work for the Japanese, so he left the Tianjin Railway Bureau and transferred to Tangshan Kailuan Coal Mine for mechanical and electrical repair. Considering the safety of the whole family, my father moved the whole family out of Tianjin and moved to Beiping to live. 1944 drop out of school for family reasons. Later, introduced by a friend, he entered the painting society in Wuwanghou Hutong, Xicheng, Beijing, which was founded by three famous teachers: Ji Guanzhi, Zhong Zhifu and Yan. Learn from Mr. Ji Guanzhi, a painter, the landscape paintings of Beizong.
1945 became attached to music. I often collect my favorite records in a stall near Dongdan archway in Beijing. Music and book selection have one thing in common, that is, they are related to Buddhism. For example, every time I listen to "Dragon Playing in the Water", my heart is very excited.
1946 He was admitted to the National Beiping Art College (the predecessor of the Central Academy of Fine Arts) and became the first sculpture student personally recruited by Mr. Xu Beihong. He studied sketch, sculpture and ceramic sculpture creation under three professors: Li Zongjin, Wang Linyi and Hua Tianyou. At school, I also got the guidance of many famous teachers, such as Li Keran, Ai Qing, Ye, Jiang, Wang, Ceng Zhushao, song bo and so on. 1in April, 949, the National Beiping Art Institute was renamed as the Central Academy of Fine Arts. At the end of autumn, I participated in the land reform movement in the suburbs of Beijing with the teachers and students of the whole hospital, and went deep into the farmers to study the land reform policy. I was moved by the enthusiastic scenes of farmers in the late stage of land reform, and wrote my graduation work "Measuring Land" after returning to school.
1950 The work "Measuring Land" won the first prize of "Red May" creative art exhibition of Central Academy of Fine Arts. At the same time, the work was published in People's Pictorial, volume 1, issue 1, 1. Later, on the recommendation of Dean Xu Beihong, Measuring Land was sent to Prague to participate in the "Prague-World Youth Day Art Exhibition" and was collected by the Czechoslovak National Museum. He graduated from Central Academy of Fine Arts in July and stayed in school at the suggestion of Dean Xu Beihong. At the same time, he created the work "Korean Women" and appeared on the cover of the sixth issue of People's Fine Arts. Dean Xu Beihong is full of praise for this work.
195 1 Enter the sculpture graduate class of the Central Academy of Fine Arts for one year. In the same year, the work "Volunteers Capture the American Wounded" was exhibited at Xinhua Bookstore in Wangfujing, Beijing; Later, the work "Volunteer Hero" was erected in the flower bed in the center of Wangfujing intersection in Beijing.
From 65438 to 0952, he was transferred to the sculpture studio of the Monument to the People's Heroes, participated in the creation, research and exchange of the Monument to the People's Heroes, and assisted Mr. Wang in the clay sculpture creation of the Taiping Heavenly Kingdom-jintian uprising. In the same period, he also created a small stone sculpture reflecting the friendly relations between China and the Soviet Union, which was collected by China Art Museum.
1954 transferred back to the Central Academy of Fine Arts as an assistant to Professor Ceng Zhushao, and then went to Jingdezhen Porcelain Factory in Jiangxi for an internship. During this period, he often felt uncomfortable in his legs. After returning to Beijing, he was diagnosed with "progressive cervicothoracic lumbar radiculitis" and soon began to walk with crutches.
From 65438 to 0955, he was transferred to the creative group of China Sculpture Factory affiliated to the Central Academy of Fine Arts (later renamed China Sculpture Factory), and participated in and completed the first task of the creative group: making two large reliefs and a portrait of a volunteer soldier for the Volunteer Martyrs Cemetery. Later, he created busts of astronomer Monk and his party and mathematician Zu Chongzhi for the China History Museum, and exhibited them in the China History Museum. 1956 went to Wuhan, and together with Mr. Wu Shiwei, he created underwater works at the bridgehead of Wuhan Yangtze River Bridge in Hanyang. Later in China Sculpture Factory, he was responsible for and organized the creation of a large relief sculpture of the Volunteers to Resist US Aggression and Aid Korea, and created "Save Korean Children in the Arms of Volunteers". In the same year, he joined China Artists Association after being introduced by the famous sculptor Mr. Fu.
From the Great Leap Forward of 1958, he created the work "Water from the Mountain", which was enlarged as a "July 1" gift under the recommendation of Klindukhov, a Soviet sculpture expert, and placed in front of the Defending Peace Square in Beijing Zhongshan Park. Soon, the work was published in People's Daily. Later, American woman writer Si Nuo published a book reflecting the Great Leap Forward in China at that time, and this sculpture was selected as the cover of the book.
From 65438 to 0959, Mr. Hua proposed to create "water diversion from the mountains" for the second time (also known as "moving mountains to build the sea") and was sent to Moscow, the Soviet Union to participate in the "Plastic Art Exhibition of Socialist Countries". In the same year, he was responsible for and organized the creation of the "Uniformity of Officers and Soldiers" group portrait of China Military museum square and the main statue of Beijing Workers Stadium.
1960, Baoding City, Hebei Province sent people to China Sculpture Factory to buy the white cement statue of "Water Diversion in the Mountain". After the cement statue was shipped back to Baoding, it was first placed in Baoding Railway Station Square and then placed in Baoding Dongfeng Park. In early summer, he created the sculpture "Militia Crossing the River in Jiyuan, Henan Province" for the China Military Museum. In the same year, he was awarded the title of "Advanced Worker" in Beijing's culture, education, sports and health, and won the Red Flag Medal of Advanced Worker. 196 1 year, the leg muscles began to atrophy severely, which was slightly relieved after acupuncture treatment in Beijing. In June, he was transferred to Zhengzhou Art College in Henan. In September, due to the dissolution of Zhengzhou Art College in Henan Province, he was transferred to the Art Department of Kaifeng Normal University (formerly Henan University) to teach. In the same year, an old Chinese doctor in Zhengzhou, Henan Province, used acupuncture and Chinese medicine to relieve leg diseases.
1962 was seconded to the Henan Provincial Museum to create the statue of Li Zicheng.
1963 returned to the art department of Kaifeng Normal University in Henan Province to teach sketch.
From 65438 to 0964, he was seconded to the Henan Provincial Museum to participate in the sculpture creation of the "Four Cleans Exhibition in Rural Areas".
1965 He continued to work in Henan Museum. My mother died in Tianjin in the same year, and she was very depressed. In autumn, visit Li Xiannian and Peng Xuefeng revolutionary base cemeteries in Zhugou, Shiguan Mountain, Henan Province.
The Cultural Revolution began at 1966. At that time, he was working with Mr. An Zhijin, a graduate of Hubei Art College, to create a group portrait of workers, peasants and soldiers for Zijinshan Park in Zhengzhou, and then to create a statue of Jiao for Zhengzhou Jiao Deeds Exhibition. 1969 returned to Kaifeng normal college in Henan province to participate in the intellectual re-education movement. In early spring, he was sent to Qiqi Forest Farm in Minquan County, Henan Province to carry out ideological transformation on behalf of Zhailin Branch, where he lived with Ding Zhegui, Liang Bingqian, Ma Jiguang, Ye, Wang Bangyan, Liu Tiehua, Wang Rubo, Qiu and Wang Wei. For example, the iron flower and the re-education of intellectuals are all memories of that life.
/kloc-in the spring of 0/970, he returned to his home in Beijing to rest, and was soon seconded to Lianhuachi Park in Baoding City, Hebei Province to copy a large clay sculpture rental house. .
197 1 year, because of the large-scale clay sculpture rent house, it was well received by Baoding Cultural Bureau and local people, and then officially handed over to Baoding Mass Culture and Art Museum in Hebei Province.
1972, the museum of Chinese history needed to make a Neanderthal suit box, which was seconded to the museum of Chinese history on the recommendation of Mr. Li, an old alumnus. Later, he participated in the creation of the large-scale relief "Slave Uprising" in China History Museum and the reproduction of Persian figurines and pottery sculptures.
1974 Back to Baoding Mass Art Museum. In winter, because of my physical condition, I couldn't find a job that matched my major and applied for early retirement. My father died in Tianjin on 1978.
1980 returned to the sculpture department of the Central Academy of Fine Arts to teach. Combining years of life experience and understanding of China traditional art, he focused more on the creation of pottery and sculpture during this period, thus entering a creative peak.