Lu Xun was born in 188 1.9.25 Shaoxing, Zhejiang, a small town full of artistic conception. Perhaps it is this living environment that has created his literati character and feelings. He was originally named Zhou Shuren, Yushan and Yuting, and later renamed Yucai. Life is not smooth for such a capitalized person. Lu Xun was born into a bureaucratic landlord family in Shaoxing, Zhejiang, but at the age of 13, his grandfather, who was an official in Beijing, went to prison for some reason, and his father became ill for a long time, and finally died, and his family declined. Family changes have had a far-reaching impact on young Lu Xun. He is the eldest son of the family, with a lonely and weak mother and a young and weak sister in law. He must bear the burden of life with his mother. His innocent and lively childhood is over, and he has experienced the hardships of life and the changes of the world prematurely. He often takes the prescription prescribed by the doctor for his father to the pharmacy to get medicine, and takes things to the pawnshop to sell. In the past, when his family was well off, people around him looked at him enviously as a little "dude". There is kindness in his words and tenderness in his eyes. But now that my family is poor, the attitudes of people around me have changed: my words are cold, my eyes are cold, and my face is disdainful. The change of people's attitudes around him left a deep impression on Lu Xun's mind, which was a great blow to him and made him feel that China at that time lacked sincere sympathy and love between people. People treat people and things with snobbery: one attitude towards the rich and powerful, another attitude towards the poor and incompetent. The family changes in childhood and the life experience after the changes also made Lu Xun close to the lower classes from an early age. His grandmother's home is in the countryside, which gives him the opportunity to get in touch with and understand the lives of farmers. Especially before and after his grandfather went to prison, he had to take refuge in relatives in the countryside and live in the countryside for a long time. There is no mutual discrimination and hatred between them, only mutual care and love. Lu Xun remembers that he described his simple and sincere relationship with rural children as the best relationship between people. At that time, the general scholars took three paths to choose during their study period: one was to study as an official. If you are not an official, you can also be a "screen friend" of a bureaucrat (commonly known as "master"). If the first two roads don't work, you can still go to sea to do business. Lu Xun took another road that was most despised at that time: entering the "foreign school". 1898, 18-year-old Lu Xun left his hometown and took eight silver dollars borrowed by his loving mother to enter Nanjing Naval Academy, which was later changed to Nanjing Road and Mine School. During this period, Lu Xun read works on foreign literature and social sciences and broadened his horizons. In particular, Yan Fu's translation of Huxley's Theory of Evolution, an Englishman, had a profound influence on Lu Xun. This made Lu Xun realize that the real world is not harmonious and perfect, but full of fierce competition. To survive and develop, a person and a nation must have the spirit of self-reliance, independence and self-improvement. Can't be at the mercy of fate, can't be bullied by the strong. Stubborn and unyielding in his bones made him study harder. He chose to study medicine in order to treat patients who were victimized by quacks like his father and improve the health of China people who were ridiculed as "the sick man of East Asia". Lu Xun wanted to enlighten the people of China through medicine. But his dream didn't last long before it was shattered by the harsh reality. In Japan, as a citizen of a weak country, Lu Xun is often highly discriminated against by Japanese with militaristic tendencies. In their eyes, all China people are "imbeciles", and Lu Xun scored 59 points in the anatomy test, so he suspected that Fujino Genkuro, the anatomy teacher, had leaked the examination questions to him, which made Lu Xun feel deeply sad as a weak country. On one occasion, in a movie, Lu Xun saw a large group of "strong and insensitive" China people coldly watching their compatriots being executed by Russian detectives. Lu Xun suffered a great blow. He realized that mental numbness was more terrible than physical weakness. So he left Sendai Medical College and returned to Tokyo to translate foreign literary works, organize literary magazines, publish articles and engage in literary activities. At that time, what he discussed most with his friends was China's national character: what is the ideal human nature? What is China's national character lacking most? What is the root cause? Through this kind of thinking, Lu Xun linked his personal life experience with the fate of the whole Chinese nation, which laid the basic ideological foundation for him to become a writer and thinker later. The disillusionment of his dream gave him firm confidence to help this numb country. In this context, Lu Xun's main task for himself is neither the actual social movement nor the theoretical construction of realistic figures, but to reveal the morbid spirit of foreigners, draw a true image for the soul of China people, let China people clearly know their true face, know their various diseases, and arouse their desire for self-reflection, self-help and rehabilitation. For this reason, Lu Xun devoted his whole life's energy and compassion to depicting the true face of China people's souls in a dark, bloody, absurd and cruel style. Of course, his novels are such a picture, and so are his essays (essays named after himself). Ah Q, madman and Kong Yiji are not respectable images, and those who persecute them, enslave them and tease them are even more hateful. Eating people, storing livestock, servility, gregarious arrogance and ten scenic diseases revealed in the sketch are not commendable temper, but all manifestations of national inferiority. Lu Xun clung to this evil root, and his painting of China's soul was really ugly, which made many people unwilling to admit it. However, this is exactly Lu Xun's wish: don't you want to be such an ugly image? Then try to be a real person. He put forward the important idea that "founding a country" must first "establish people" and warmly called for "warriors in the spiritual world", with the aim of resistance and the goal of action. He recorded the society in words. Lu Xun's novels are few in number, but they are of great significance. Lu Xun focused on the bottom of society and described the daily life and mental state of these bottom people. This is inseparable from Lu Xun's creative purpose. Mr. Lu Xun's novels describe the ordinary life of ordinary people. There are no bizarre stories and fascinating plots, but they are full of infinite artistic charm. Where does this charm come from? It comes from his detailed description of people and life and his incisive description of people's subtle psychology. There is always a "joy of discovery" when reading Lu Xun's novels. The picture is an ordinary picture and the characters are ordinary people, but in this ordinary picture and ordinary people, we can always notice the characteristics that we don't usually notice and detect the psychological activities of the characters that we don't usually notice. It is precisely because of this meticulous description and incisive psychological portrayal that the artistic charm of Lu Xun's novels has become more mellow as time goes by. Times have shaped his articles and his character. He often wears a simple Chinese robe, his hair stands upright like a brush, and his thick beard forms the word "one" in an official script. Chairman Mao commented that he was a great proletarian writer, thinker and revolutionary, and the main commander of China's cultural revolution. Also known as "soul of china" by the people. Lu Xun's essays should first fully reflect his creative spirit and creativity. "Essays" have existed since ancient times, and similar examples can be found in foreign essays. However, only in the modern cultural history of China, in the hands of Lu Xun, did the "essays" show its unique artistic charm and great ideological potential. Lu Xun's essays can be said to be an "epic" of China's modern culture, which not only recorded Lu Xun's fighting achievements in his life, but also recorded the ideological and cultural history of China at that time. When modern intellectuals in China want to create a new culture and new ideas suitable for the modern development of China, they are slandered and attacked by different classes, different figures, different angles and different ways. Lu Xun's essays are naturally formed in this ideological and cultural struggle with no fixed front and no fixed enemies. From the May 4th Movement, Lu Xun began to struggle against various arguments against the new culture in the form of essays, but he was not conscious at that time. Later, some people began to laugh at him as an "essayist", and he became more aware of the power of "essays" and began to consciously engage in essay creation. Lu Xun said that essays are "nerves of induction" and can "react or fight against harmful things immediately", thus opening up a tortuous road for the development of new culture and new ideas in the thorns of old culture and old ideas, so that they can exist, develop and grow. Lu Xun wrote 65,438+in his life, such as Grave, Hot Wind, Collection of Gai Hua, Collection of Continued Covering Flowers, Three Ji Xian, Collection of Two Hearts, Mobilizing the South to the North, Pseudo-Free Book, Quasi-Romantic Talk, Lace Literature, Essays on Cutting Pavilion, Now many people think that Lu Xun's articles should disappear from Chinese textbooks. But his articles are merciless exposition, angry accusation, sharp criticism, bitter satire, witty humor, meticulous analysis, decisive judgment, passionate expression, painful cry, cordial encouragement, enthusiastic praise, brush strokes and flying words, with various forms and changes. It freely and boldly expresses the feelings and emotional experiences of modern people, and opens up a broader road for the development of China's prose. The status of Lu Xun's essays in the history of modern literature in China is undeniable. He makes us look small when we dare to be angry and dare not speak. Sad for his misfortune, angry for his indisputable. While others were sleeping, he woke up and exposed the society. That kind of loneliness, Lu Xun's thought was not only incomprehensible to most Japanese at that time, but also difficult to get a wide response among students studying in China. Under heavy pressure, he wrote a great chapter, and his pent-up thoughts and feelings exploded like lava through literary works. This creative purpose of expressing and improving life made him mainly describe some common people, such as Hua Laoshuan, Shan Sisi, Ah Q, Xianglinsao and Ai Xin. These people live at the bottom of society and need sympathy, pity, care and love from people around them most. But in China society at that time, people gave them insults and discrimination, indifference and ruthlessness. Is such a society a normal society? Is this interpersonal relationship reasonable? What saddens us most is that they live in a world without love and are tortured by life, but they also lack sincere sympathy for each other. They take an indifferent and even appreciative attitude towards the tragic fate of their own kind, and vent their pent-up resentment when they are oppressed and bullied by bullies weaker than themselves. In Kong Yiji, there are short-sleeved guests who maliciously ridicule Kong Yiji; In The True Story of Ah Q, others bullied Ah Q, and Ah Q bullied a little nun who was weaker than himself. In Blessing, villagers in Luzhen appreciate Sister Xianglin's tragedy as an interesting story ... All this makes people feel a chill. Lu Xun's attitude towards them is "mourn their misfortune and anger their indisputable". Lu Xun loves them and hopes that they will be conscious, self-reliant, self-reliant and have the principle of being a man. Reflecting the life of the working people, the artistic conception is deep, the outside is cold and the inside is hot, and the skills of using national languages have reached a perfect level. He used all the light of life to illuminate the darkness and silence between heaven and earth. Behind him is the blood, suffering, hesitation and awakening of our whole nation. It has always been "bowing down as a willing ox" that laid his tall image in the history of China and engraved his mark on people's hearts. He is a great man across the ages. He used pungent language to expose the events of that era, but today his articles also make us alert and reflect. He said that since ancient times, we have had hardworking people, hardworking people, people who gave their lives for the law, and people who pleaded for fame. They are the backbone of China. He is the backbone of China. He realized this and returned to this world. After he hesitated, he didn't hide in the courtyard wall to talk about dragons and tigers. This is really great. After seeing it, he still lived an active life, did not sigh, joined the left wing, trained young people, and fought uncompromisingly to the last breath. This is Lu Xun. If the novels in Scream and Hesitation are Lu Xun's grim portrayal of real social life and are intended to alert the sleeping people, then the prose in Morning Flowers is Lu Xun's warm memories and deep memory of the people and things that nourished his life. When I was a child, Mr. Fujino, the nanny's mother, gave him sincere care in a discriminated environment. Fan Ainong, an old friend with a rough and arrogant life, gave him a "Herbal Garden" full of infinite fun, as well as folk dramas and folk entertainment activities that attracted his curiosity ... All these revealed bright colors and warmth in this sinister world background, which nourished Lu Xun's life. These essays are lyrical, narrative and argumentative, sometimes like a calm harbor, sometimes like a rolling sea, sometimes like a rushing river, and sometimes like a winding stream, which embodies the artistic achievements of Lu Xun's prose creation. Different from the clear and meticulous prose in Morning Flowers and Evening Picks, the prose poetry in Weeds presents an ethereal and fantastic artistic conception. They are like clouds of emotion, spinning and floating in the air, changing into various unexpected shapes. Lu Xun's inner anguish turned into a dream and a transcendental imagination, which made Wild Grass a wonderful flower in China's modernist literature. Lu Xun once said to others, "My philosophy is all in Weeds." Lu Xun's deepest emotional experience and the most mysterious philosophical sentiment are conveyed through this peculiar artistic means. Lu Xun's artistic creativity is amazing. In his later years, Lu Xun also completed a collection of novels, which is a new collection of stories based on ancient myths and legends and historical facts in China. However, they did not stick to the original story, but joined Lu Xun's own understanding and imagination, and some even adopted the writing technique of blending ancient and modern times to make the ancient people talk directly with modern people. The purpose of Lu Xun's doing this is to let us feel and understand the true face of some real people through the feelings and understanding of real people and the ancients. Through the novels in New Stories, Lu Xun actually reconstructed the cultural history of China, revealed the foundation of the existence and development of the Chinese nation, and reshaped the image of historical figures sanctified by feudal literati in China. Lu Xun has his own brand-new creations in short stories, essays, prose poems, historical novels and essays. His life is a life of struggle for the survival and development of the Chinese nation. He used his pen to maintain social justice, resist power, protect youth and cultivate new forces. Chairman Mao said that Lu Xun's bones are the hardest. He has no servility or obsequiousness, which is the most precious character of the colonial and semi-colonial people. This giant, with his weak strength, resists the dark forces and pursues the light. His behavior means that China will become a free and independent country. He worked hard for China, the nation and the arrival of new China. Today, the new China has finally been established, and his wish has finally come true. Unfortunately, he has closed his eyes forever and can't see the dream of a harmonious country. However, Lu Xun's influence in China is so great that when netizens, mainly young people, choose cultural idols, Lu Xun tops the list. With the arrival of the 2 1 century, we should draw on the strength of Lu Xun's spiritual field, continue to advance towards Lu Xun's thought, meet more challenges and strive to improve the spiritual and cultural realm of the nation.

(⊙ o ⊙) Ah! I'm exhausted, but hehe, I hope I can help you!