1, learning difficulties:
The font structure of thin gold is very steep, which is difficult for beginners to learn. It is difficult to get started with thin gold, which requires considerable calligraphy skills and basic knowledge, and may make beginners encounter setbacks when trying to learn thin gold.
2. Lack of learning materials:
The discussion of thin gold body technique is a historical blank, which leads to the lack of learning materials, which is not conducive to beginners' copying learning. At the same time, Shoujinti has not formed the mainstream calligraphy form, which makes beginners may encounter difficulties in understanding and learning Shoujinti.
3. It is inconsistent with mainstream aesthetics;
Thin gold body does not conform to the mainstream aesthetics of calligraphy, which makes its position in calligraphy relatively low. For beginners, choosing a widely accepted and recognized calligraphy font may be more conducive to the development of their calligraphy skills and the expression of their personality.
4. Historical issues:
The reason why calligraphy lovers in past dynasties were unwilling to learn thin gold pens was related to Song Huizong himself. Historically, Song Huizong's achievements in calligraphy are hard to separate from his personal conduct. It is said that Bo Jin's body is too individual to be controlled by ordinary people.
The origin and style characteristics of thin gold body;
1, origin:
Shoujinti is a font originated by Song Huizong, and it is a very unique font in the history of calligraphy. Because it is quite different from the traditional styles such as "Hua" and "Zhu", it is unique in the history of calligraphy, and its representative works include "Kai" and "Shi".
2. Style characteristics:
The style of thin gold body is characterized by thin, hard and vigorous brushwork, which obviously strengthens the strength of strokes, and the brushwork is reflected in the thin, thin and straight strokes and the development of strokes.
Thin gold style is a unique style in the history of calligraphy. Because it is quite different from the traditional styles such as Kincaid and Tang Kai, it is unique in the history of calligraphy. The thin gold body is smart and quick, the handwriting is thin and powerful, thin and fleshy, and the big characters are particularly attractive.