From 65438 to 0962, he moved to Zhengzhou, Henan Province, and worked as a cadre, punch card worker and planning statistician in Jinshui District Industrial Office, Zhengzhou Golden Pen Factory and Zhengzhou Machine Tool Factory. During his work, he insisted on amateur creation.
1979, because of his outstanding creative achievements, he joined the Chinese Writers Association, attended the fourth congress of literary and art workers in China, and was transferred to the Henan Federation of Literary and Art Circles as a professional writer; 1980 was recommended to study and graduate from the Institute of Literature Education of the Chinese Writers Association; 198 1 Start writing a novel. 1986 transferred back to Zhejiang Federation of Literary and Art Circles as a professional writer; 1990, vice chairman of Zhejiang Federation of Literary and Art Circles. 1992, served as chairman and party member of Zhejiang Writers Association for ten years (two sessions); At the end of 2002, he was re-elected as honorary chairman of Zhejiang Writers Association. 1996 member of the presidium of the Chinese Writers Association (re-elected for five or six terms).
Ye Wenling loved literature since childhood. 13 years old, when I was in junior high school, I published two novels, Little Storm between Husband and Wife and Seventy cents, in Yuhuan newspaper run by the county. Up to now, more than 8 million words, 39 collections of works and 8 volumes of Collected Works of Ye Wenling have been published.
There are many kinds of novels published: Ficus carica, Heart Fragrance (won the National Excellent Short Story Award 1980 and the Contemporary Honor Award), Style of Changtang Town, Farewell, Turbulent Stream Nighttalk, Romantic Evening, Feng Shui Here, Selected Novels of Ye Wenling, etc. Prose collections include Looking for You in Dreams, Diary Written on Coconut Leaves, Angle of Artistic Creation, Feelings I Can't Pass, I'm Not Lonely with You, Garden of Eden of the Soul, Eternal Temptation, Colorful Petals of Dreams, Simple Heart, Selected Essays of Ye Wenling and Poems on My Pillow.
Novels include Mom and Dad, Favorite of the Sun, Dreamless Valley and Qiu Jin. After the publication of Dreamless Valley, it aroused strong repercussions. After being awarded the "Outstanding Achievement Award of China Literature Creation" by new york International Culture and Art Center, he also won the Zhejiang Excellent Literature Award. 1997 Ye Wenling was awarded "Luxun Literature and Art Award-Outstanding Achievement Award" by Zhejiang Provincial People's Government. 1Qiu Jin, a long historical novel completed in the spring of 997, also received rave reviews. Mingchuang Publishing House was re-launched under the name of Qiu Jin's death, and Writers Publishing House was republished on 1998 under the name of Jianhu Woman-Qiu Jin. In 2000 and 2004, he was awarded the "Lu Xun Literature Award-Outstanding Achievement Award" by Zhejiang Provincial People's Government for his novels Qiu Jin and Biography of Chang Shuhong. In 2002, he won the first "Bing Xin Prose Award" for his prose creation. He has also created some film and television literary scripts; Such as "The Sun's Favorite" and "The Bridge on the Back"; The latter won the provincial "five one projects" award. The TV series "Da Hong Fei Tian" adapted from the long biography "Chang Shuhong, the patron saint of Dunhuang" is in preparation.
Ye Wenling's novels mainly show the fate and spiritual world of ordinary people, with sincere feelings, strong flavor of life, simple and natural language, fresh and smooth.
In addition, an article by Ye Wenling, "My longevity fruit", was selected as the first volume of the fifth-grade experimental textbook of the compulsory education curriculum standard of People's Education Press, and was taught as the fourth lesson (skimming the text).
[Edit this paragraph] Ye Wenling's autobiography
China's literary world, which entered the new era in stormy weather, presents an unprecedented lush situation. The meaningful and beautiful works written by women writers are like the buttonwood trees in the forest, and the trees are beautiful. At present, there are many outstanding female writers in a province as vice-chairmen of writers' associations, but before the end of 1996, I was the only one in 3/kloc-0 provinces and cities in China to take the position of chairman.
Of course, the position is just a symbol. For writers, in the long journey of life and literature, it is important to have perseverance and hard work in cultivating evergreen trees that irrigate the ideal of life. I used to have two study names: Baoqiuzhai and Shijiazhai. The former was sent by a literary friend, and the latter was written by the painter Huang Miaozi. Both of them are the portrayal of my more diligent literary work in the future-the sweat shed by endless work in the four seasons is like silent dew in the forest; A horse galloping thousands of miles has always been a symbol of my ambition. I am a horse in the zodiac, so it is natural to love horses.
"A blue woolen cloth around my waist" is my first self-portrait in the literary world. My hometown Yuhuan is a typical county town in the south of the Yangtze River, and Truman is a seaside town in the land of plenty. Although I was not born in the nest of literature, my hometown has always been the shade in my heart. When I was a child, I was obsessed with books, and my ideal wings often spread like gorgeous butterflies. The reason why I finally became attached to literature is not only the inheritance of my embroidered mother's intelligence, but also the subtle influence of my brother Ye Peng, who loved literature since childhood. I started literary creation when I was as beautiful as flowers and pure as jade. At the age of thirteen, I first published several short stories in my hometown county newspaper. However, the unfair experience brought by the 1957 storm to Ye Peng, a high-flying brother in Fudan, made me suffer greatly when I was only fifteen years old. However, although the heavy shadow of off-campus unemployment has been with me for a long time, I have not lost my enthusiasm for literature. /kloc-when I was 0/6 years old, I knocked on the door of Donghai, a provincial newspaper magazine, with an ooo novel "Xue Mei and I" stained with grass dew. It's van der Vaart. It's nothing. It was given to me by the French human service.
At that time, before I became a professional writer, I worked in a factory in the suburbs, and worked as a punching and milling worker. I also worked as the workshop director and the planning statistics of the production department. Being a wife and a mother, with in-laws in the world, three children in the world, living in a small room and living in poverty. The lack of material and spiritual abundance are often inversely proportional, because it is the evergreen tree of literature that supports my whole spiritual world.
When I became a professional writer, I became more persistent and diligent. I have been traveling all over the country these years, leaving footprints step by step. During the period of 1977, my novels published in the headlines of people's literature and People's Daily attracted people's attention. From 65438 to 0979, I was elected as a member of the presidium of the Third Writers' Congress of the Fourth National Literature Conference.
1980 entered the Institute of Literature of the Chinese Writers Association (the predecessor of Lu Xun College of Literature) and finally realized his dream of further study. At that time, the novel "Heart Image" won the national excellent short story award, and later won the contemporary honor award. Followed by novellas "The Green Light", "Nine Songs in the Stream", "Parents" and "Romantic Evening", which also received a lot of praise. The first book of poetry, Looking for You in My Dream, was reprinted, and Diary Written on Coconut Leaves and Perspective of Artistic Creation were published one after another.
1In the summer of 986, I stayed in Henan for 24 years and returned to Zhejiang with lingering homesickness. Hometown is the cradle of writer's feelings, which not only cultivated my artistic personality, but also cultivated my rich creative inspiration. I began to explore another vast world quietly: the spiritual world of human beings. Starting from "Heart Fragrance", I stubbornly carried out the most difficult and brilliant excavation in artistic exploration-the search and discovery of beauty. I always pour out the true meaning of life in my own unique way, convey the pure and clear aesthetic ideal, and play the most eternal movement of life-poetry. The pursuit of poetic life is not only a means for writers to confront and eliminate suffering, but also a call for human conscience and resilience. Therefore, even if literature loses its sensational effect, I still have no sense of loss and still have my own inherent readership. From 65438 to 0994, he attended the world women's conference which attracted worldwide attention and gave a speech entitled "We care about the world" at the "NGO" forum. leave
This year is even more important in my eight-year creative mileage. The novel Dreamless Valley has a total of more than 460,000 words, which immediately aroused great repercussions and strong resonance in the literary world after its publication. It is known as "the spiritual history of China intellectuals written with blood and life", and "its narrative style and poetic situation can't be surpassed by contemporary novel creation". Reprinted in 1996. Because of the creation of this book, new york International Culture and Art Center awarded me the "China Prize for Outstanding Achievement in Literary Creation" at the end of 1995.
The literature in my heart is always closely linked with solemn words such as sacredness, solemnity, responsibility and even pain; The literature in my heart is always the same as truth, goodness and beauty, as well as the most indispensable sympathy and sense of justice of human beings. This sacred and solemn sense of responsibility, this pious expression of truth, goodness and beauty, runs through my works for decades, and is most vividly reflected in this dreamless valley, which best symbolizes my life experience and best represents my creative style. Among them, the eternal themes I have been fighting for: the existence of beauty, the destruction of beauty and the growth of beauty, have all been well reflected.
1996 I wrote another novel, Qiu Jin. I have accumulated feelings for her for fifteen years.
After returning to Zhejiang, I worked hard to create, and at the same time served as the leader of the Literary Federation and Writers Association. 1997 In the spring, the provincial people's government awarded me the highest honor award: "Lu Xun Literature and Art Award-Outstanding Achievement Award". There are many honorary titles and many social activities, but in the face of young writers and literary lovers in need, I always enthusiastically support them and try my best to help them, because they remind me of my bumpy growth period.
1993, 1996, 1998, Zhejiang Radio and Television College, Hangzhou University and Zhejiang University hired me as a part-time professor.
As a mother, I think I have deep feelings for calves. Three children who grew up in a difficult environment all graduated from famous universities and did their own things. The youngest daughter, Wang Haidan, won the statewide outstanding international student award when she was studying for her doctorate at the University of Hawaii. When others envy me for teaching my children well, I feel that I owe them more maternal love and often feel sorry. I spend more time on creation.
1998 In the spring, my political life turned a new page. Since 1964, I was re-elected as a member of the sixth, seventh and eighty-third CPPCC National Committee. At the first session of the Ninth National People's Congress, as a newly elected people's representative, I was elected to the Presidium of the General Assembly to vote for the new generation in China.
1998 is also the 40th anniversary of my literary creation. I selected 3.65 million words from 30 published works with more than 5 million words, and edited and published eight volumes of Collected Works of Ye Wenling. And set up the "New Leaf Literature Award" in Zhejiang University with its manuscript fee. I will never forget that 40 years ago, when I was a literary teenager, it was the eyes of an unknown editor and the sincere support of many literary predecessors that made me, a little girl with a blue cloth around her waist, reunite my childhood dream, step by step into the literary hall, and strive to open a green leaf of my own on the literary tree of the motherland. Therefore, I firmly believe that beauty is the life of literature and green is the color of life.