Xiang Taile has nothing to do with Yue Fei. There are two imperial pens in front of the volume, Athena Chu, who wrote The Five Classics Extraction Room and Treasure of the Ancient Emperor and You Qin Yu Ri in Qing Qianlong's forty-eight years; The frontispiece of Gu Xi the Great, Tianlu as a Mirror, Qianlong and the Treasure of Magnolia is engraved with 12 square; There is a seven-character poem in front of each book, which was written by Emperor Gaozong of the Qing Dynasty for the Song versions of Yi, Shu, Shi, Li and Chunqiu. Every page of the text is engraved with the words "Wuying Hall imitates the Song Dynasty in the 48th year of Qianlong" 12.
In the Song Dynasty, there were nine versions of the classics. At first, it was good to establish and revitalize a new family. Later, Liao Gang decided to reprint two editions. On the basis of Liao edition and referring to 23 different books collected by Jiashu, Yue revised them repeatedly, adding two books, Ram and Gu Liang, Chronology of Spring and Autumn Annals and Names of Spring and Autumn Annals, and reprinted them in Jiashu. At the end of some volumes, there is a note "Yue's Jingxi Jiashu Engraving Edition". Yue's book "The Publishing Evolution of Nine Classics and Three Biographies" clarifies the purpose and rules of the school magazine. Nine Classics, a Yue engraving, has been valued and respected by scholars of all ages because of its rigorous textual research and excellent version.
In the early Qing Dynasty, bibliophiles did not collect Xiang Tai's Nine Classics. The Qing court first hid the Spring and Autumn Annals in Zhaoren Hall, and later hid Yi, Shu and Shi in the Royal Garden Health Zhai. In the Qing Dynasty, Emperor Li Hong, Emperor Gaozong, recited the Five Classics "If you are lucky, you can't separate them", so he set up another room behind Zhaore Temple, named "Five Classics Extraction Room", which made the ci officials read it. At the end of each volume, there is a textual research on the similarities and differences of words written by poets. Wang Bi notes ten volumes of Yi; Thirteen volumes of the book, with biography of Kong Anguo; Twenty volumes of Poems, including a notebook of Zheng Xuan's Poems of Mao; Twenty volumes of The Book of Rites, with Zheng Xuan's note; There are thirty volumes in the Spring and Autumn Annals, and Du Yu's Ji Jie is used. After each volume, there is a textual research on Yue collation. This book retains important information for future generations to study ancient Confucian classics.
Yue Fei (Yue Wumu,11March 24, 2003-1421October 27), a native of tangyin county, Songxiang Prefecture, was a famous strategist, calligrapher and anti-Jin hero in China history. The representative word is "full of river red, angry and rushing to the crown."
Since the age of 20, Yue Fei has joined the army four times and participated in commanding hundreds of battles. In the tenth year of Shaoxing (1 140), Shaoxing invaded the Northern Expedition, defeated the Jin Army, approached Kaifeng, the capital of the Northern Song Dynasty, and was framed and imprisoned. 1 14265438+ In October, Yue Fei was killed with his eldest sons Yue Yunhe and Zhang Xiantong on trumped-up charges. In Song Xiaozong, Yue Fei was rehabilitated and reburied in Qixialing, West Lake, chasing Wu Mu, then Zhong Wu and sealing the king of Hubei.
Although Yue Fei was born in the military, he received a good traditional education from China, was diligent and knowledgeable. Calligraphy is characterized by lines like grass, carefree and dripping, vigorous and powerful, vivid in charm, rigorous in composition, precise in meaning, strong and unyielding, with its own clean and honest air and quite literati temperament. Handed down from ancient times, there are Xie Tiao's poems, examples before and after, and ancient battlefield articles.