Jiang Yang (1911July17-2065438+May 25, 2006), whose real name is Yang Jikang, was born in Wuxi, Jiangsu, a modern writer, literary translator, foreign literature researcher in China, and member of Honorary Department of China Academy of Social Sciences. 1923, Jiang Yang moved to Suzhou with his family and entered Zhenhua Girls' School. From 65438 to 0928, Jiang Yang entered Soochow University in Suzhou. 1932, Jiang Yang graduated from Soochow University, went to Tsinghua University Research Institute to study in the same year, and met Qian Zhongshu.
/kloc-in the winter of 0/942, Jiang Yang finished his first play, Satisfy Your Desire, and performed it in Shanghai. 1944, Jiang Yang's comedy "Turning Truth into False" premiered in Shanghai. 1978, Jiang Yang published the Chinese translation of Don Quixote. 198 1 July, Jiang Yang published a collection of essays, Six Chapters of Cadre School. 1987 in may, Jiang Yang published a collection of essays "drinking tea". 1988 12, Jiang Yang published the novel Bath. In July 2003, Jiang Yang published a collection of essays, The Three of us.
Jiang Yang's creative characteristics:
Jiang Yang's literary creation is permeated with profound eastern and western cultures at the same time, and her writing style reveals extraordinary, gentle and restrained emotional expression. Under the care of western liberal humanistic spirit, Jiang Yang's novels and essays all show the discovery of humanity, nature and art, but Confucianism is the real factor contributing to Jiang Yang's unique artistic characteristics, and Jiang Yang's artificial writing conforms to the golden mean in Confucianism.
The emotional tension in Jiang Yang's literary creation stems from the formation of Confucian temperament, which is the essence of her stealth philosophy. Jiang Yang's primary and university education was received in a missionary school, but this did not affect the infiltration of China's traditional culture into her. Jiang Yang's words are concise and implicit, and his sympathy and affection are deeply hidden in a few simple words, which will neither expose his extreme disgust and anger at ugliness nor let his strong feelings vent like a waterfall.
Jiang Yang uses reason to express her feelings, and her words are gentle and deep, round and round. Jiang Yang is very good at using short sentences as the end of emotional expression, which is cold and subtle, making emotions only touch the key points, and taking away the pain and sadness in the past with a cold tone, which embodies the beauty of "neutralization" in words. Under Jiang Yang's restrained words, there are sympathy for kind people and deep affection for his beloved. Several figures sum up a thousand words in his heart.