Ouyang Zhongshi, a native of Feicheng, Shandong Province, is a famous cultural scholar, calligrapher and calligraphy educator. In his early years, he worshipped under Xi Xiaobo, a master of Peking Opera. Currently, he is a professor at Capital Normal University, a doctoral supervisor, the director of China Institute of Calligraphy and Culture, and the honorary curator of Beijing tang style Art Museum.
He is also a member of the Chinese People's Political Consultative Conference, a consultant of China Calligraphers Association, an academician of China Painting Academy, a senior art consultant of China, an honorary curator of Shandong Local Records Museum and an honorary member of the 10th China Federation of Literary and Art Circles.
On June 4th, 2020, Ouyang Zhongshi ranked 57th in the 2020 Hurun China Art List with a total turnover of 8.47 million yuan in the 20 19 public auction market.
Chinese name: Ouyang Zhongshi.
Nationality: China.
Ethnic group: Han nationality
Place of Birth: West Xu Cun, Wenyang Town, Feicheng City, Tai 'an City, Shandong Province
Date of birth: 1928
Occupation: scholar, calligrapher, educator
Graduate School: Philosophy Department of Peking University.
Main achievements: China Lanting Calligraphy Award-Lifelong Achievement Award.
The 6th Achievement Award of Plastic Performing Arts
CCTV's "Art Life" Special Topic
The second China Prize for Art and Literature won the Lifetime Achievement Award.
Representative works: Selected Poems of Ouyang Zhongshi and Shen Peng, and Zhong Shishi's Reading Notes at Night.
outline
Ouyang Zhongshi, 1928, was born in West Xu Cun, Wenyang Town, Feicheng City, Tai 'an City. Famous scholar, educator, calligrapher, Beijing opera lover and calligraphy educator. Professor of Capital Normal University, Honorary Chairman of Board of Directors of China Calligraphy and Painting International University, Chairman of Academic Committee, Doctoral Supervisor, Honorary Curator of Beijing tang style Art Museum. Ouyang Zhongshi is a master of contemporary art in China. Ouyang Zhongshi is both a scholar and an educator. After graduating from high school, I taught at Huimin Primary School in Yongchang Street, Jinan, teaching all grades. In the early 1950s, the young Ouyang Zhongshi was admitted to the Philosophy Department of Fu Jen Catholic University. A year later, he was admitted to the philosophy department of Peking University, majoring in the history of China's logic, and studied under the logic master Jin. 1954, Ouyang Zhongshi graduated from Peking University, and began to engage in middle school and primary school education. He has taught various courses in middle school and won the respect of students. In the long-term teaching practice in middle schools, he has made active and in-depth thinking on some long-standing problems in Chinese teaching. With keen eyes, keen thinking and a unique and profound understanding of China's language and writing characteristics, he put forward a set of scientific Chinese education reform scheme, which was piloted in middle schools and achieved remarkable results, winning unanimous praise from all walks of life.
198 1 year, Ouyang Zhongshi transferred to the Education Department of Beijing Normal University (now Capital Normal University) and embarked on the road of calligraphy education. It is the time when calligraphy education in China is gradually reviving. Ouyang Zhongshi and many other people of insight at that time jointly undertook an arduous and great historical task-opening up higher calligraphy education. First of all, he opened an adult calligraphy college class for many aspiring young people who pursued tirelessly during the renaissance of calligraphy art, and the first batch recruited nearly 100 students from all over the country. Later, the teaching fields of undergraduate and master were developed. Ouyang Zhongshi's action won wide praise and support from calligraphers. He once said: "Calligraphy education in China is not a personal undertaking. I am willing to push it forward with my friends." He devoted all his energy to calligraphy education in China. 1985 participated in the establishment of China Correspondence University of Calligraphy and Painting (now reorganized as China Calligraphy and Painting International University) and served as the chairman of the academic committee. Over the years, his selfless dedication to the cause of calligraphy education in China has touched everyone who is willing to contribute to the cause of calligraphy in China.
1993 in order to make calligraphy education more formal, deeper and more dynamic, the state has set up a doctoral program in fine arts (calligraphy education) in Capital Normal University. 1997 He wrote the name of the Central University of Finance and Economics. 1998, the Ministry of Personnel set up a post-doctoral calligraphy teaching point in Capital Normal University, making Capital Normal University the first complete calligraphy education system in China from post-doctoral, doctoral and master's degree to undergraduate and junior college. In 2005, he wrote the school motto for Shandong University of Political Science and Law. Ouyang Zhongshi devoted himself to active and in-depth thinking, and made greater contributions to China's calligraphy education. He not only made up for the long-standing shortcomings of China's calligraphy education, but also trained a large number of senior professionals for China's calligraphy education, made important contributions to the all-round development of China's cultural education, and wrote a glorious page for China's calligraphy history.
In 2006, Ouyang Zhongshi won the second China Lanting Calligraphy Award-Lifelong Achievement Award. Now he is a consultant of China Calligraphers Association, vice president of Qi Baishi Art Correspondence College, professor of Capital Normal University, doctoral student and postdoctoral tutor.
artistic style
Ouyang Zhongshi's calligraphy is fresh and elegant, calm and dignified, delicate and elegant, simple and gorgeous. Reading his works, such as Appreciating the Mountains and Rivers, or Looking at Wan, shows his profound skill and innovative spirit, and creates a new generation of calligraphy style. He has published many collections of works, such as Selected Poems of Ouyang Zhongshi and Shen Peng, Zhong Shishi's Reading Ci Notes at Night, Family Instructions of Zhuzi Contemporary Masters, Zhong Shi's Reading Zhao Qing's Ci Notes and Laozi's Tao Te Ching. His calligraphy enjoys a high reputation at home and abroad. Personal biographies have been included in the series of China Taishan Children and China Qilu Children. Ouyang Zhongshi is knowledgeable and has comprehensive and profound attainments in China's traditional culture and art. He has written more than 40 kinds of works, involving Chinese studies, logic, drama, poetry, phonology and so on.
achievements of art
In 2006, he won the second China Lanting Calligraphy Award-Lifelong Achievement Award.
20 12, participated in the recording of "The Road of China Masters".
On May 25th, 20 13, the honor guards of the three armed forces of the Chinese People's Liberation Army invited Ouyang to the brigade to guide cultural work in order to implement the spirit of the Central Committee's instruction on "strengthening the army through culture". Mr. Zhong Shi personally wrote "Ode to the honor guards of the three armed forces of China": "The sons and daughters of China are magnificent. Susu is a state of etiquette and is proud of the country. " Mr. Zhong Shi was appointed as the chief cultural adviser of the honor guards of the three armed forces. Zhao Lianjia, consultant of Cultural Industry Committee of China International Chamber of Commerce, was employed as a cultural consultant. Zhang Wenjun, Executive Dean and Artistic Director of the National Painting and Calligraphy Institute for Respecting the Elderly, was hired as a calligraphy tutor. The honor guards of the three armed forces held a solemn ceremony and presented certificates to three employees. In order to promote the construction of a "strong cultural team", this is a major event in the history of the construction of honor guards in the three armed forces. Will shine in history with the honor guards of the three armed forces.
2065438+On the morning of July 12, 2003, Professor Ouyang Zhongshi was invited as a senior consultant of the Culture and Art Center of National Defense University, and Guo Junbo, deputy political commissar of National Defense University, presented Mr. Ouyang Zhongshi with a letter of appointment as a "senior consultant". Mr Ouyang Zhongshi presented his collection of Ode to China to the National Defense University. He also wrote "The True Nature of General, Good at Wu Da Prose" for National Defense University. At the same time, Mr. Zhao Lianjia was hired as a consultant of the Culture and Art Center of National Defense University.
On October 25th, 2065438+200465438+/KLOC-0, shenyang military area command Lei Feng Tuan hired Ouyang as the general cultural consultant in order to implement the central government's directive of "strengthening the army through culture". Wang, Dean of China Calligraphy and Culture Research Institute of Capital Normal University, was hired as the cultural consultant of the group. Zhang Wenjun, the executive director and artistic director of the National Painting and Calligraphy Institute for Respecting the Elderly and the image ambassador of China Public Welfare Promotion Association, was hired as the calligraphy tutor of the group. Comrade Bi Wanchang, the monitor of Lei Feng class, made a special trip to Beijing to send letters of appointment to three employees. In this way, we will strengthen the cultural construction of Lei Feng Tuan and further promote the national activities of learning from Lei Feng.
20 16, 16 was elected as the 10th honorary member of China Federation of Literary and Art Circles in February.
Mentoring relationship
Mr. Ouyang Zhongshi studied calligraphy and was enlightened by Master Yanwu in his early years. Later, he studied under Mr. Wu Yuru (Wu Yuru (1898- 1982)), and later wrote in words. Contemporary famous scholar and calligraphy master. 1898 was born in Nanjing. Originally from Maolin Village, Jingxian County, Anhui Province, he became a scholar in his early years. I study in Tianjin Nankai Middle School, and I am in the same class as Zhou Enlai. Because he is proficient in classical Chinese, he is appreciated by President Zhang Boling. After the victory of the Anti-Japanese War, Wu Yuru once taught in Zhida Middle School, Daren College and Business School. After the business school was changed to Jingu University, he served as the head of the Chinese Department until the liberation of Tianjin. Before the "Cultural Revolution", I had been teaching, scribbling, annotating ancient books, compiling Ci Yuan and Ci Hai for a living in Beijing. After the establishment of People's Republic of China (PRC), he served as a member of Tianjin CPPCC, honorary director of China Calligraphers Association, member of Tianjin Federation of Literary and Art Circles, and librarian of Tianjin Literature and History Museum. )
Some famous people's comments on Mr. Yu Ru:
Qi Gong: "There has never been such a big thing in 300 years." "There has been no second one since Dong Qichang."
Zhao Puchu: "Mr. Yu is like a book, and the dragon and tiger lie down. I can't imagine."
Zhang Boju: "The wind of Jin and Tang Dynasties is a contemporary giant."
Li Kuchan: "Jade is an excellent popular book. It's a thousand-year-old immortal cultural relic. Should be taken seriously. "
Wang Xiaju: "The product is between Wang Neishi (that is, Wang Xizhi) and Yan Zhenqing."
Ouyang Zhongshi, Peking Opera artist Cheng Xibo (19 10- 1977). Xi Xiaobo 19 10 was born in Beijing. An old Peking Opera student, one of the last four bearded students. Originally from Xitala, Manchu Zhengbaiqi, originally from Daxing County, Beijing. His grandfather, Yu De, was a university student in Wenyuan Museum of the former Qing Dynasty, and later entered the museum to pay homage. My father, Mingxi, was the director of the degree branch and was good at painting and calligraphy. Xi Xiaobo is knowledgeable and versatile, and has a high level of accomplishment in history, literature and calligraphy. He is poetic, bookish, refined in stage performance, fresh and elegant, and is known as Xi School. The style of Xi School is mainly reflected in singing, and his singing pays attention to rhyme. He has accumulated a set of singing rules with his whole life's efforts, such as "setting the tone with words", "teasing", "acting with emotion", "sticking to bones", "singing the huqin", "catching the words on the board" and "singing opera". His voice is not big, but it is clear and pleasant, with a mellow charm. Mr. Xu Muyun, a famous dramatist, described Xi Xiaobo's singing as "the beauty of flute". For example, he sang in Crying Spirit, Baidicheng, Li Lingbei and Jin Fan Chinese Opera. Such as weeping, sorrowful and sad, as touching as a crane, can be described as the swan song of "Xi School". Calligraphy has achieved certain attainments.
Students and disciples
, Wang,,, Fang Yujie, Duan, Wen Yanguo, Sheng Jinghua, Huang Hongqiong, Guo Junfei,,, Li Mengyao, Jin Heting, Yang Zhiheng, Wei Zhongdian, Xueseng An, Zhang Jianfeng, Wang Zhengyan, Wang Jinzhong, Li Yiqiang, Li Shenbin, Yu Mouyong, Lin Yuankuang, etc.
Artistic thinking
Calligraphy vitality
"It is natural that China's calligraphy art will flourish. If you don't want it to prosper, it's impossible. " This is the view expressed by Mr Ouyang Zhongshi in the academic lecture "The Vitality of China Calligraphy" held by China Art Museum, which fully expressed his confidence in the development prospect of China calligraphy culture.
Mr Ouyang Zhongshi pointed out: China's calligraphy is a brilliant aura that shines on China culture, and it is also a brilliant aura of world culture. China's calligraphy art has turned the thoughts and feelings contained in the individual's body and mind into crystals with tangible colors, sounds and songs, rhythm, spirit, great shock and strong feelings. But there is a premise, that is, to consider the trinity of "word", "text" and "book" Only in this way can we achieve the above state; If you look at it alone, it is not comprehensive.
Ouyang Zhongshi used his travel to illustrate his point of view. He said that through this trinity thinking form of "word", "text" and "book", he gained many great feelings. China is magnificent, and he has a deeper understanding of "magnificent" from the words written by others. He has been to Mount Tai. Somewhere on the mountain, he found the place so beautiful, but he couldn't explain it clearly. He just thinks it's so beautiful. But how beautiful it is, he can't say it. Just then, he found four big characters on the opposite mountain: "the source of the mountain." He saw the stream flowing out of the cracks in the mountain, down the mountain and into the distance. Looking south along Mount Tai, he only found a leucorrhea in the distance, which was a long river. At this time, he deeply realized "beauty": the source of mountains and rivers is here, and all rivers flow out from here. It seems that he suddenly has a new understanding and new feeling between heaven and earth. These four words spoke for him what he wanted to express but could not express, which aroused his deep and deep resonance. He said that this is the "power" of poetry and the "power" of language. Looking back at these four words, he felt that every word carried weight and was well written. Without them, he wouldn't understand. They showed magnificent mountains and rivers and brought out inner strength.
Teaching achievement
In his early years, he studied in Tai 'an Grain City Primary School (also known as "Dai Lu Primary School", founded in 1902- Guangxu 28), then transferred to Jinan Economic Aesthetics Museum (now Jinan No.5 Middle School), studied in Jinan Provincial No.1 Middle School (now Jinan No.1 Middle School), and taught in primary school after graduation from 1948 Middle School. 1950 was admitted to the Philosophy Department of Fu Jen Catholic University in Beijing. 195 1 year transferred to the logic major of philosophy department of Peking University, majoring in the history of China logic. 1954 After graduation, he taught Chinese in Tongxian Normal School, Tongxian No.2 Middle School and Beijing 17 1 Middle School. In the long-term teaching practice, he has actively and deeply thought about some long-standing problems in Chinese teaching. With his unique and profound understanding of the characteristics of China's language and writing, he put forward a set of scientific Chinese education reform scheme, which was piloted in middle schools and won unanimous praise from all walks of life, and was included in Fifty Years of Chinese Teaching in Beijing.
In 2006, he won the second China Lanting Calligraphy Award-Lifelong Achievement Award. In 2007, he won the sixth "Achievement Award of Plastic Performing Arts" and "Achievement Award of Plastic Arts" of China Federation of Literary and Art Circles, and was the only calligrapher among the winners of 1 1.
Teach knowledge and educate people.
Ouyang Zhongshi was transferred to Beijing Normal University (now Capital Normal University) on 198 1 to teach pedagogy and logic, and embarked on the road of calligraphy education. 65438-0985 presided over the establishment of calligraphy major. Through China Calligraphy and Painting Correspondence University and other professional colleges, he first set up an adult calligraphy junior college class, and the first batch recruited nearly 100 students from all over the country. Later, undergraduate and master education in calligraphy was developed. 1993 the State Council Academic Degree Office set up a doctor's authorization point for fine arts (calligraphy art education) in Capital Normal University. 1998, the Ministry of Personnel approved the calligraphy direction project of Capital Normal University to recruit postdoctoral researchers. Ouyang Zhongshi served as a tutor for master students and doctoral students in 1990 and 1993 respectively. Thus, the first complete calligraphy education system from junior college, undergraduate course, master's degree, doctoral degree to postdoctoral degree was established in colleges and universities, and a large number of senior professionals in calligraphy education in China were trained, which made important contributions to the development and perfection of calligraphy discipline and the all-round development of cultural education in China. On his initiative, in June 2005, China Calligraphy Culture Research Institute and the first China University Calligraphy Culture Museum were established in Capital Normal University. Ouyang Zhongshi also edited and wrote important academic works such as Introduction to Calligraphy, Introduction to Calligraphy, Miscellaneous Knowledge of Calligraphy, Calligraphy of China, Calligraphy Course, Calligraphy and China Culture.
Ouyang Zhongshi used to be a member of the art discipline appraisal group of the State Council Academic Degrees Committee and a member of the art series senior title jury of the Ministry of Culture. He is currently honorary president of China Calligraphy and Culture Research Institute of Capital Normal University. Member of the Eighth to Tenth China People's Political Consultative Conference. On August 2, 2003, he was hired as a librarian in central research institute of culture and history and a special calligrapher in tang style Art Museum.
Words are full of emotion.
He is also an artist and researcher of Peking Opera. He is a direct disciple of Mr. Xi Xiaobo, the founder of Xi School. Long-term assistance to Mr. Xi Xiaobo has made important contributions to the improvement of "Xi School" art. At the same time, he also took Peking Opera as a subject, and made a special study on its historical origin, phonology, artistic characteristics of various schools and performance practice, which was quite fruitful. His views are published in various newspapers and collections.
Calligraphy teaching
Later, he was hired as a professor of logic and a lecturer in calligraphy art in Beijing Normal University. He studied under Mr. Yanwu and then under Mr. Wu Yuru. Starting from the Tang tablet, I immediately turned to the epitaph of the Northern Wei Dynasty. Later, he dabbled in seal script, official script, Oracle Bone Inscriptions and bronze inscriptions, especially in Linchi, Ou Yangxun. He often made running scripts, followed the two kings of France and took advantage of the kings. The cursive script is based on Wang Xizhi and Sun Zi, and influenced by Huang and Zhu Dian. The book is graceful and elegant in style. At present, he is a member of Chinese People's Political Consultative Conference, a member of the art discipline evaluation group of the State Council Academic Degrees Committee, a member of the evaluation committee of senior titles of art series of the Ministry of Culture, a professor, doctoral student and postdoctoral tutor of Capital Normal University, and the president of China Calligraphy and Culture Research Institute. He is knowledgeable and has profound attainments in logic, Chinese studies, phonology, painting, drama, literature, calligraphy and other disciplines.
calligraphy theory
I have been teaching for many years, and have in-depth research and practice in basic education and higher education, and I am full of peaches and plums. 65438-0985 presided over the establishment of calligraphy art education major in Capital Normal University. After more than ten years of construction, a complete higher education system of calligraphy art has been formed, from junior college and undergraduate course to master's degree, doctor's degree and postdoctoral degree, making the Calligraphy Research Institute of Capital Normal University a base for cultivating high-level calligraphy talents and scientific research in China.
In the study of calligraphy theory, he has compiled more than 40 monographs and textbooks. It mainly includes History of Calligraphy in China, Calligraphy in China, Calligraphy Course (editor-in-chief), Cao Zhang's Notes, Calligraphy and China Culture (editor-in-chief) and a series of calligraphy textbooks of China Calligraphy and Painting International University (editor-in-chief, and self-edited important parts). Among them, "Calligraphy Course" won the second prize 1995, which is an excellent textbook for colleges and universities of the State Education Commission. In 2002, he won the first China Lanting Calligraphy Award and the Special Contribution Award for Education.
In terms of calligraphy, he dabbled in Zhou Jinhan, Jin Tiebei, Tang and even Ming and Qing Dynasties, learned from others and became the second king, forming a unique elegant and fresh style, which has a wide influence at home and abroad. His published works include Zhong Shi's Reading Ci Notes at Night, Zhong Shi's Reading Zhao Qing's Ci Notes, Xiao Kai's Moral Classics, Calligraphy, etc.
school achievement
In his early years, he specialized in logic and sought advice from predecessors such as Jin, and achieved fruitful results. Participated in the compilation of five volumes of the national "Sixth Five-Year Plan" project "History of China Logic", and served as the part from Sui and Tang Dynasties to Ming Dynasty. Other works include Selected Materials of China's Logical History, Pre-Qin Volume (co-authored), Logic (editor-in-chief) and A Course of China's Logical Thought History (co-authored).
personal influence
Famous calligraphers Qi Gong, Lin Sanzhi and Li Qingshan are also called contemporary artists in China. Ouyang edited and wrote many important academic works, such as Three Masters of Art, Introduction to Calligraphy, Introduction to Calligraphy, Miscellaneous Notes on Calligraphy, Calligraphy of China, Calligraphy Course, Calligraphy and China Culture, etc.
As a renowned calligrapher at home and abroad, Ouyang Zhongshi has the demeanor of a rigorous scholar and a great calligrapher. He is cautious about learning from the ancients and self-innovation. He taught his students to actively learn from the ancients, to go deep into the essence of tradition, to learn calligraphy with the spirit of active exploration, to learn to study deeply and to study hard. Only by studying and studying the ancients solidly can we gradually improve ourselves. He warned them to "know why, know why and seek why", to be able to enter the depths of history and explore its inner spirit, and to observe history and examine the present. He believes that the reason to learn the essence of tradition-"orthodoxy" is because "orthodoxy" is the most vital part of tradition. He also pointed out that calligraphy is not an "independent" art, but an organic part of China's traditional culture and a science. Therefore, learning calligraphy cannot be divorced from China culture, but should be studied and studied in the profound China culture.
Ouyang Zhongshi's calligraphy works are collected by museums, collectors and calligraphy lovers at home and abroad because he is not only a famous calligrapher-he has also made great achievements in logic, Chinese teaching research and drama research. His pragmatic study and rigorous scholarship are the spirit of the present era, and also his dedication to the cause of calligraphy culture education in China, making him an expert in contemporary calligraphy education. At the same time, it also achieved his perfect calligraphy art, as well as his unique calligraphy style of learning from the past, catching up with the Qin, Han, Wei and Jin dynasties, casting the essence of famous artists in previous dynasties, and learning from others without being confined to the past.
relevant information
Theft news
International Online News: On April 1 day, 2065438, Ouyang Zhongshi, a famous calligrapher and professor of Capital Normal University, was robbed at home. Bundles of cash and priceless calligraphy and paintings were carried downstairs from the window, just hit by neighbors in the yard. After a fight, the big fat sheep was lost, and the thief finally struggled to escape over the wall with several bundles of cash.
At 7: 00 am on April 1 Sunday, on the east side of Building 27, the north gate of the main campus of the First Normal University, the cash scattered in the grass was very eye-catching, which caused many speculations on campus. These RMB with a face value of 100 yuan, some are bundled, some are scattered single notes, covering an area of about one square meter. There is also a gray non-woven bag on the side. Looking through the opening, it is also cash. In a colorful cloth bag, several volumes of calligraphy and painting fell out. Just above this "golden" meadow, it is the east side of Building 27, and there is a window on the sixth floor. The thumb-thick iron security railing outside the window was cut off and opened up and down respectively. 1 to the 6th floor, except for the third floor, where no security fence is installed outside the window. The discerning eye can see at a glance that these security fences are used as climbing tools, which is an obvious theft scene. At 9 o'clock in the morning, the police who heard the news pulled up the cordon at the scene and immediately launched an investigation. At 9: 30, the calligraphy and paintings scattered all over the place were collected by the police and put into colorful cloth bags, and the bright cash was covered by sheets.
Who owns so much cash? Who lives on the sixth floor? Residents have speculated curiously. A lady at the scene solved her doubts. She claimed to be the daughter of Ouyang Zhongshi, a famous calligrapher, and the stolen 6th floor resident was Mr. Zhong Shi. "Fortunately, the old couple were not at the scene when it happened." Ms Ouyang still has a lingering fear that she doesn't live here and was told by the police. Ms. Ouyang explained that the child of a student in Ouyang Zhongshi was being treated in the hospital after falling, and the treatment cost was very tight. "Children spend millions on medical care." Ms. Ouyang said that after her father learned of the incident, he was prepared to contribute money to help the child treat the disease. "The money is taken out for the children's families, about two or three hundred thousand."
201April 16, Beijing police reported that a burglary case of a resident of Capital Normal University had been cracked and two suspects were detained in criminal detention. This burglary is a case of Ouyang's family being stolen, which has aroused widespread concern.
study
Ouyang Zhongshi, a famous Chinese scholar, calligrapher and professor of Capital Normal University, lives in 27 dormitories of Capital Normal University. Mr. Ouyang's home, faint ink fragrance. It turned out that Mr. Wang had just finished writing a new poem, which was written at the invitation to commemorate the 0/00th anniversary of his birthday/kloc-:"Pick the sun and the moon on both shoulders, and make a correct line. Draw a broad road and open the door to a rich country. " The works are still hung on the western wall, with a row of bookcases in the east wall filled with commonly used reference books, and a bookcase in the south to express feelings at any time.
"Now is the computer age. People have fewer opportunities to write, and writing has become an art. As a national quintessence, how can calligraphy be inherited and developed? Calligraphy, how to grasp the main line of the times, write thoughts, etc., has been studied a lot. " Talking about the research and development of calligraphy, Mr. Ouyang, 76, was filled with emotion. The reporter learned that from 1985, Mr Ouyang started the calligraphy education major in the First Normal University, became the first doctoral tutor of calligraphy in China in 1993, and became the first postdoctoral tutor of calligraphy in 1998.
Mr Ouyang Zhongshi, born in 1928, is a native of Taian, Shandong province, and graduated from Peking University. He has a profound knowledge of Chinese studies and various artistic talents. He has high attainments in logic, phonology, drama, calligraphy, Chinese pedagogy and other professional fields, and is good at calligraphy, painting, Peking Opera performance and poetry music creation. His main works include History of China's Logic, History of China's Logic Thought, Calligraphy and China Culture, Introduction to Art, History of China's Calligraphy, China's Calligraphy, Notes on Cao Zhang, Learning Books and Jin Liang Series (six volumes). He also served as a member of China People's Political Consultative Conference, a librarian in central research institute of culture and history and an academician of China Painting Academy.