(1) Bai Xianyong emphasizes performing according to the principles of orthodoxy, decency and authenticity, attracting modern people with the packaging of "youth edition" and inheriting it through informal education and reform and innovation. This practice conforms to the spirit and requirements of the preservation and protection of intangible cultural heritage, and is a useful attempt to rescue and protect Kunqu opera.

(2) The protection of intangible cultural heritage such as Kunqu opera needs publicity, promotion, inheritance and revitalization while it is confirmed, put on record, studied and preserved; For the protection of tangible material cultural heritage such as the Forbidden City, we are opposed to any changes or even necessary "restoration" to the heritage itself and its surrounding environment.