Lu Xun (1881.9.25—1936.10.19), formerly known as Zhou Zhangshou, was named Yushan and Yucai; Later, it was renamed Zhou Shuren. Later 1984, The Complete Works of Lu Xun (16 volumes in total) was published. In 2005, The Complete Works of Lu Xun (a total of 18 volumes) was published. His works are mainly novels and essays, and his representative works are: The Cry, Wandering, New Stories, etc. The original name of the collection of essays "Flowers in the Morning" is "Reminiscence of Time Past", the collection of prose poems "Weeds", the collection of essays "Grave", "Three Leisure Collection", "Justice Collection" and vernacular novels.
Dozens of Lu Xun's novels, essays, poems and essays have been selected into Chinese textbooks for primary and secondary schools, becoming well-known artistic image novels, such as Blessing, The True Story of Ah Q and Medicine, which have been adapted into movies. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai, Guangzhou and Xiamen. At the same time, his works have been translated into more than 50 languages such as English, Japanese, Russian, Spanish, French and German, and have a wide audience all over the world.
Lu Xun is known as "soul of china" because he took the place of Ge with pen and struggled hard all his life. Mao Zedong commented that he was a great writer, thinker and revolutionary, and the commander-in-chief of the Cultural Revolution in China. "Bowing one's head and being a willing ox" is a portrayal of Mr. Lu Xun's life.
Lu Xun's Life and Creation
Lu Xun 188 1 was born in Shaoxing, Zhejiang, but when 13 years old, his grandfather, who was an official in Beijing, was imprisoned for cheating in the imperial examination. Since then, my father has been ill for a long time and eventually died, and his family has fallen. Family changes have had a far-reaching impact on young Lu Xun. He is the eldest son of the family, with a lonely and weak mother and a young and weak sister in law. He must bear the burden of life with his mother. His innocent and lively childhood is over, and he has experienced the hardships of life and the changes of the world prematurely. He often takes the prescription prescribed by the doctor for his father to the pharmacy to get medicine, and takes things to the pawnshop to sell. In the past, when his family was well off, people around him looked at him enviously as a little "dude". There is kindness in his words and tenderness in his eyes. But now that my family is poor, the attitudes of people around me have changed: my words are cold, my eyes are cold, and my face is disdainful. The change of people's attitudes around him left a deep impression on Lu Xun's mind, which caused a great blow to his mind and made him feel that China at that time lacked sincere sympathy and love between people. People treat people and things with snobbery: one attitude towards the rich and powerful, another attitude towards the poor and incompetent. Many years later, Lu Xun said with great sadness: "Who fell from a well-off family to a poor situation? I think that on this road, we can probably see the true face of the world. " Introduction to screaming
The family changes and life experiences after the changes also made Lu Xun close to the lower class from his childhood. His grandmother lives in the countryside, which gives him the opportunity to get in touch with and understand the life of farmers. Especially before and after his grandfather went to prison, he had to take refuge in relatives in the countryside and live in the countryside for a long time. There, he became friends with children in the country, played with them, rowed boats, watched movies together, and sometimes "stole" beans and cooked them in their fields. There is no mutual discrimination and hatred between them, only mutual care and love. Lu Xun recorded his simple, natural, sincere and simple relationship with rural children as the best interpersonal relationship in his life.
At that time, the average scholar took three roads: one was to study and be an official. If you are not an official, you can also be a "screen friend" of bureaucrats. If the first two roads fail, you can still go into business. Lu Xun took another road that was most despised at that time: entering the "foreign school". In China at that time, it was generally regarded as a despicable activity of "selling souls to foreign devils". 1898, 18-year-old Lu Xun, who left his hometown, entered Nanjing Naval Academy with eight silver dollars raised by his loving mother, and later changed to Nanjing Road and Mine Academy. These two schools were established by the Westernization School to enrich Qiang Bing, offering courses such as mathematics, physics and chemistry, and imparting natural science knowledge. During this period, Lu Xun read works on foreign literature and social sciences and broadened his horizons. In particular, Yan Fu's translation of Huxley's Theory of Evolution, an Englishman, had a profound influence on Lu Xun. Evolution is a book introducing Darwin's theory of evolution, which makes Lu Xun realize that the real world is not harmonious and perfect, but full of fierce competition. To survive and develop, a person and a nation must have the spirit of self-reliance, independence and self-improvement. Can't be at the mercy of fate, can't be bullied by the strong.
Lu Xun's outstanding performance in Nanjing Road and Mine School gave him the opportunity to study abroad at public expense after graduation. 1902, he went to Japan, began to study Japanese at Hongwen College in Tokyo, and later entered Sendai Medical College. He chose to study medicine in order to treat patients who were victimized by quacks like his father and improve the health of China people who were ridiculed as "the sick man of East Asia". Lu Xun wanted to enlighten the people of China through medicine. But his dream didn't last long before it was shattered by the harsh reality. In Japan, as a citizen of a weak country, Lu Xun is often discriminated against by Japanese with militaristic tendencies. In their eyes, all China people are "imbeciles". Lu Xun scored 95 points in anatomy, so he suspected that Fujino Genkuro, the anatomy teacher, had leaked the examination questions to him. This made Lu Xun feel deeply sad as a weak country. On one occasion, in a slide show before class, Lu Xun saw a China man being beheaded by the Japanese army, while a group of China people stood by and watched. Lu Xun was greatly stimulated. This made him realize that mental numbness is more terrible than physical weakness. To change the tragic fate of the Chinese nation in the world, the first thing is to change the spirit of China people, and the first thing that is good at changing the spirit of China people is literature and art, so Lu Xun left Sendai Medical College and returned to Tokyo to translate foreign literary works, organize literary magazines, publish articles and engage in literary activities. At that time, what he discussed most with his friends was China's national character: what is the ideal human nature? What is China's national character lacking most? What is the root cause? Through this kind of thinking, Lu Xun linked his personal life experience with the fate of the whole Chinese nation, which laid the basic ideological foundation for him to become a writer and thinker later.
During his study in Japan, Lu Xun initially formed his world outlook and outlook on life. However, Lu Xun's thoughts and feelings were not only incomprehensible to most Japanese at that time, but also difficult to get a wide response from students studying in China. The foreign novels he translated can only sell dozens, and the literary magazines he organized can't be published because of lack of funds. The difficulty of family planning forced Lu Xun to return to China to find a job. From 65438 to 0909, he returned from Japan and taught in Hangzhou Zhejiang Normal School (now Hangzhou Senior High School) and Shaoxing High School. This period is a period of extreme depression of Lu Xun's thought. 19 1 1 year also excited him for a while, but then Yuan Shikai proclaimed himself emperor, zhang xun restoration and other historical scandals were constantly staged. The Revolution of 1911 did not change the reality of China's stagnation and backwardness. The social chaos, the national disaster and the misfortune of personal marriage all made Lu Xun feel depressed and depressed. After the May 4th Movement, his repressed thoughts and feelings exploded like lava through literary works. At that time, he was already working in the Ministry of Education and moved to Beijing with the Ministry of Education.
19 18, Lu Xun published his first vernacular novel Diary of a Madman in New Youth magazine, which was the first time he published an article under the pseudonym of "Lu Xun". Diary of a Madman is also China's earliest modern vernacular novel. This novel embodies all Lu Xun's painful life experiences from childhood and all his painful thoughts on the modern destiny of the Chinese nation. Through the mouth of a madman, it denounced China's feudal autocracy for thousands of years as a history of "cannibalism" and sent out "Never been like this?" Seriously questioned, shouting: "Save the children!" .
After Diary of a Madman, Lu Xun published several short stories in succession, and later compiled two short story collections, Scream, which were published in 1923 and 1926 respectively.
Lu Xun's novels are few in number, but they are of great significance. Lu Xun focused on the bottom of society and described the daily life and mental state of these bottom people. This is inseparable from Lu Xun's creative purpose. Lu Xun said: "My materials are mostly taken from the unfortunate people in the morbid society, aiming to expose the suffering of the disease and attract the attention of treatment." How to start a novel with a southern accent and a northern accent? This creative purpose of expressing and improving life made him describe the most common tragic fate of some of the most common people, such as Kong Yiji, Hua Laoshuan, Shan Sisi, Ah Q, Xianglinsao and Ai Gu. These people live at the bottom of society and need sympathy, pity, care and love from people around them most. But in China society at that time, people gave them insults and discrimination, indifference and ruthlessness. Is such a society a normal society? Is this interpersonal relationship reasonable? What saddens us most is that they live in a loveless world and are tortured by life. But they also lack sincere sympathy for each other. They take an indifferent attitude of watching or even appreciating the tragic fate of their own kind, and vent their pent-up resentment when they are oppressed and bullied by bullies weaker than themselves. In Kong Yiji, there are short-sleeved guests who maliciously ridicule Kong Yiji; In The True Story of Ah Q, others bullied Ah Q, and Ah Q bullied a little nun who was weaker than himself. In Blessing, villagers in Luzhen appreciate Sister Xianglin's tragedy as an interesting story ... All this makes people feel a chill. Lu Xun's attitude towards them is "mourn their misfortune and anger their indisputable". Lu Xun loves them, but he wants them to realize that they can be self-reliant, independent and self-reliant.
Lu Xun has an abhorrent attitude towards powerful people and hypocrites. Ding in Kong Yiji, Grandpa Zhao in The True Story of Ah Q, Master Lu Si in Blessing, Guo Laowa in The Ever-burning Lamp, and the seven great men in Divorce are all such powerful figures. They are very powerful, but they have no sincere concern for the fate of others and no enthusiasm for social progress. They only care about their own power and status, selfish, hypocritical and cold, which hinders the progress and improvement of society. Siming in soap and Gao Li Gao are hypocrites and hypocrites. They claim to care about social morality, but in fact they are all immoral people.
Lu Xun's novels are about the ordinary life of ordinary people, without bizarre stories and fascinating plots, but full of infinite artistic charm. Where does this charm come from? It comes from his detailed description of people and life and his incisive description of people's subtle psychology. There is always a "joy of discovery" when reading Lu Xun's novels. The picture is an ordinary picture and the characters are ordinary people, but in such an ordinary picture and ordinary people, we can always notice the characteristics that we don't usually notice and perceive the psychological activities of people who don't usually notice. It is precisely because of this meticulous description and incisive psychological portrayal that the artistic charm of Lu Xun's novels has become more mellow as time goes by. When we were young, we were inexperienced. Primary and middle school students in the north are not familiar with the local customs described in the story, such as Luzhen, Santan and Yinyue, and have no more personal experience of life. Lu Xun's novels enter our sensory world as a whole, but we can't feel how rich the connotations are hidden in the characters and pictures. With the increase of our social experience and the deepening of our life experience, the connotations of these characters and pictures will continue to sprout from them. In order to reveal the different meanings of different life scenes and the fate of different characters, the structure of Lu Xun's novels is changeable, with almost one style and one writing style. Diary of a Madman is different from The True Story of Ah Q, Kong Yiji is different from White Light, hometown is different from Blessing, and lonely people are different from Mourning for the Past. Not only the structural style is different, but also the pitch rhythm is different. Kong Yiji is so simple and cold, while Mourning for the Past is so tortuous and profound. Lu Xun's novels are novels and poems, with deep artistic conception, cold outside and hot inside, and the use of national language skills to achieve perfection.
While creating Scream and Wandering, Lu Xun also created a collection of essays, Flowers in the Morning and Flowers in the Evening, and a collection of prose poems, Weeds. The former was published in 1928 and the latter in 1927. If the novels in Scream and Hesitation are Lu Xun's grim portrayal of real social life and are intended to alert the sleeping people, then the prose in Morning Flowers is Lu Xun's warm memories and deep memory of the people and things that nourished his life. When I was a child, Mr. Fujino, the nanny's mother, gave him sincere care in a discriminated environment. Fan Ainong, an old friend with a rough and arrogant life, gave him a "Herbal Garden" full of infinite fun, as well as folk dramas and folk entertainment activities that attracted his curiosity ... All these revealed bright colors and warmth in this sinister world background, which nourished Lu Xun's life. These essays are lyrical, narrative and argumentative, sometimes like a calm harbor, sometimes like a rolling sea, sometimes like a rushing river, and sometimes like a winding stream, which embodies the artistic achievements of Lu Xun's prose creation. Different from the clear and meticulous prose in Morning Flowers and Evening Picks, the prose poetry in Weeds presents an ethereal and fantastic artistic conception. They are like clouds of emotion, spinning and floating in the air, changing into various unexpected shapes. Lu Xun's inner anguish turned into a dream and a transcendental imagination, which made Wild Grass a wonderful flower in China's modernist literature. Lu Xun once said to others, "My philosophy is all in Weeds." Lu Xun's deepest emotional experience and the most mysterious philosophical sentiment are conveyed through this peculiar artistic means. Lu Xun's artistic creativity is amazing.
Lu Xun's essays should first fully reflect his creative spirit and creativity. "Essays" have existed since ancient times, and similar examples can be found in foreign essays. However, only in the modern cultural history of China and in the hands of Lu Xun did "essays" show its unique artistic charm and great ideological potential. Lu Xun's essays can be said to be an "epic" of China's modern culture, which not only recorded Lu Xun's fighting achievements in his life, but also recorded the ideological and cultural history of China at that time. When modern intellectuals in China want to create a new culture and new ideas suitable for the modern development of China, they are slandered and attacked by different classes, different figures, different angles and different ways. Lu Xun's essays are naturally formed in this ideological and cultural struggle with no fixed front and no fixed enemies. From the May 4th Movement, Lu Xun began to struggle against various arguments against the new culture in the form of essays, but he was not conscious at that time. Later, some people began to laugh at him as an "essayist", and he became more aware of the power of "essays" and began to consciously engage in essay creation. Lu Xun said that essays are "nerves of induction" and can "react or fight against harmful things immediately", thus opening up a tortuous road for the development of new culture and new ideas in the thorns of old culture and old ideas, so that they can exist, develop and grow. Lu Xun wrote Grave, Hot Wind, Canopy Collection, Canopy Collection Continuation, Three Idle Collections, Two Hearts Collection, Southern Dialect and Northern Tune, Pseudo-Free Book, Quasi-romantic Talk, Lace Literature, Seven Pavilion Essays and Seven Pavilion Essays all his life. In this 15 collection of essays, Lu Xun extended his brush strokes to various cultural phenomena and different people of different classes, with ruthless exposure, angry accusations, sharp criticism, bitter satire, witty humor, meticulous analysis, decisive judgment, passionate expression, painful cries, cordial encouragement and enthusiastic praise. It freely and boldly expresses the feelings and emotional experiences of modern people, and opens up a broader road for the development of China's prose. The status of Lu Xun's essays in the history of modern literature in China is undeniable.
In his later years, Lu Xun also completed a novel collection, New Stories (published by 1936). This collection of novels is based on China's ancient myths and legends and historical facts, but it does not stick to the original story, but adds Lu Xun's own understanding and imagination, and some of them also adopt the writing technique of blending ancient and modern, so that ancient people and modern people can have a direct dialogue. The purpose of Lu Xun's doing this is to let us feel and understand the true face of some real people through the feelings and understanding of real people and the ancients. Through the novels in New Stories, Lu Xun actually reconstructed the cultural history of China, revealed the foundation of the existence and development of the Chinese nation, and reshaped the image of historical figures sanctified by feudal literati in China. Mending the sky can be regarded as a "genesis" of the Chinese nation. In Lu Xun's view, it is not the ancient sages and emperors who truly embody the fundamental spirit of the Chinese nation, but the Nu Wa who created the Chinese nation. She is the source and symbol of Chinese national vitality. Running to the Moon is about the tragedy of an ancient hero, which saved mankind in nine days, but those selfish and narrow-minded people don't want to inherit and carry forward his heroic spirit, just want to use him to achieve their selfish and narrow-minded goals. He was assassinated by his own students and abandoned by his wife. Casting Sword shows the theme of revenge of the oppressed on their oppressors. "Water Control" and "Non-attack" praised the politicians and thinkers who practiced in ancient China. Yu He is the backbone of the Chinese nation. Confucius, Laozi, Zhuangzi, Boyi and Shu Qi, historical figures, have really become funny but still lovely living figures in Lu Xun's works. Lu Xun's New Stories expresses serious themes in an absurd way, and creates a brand-new way of writing historical novels.
Lu Xun has his own brand-new creations in short stories, essays, prose poems, historical novels and essays. His life is a life of struggle for the survival and development of the Chinese nation. He used his pen to maintain social justice, resist power, protect youth and cultivate new forces. In the early stage, he enthusiastically supported the just struggle of young students, exposed the criminal acts of the Duan government in suppressing the student movement and creating the "March 18th" tragedy, and wrote a series of shocking articles such as "In Memory of the King". Later, he opposed the bloody suppression of the Kuomintang government on the * * * people and the progressive youth, joined the League of Chinese Left-wing Writers and the League for the Protection of Civil Rights, and wrote a series of articles full of righteousness and justice, such as Commemorating Forgetting. "Lu Xun's bones are the hardest. He's not servile. This is the most precious character of the colonial and semi-colonial people. " (Mao Zedong: On New Democracy)
1936 65438+ 10/9, Lu Xun died in Shanghai. Thousands of ordinary people came to see him off, and his coffin was covered with a banner with the words "soul of china".
Before he died, he made his last words: "First, you can't charge any money for the funeral, except for friends. Second, quickly converge, bury and pull down. Third, don't do commemorative things. Fourth, forget me and mind your own life. If not, it is really a fool. When a child grows up, if he has no talent, he can find something small to live on, and never be a short writer or an artist. 6. Don't take others' promises to you seriously. 7. Never approach a person who hurts others' teeth but opposes revenge and advocates tolerance. " Shakespeare said: "A person's last words, like deep music, have a natural power to attract attention. "
Lu Xun wrote and translated nearly 6.5438+million words in his life, including 654.38+06 essays.
Among them, the article "Young Runtu" was selected into the first volume of the sixth grade Chinese textbook published by People's Education Publishing House, and the article "Young Runtu" was selected from Lu Xun's novel "Hometown".
Since 19 18, famous novels such as Diary of a Madman, The True Story of Ah Q and Medicine have been published. Later, he was included in the collection of novels "Scream".
Lu Xun's famous words
poetry
1, bash one's eyebrows coldly at a thousand fingers, bow one's head as a willing ox. (Lu Xun laughs at himself)
2. Send a message to Han Xing, and I recommend Xuanyuan with my blood. (Lu Xun's self-titled portrait)
3, relaxed and even spacious, listening to thunder in land of silence. (Lu Xun untitled)
4, the original grass is full of blood, and the cold condenses the earth. (Lu Xun untitled)
5, endure to see peers become new ghosts, angry at the knife to find small poems. (Lu Xun. )
6. Ruthlessness is not necessarily a real hero. How can Reiko Kobayakawa not be a husband? (Lu Xun)
7, do rob brothers, meet and laugh. (Lu Xun's topic Sanyi Tower)
8. Is there any pride like in the old days? Flowers bloom and fall. (Lu Xun mourns Yang Quan)
9, the historian's swan song, rhyme "Li Sao". (Lu Xun comments on Historical Records)
Opinions on public affairs
1. Time is like water in a sponge. As long as you are willing to squeeze, there is always something.
If you only read books, you will become a bookcase.
I seem to be a cow, eating grass and milking blood.
4. May all the young people in China get rid of the cold air, just walk upward, and don't have to listen to the words of self-destructors.
5, in fact, there is no road on the ground, and more people walk, it becomes a road.
6. Where there is genius, I spend all my time drinking coffee in other people's works.
7. Only the people's souls are valuable. Only by carrying them forward can China make real progress.
8. Calm, brave, discerning and unselfish.
9. The more difficult it is, the more you have to do it. Reform has never been smooth sailing.
10, our top priorities now are: first, survival, second, adequate food and clothing, and third, development.
1 1, you must dare to face it, and you can expect to dare to think, speak, do and act.
12, in the past, the rich should be retro, the rich should maintain the status quo, and the poor should be innovative, average, average!
13, human beings will never be lonely, thinking that life is progressive and natural.
14, as long as it's not like this, it's a baby. ...
15, the fact is a heartless thing, which can crush empty words.
16, the lies written by Mo can never cover up the facts written in blood.
17, in fact, pioneers can easily become stumbling blocks.
18, there is no freedom if you want stability, but you have to go through some dangers if you want freedom. There are only two ways.
19, if you want to cover everything, nothing can be done.
20. Time is life. Wasting other people's time for no reason is actually tantamount to killing people for money.
2 1. It is very bad to do something, no matter it is big or small, without perseverance.
22. If the deceased is not buried in the heart of the living, it is really dead.
23. It is always more difficult to remould oneself than to forbid others to come.
24. As long as a flower can be cultivated, it is better to be the rotten grass that will rot.
25. When I am silent, I feel full; I will open my mouth and feel empty at the same time.
26. The past life is dead. I am happy for this death, because I know it once lived.
27. The dead life has rotted. I get great pleasure from this decay, because I know it is not empty.
28, but I am calm and happy. I can laugh and I can sing.
29. I love my weeds, but I hate the ground decorated with weeds.
When I turn to dust, you will see my smile!
3 1. If it doesn't break out in silence, it will perish in silence.
32. Doubt is not a weakness. Always doubt, but don't judge, this is the disadvantage.
33. Entangled like a poisonous snake, persistent like a ghost. Intense fast, calm fast, even decadent fast.
34. Huge buildings are always made of one stone and one wood. Why don't we do this? I often do odd jobs, that's why.
I would rather fight the enemy openly than be countered by my colleagues.
36. Saying that you despise someone is not complete contempt. Only silence is the highest contempt-the highest contempt is silence, without even turning your eyes.
Only when Kong Yiji comes can you laugh.
Only a revolutionary, whether he is alive or dead, can give everyone happiness.
39. Everything needs to be studied before it can be understood.
40. If life is too comfortable, work will get tired of life.
4 1, to make a person's limited life more effective, that is, to prolong life.
42. I do dissect others from time to time, but more often I dissect myself mercilessly.
43. Take a good life path. The future is distant and dark. However, don't be afraid, there is only one way before those who are not afraid.
44. The most painful thing in life is that there is no way to go after waking up.
45. Treat others with humility and fill in the gaps.
46. Freedom can't be bought with money, but it can be bought with money.
47. Hope is dependent on existence. Where there is existence, there is hope, and hope is light.
Celebrity review
Lu Xun was the leader of China's Cultural Revolution. He is not only a great writer, but also a great thinker and revolutionary. Lu Xun's bones are the hardest. He has no servility and obsequiousness, which is the most precious character of colonial and semi-colonial people. Lu Xun is the most correct, courageous, resolute, loyal and enthusiastic unprecedented national hero on the cultural front, representing the majority of the whole nation and charging the enemy. Lu Xun's direction is the direction of Chinese new culture.
-Excerpted from Selected Works of Mao Zedong, Volume 2, page 698, published by People's Publishing House in June 199 1.
Lu Xun's value in China, in my opinion, is a first-class saint in China. Confucius was a saint in feudal society and Lu Xun was a saint in modern China.
-Excerpted from Mao Zedong's Collected Works, Volume 2, Page 43, People's Publishing House, published in February, 1993.
Ye Shengtao: Rather than saying that Mr. Lu Xun's spirit is immortal, it is better to say that Mr. Lu Xun's spirit is budding and spreading to the hearts of the public.
Zheng Zhenduo: The death of Mr. Lu Xun is not only the loss of a young and brave leader in China, but also the loss of a most sincere and enthusiastic friend.
Lao She: If you look at the catalogue of complete works of Lu Xun, probably no one dares to say that he is not a knowledgeable person. However, the word profound is not only a compliment to Mr. Lu Xun.
Mao Dun: If you want to risk all these great permanent monuments, you must do so. There is a premise: learn from Lu Xun!
When Lu Xun died, Yu Dafu said this sentence:
A nation without great people is the most pitiful group of creatures in the world; A country with great men who don't know how to support, love and worship is a hopeless slave country.
Selected works of Lu Xun
Selected Works of Cargill, Biography of Lu Xun, Pseudo-Ben, Wild Grass, Morning Flowers, Shout, Essays on Street Pavilion, Collection of Two Hearts and The True Story of Ah Q are representative works in the history of modern literature in China, including White Light, Dragon Boat Festival and Storm. 1965438+In May 2008, Diary of a Madman, the first vernacular novel in China history, was first published under the pseudonym of Lu Xun. Later, he published Tomorrow, Social Drama, Hair Story, Rabbit and Cat, A Little Thing, Duck's Comedy, Medicine, Wandering, Blessing, Brothers, In a Restaurant, Nostalgia, Divorce and Loneliness. My intense opinion, how do we become fathers now, after Nora left, before genius, in the autumn of Leifeng Tower, in the autumn of Leifeng Tower, talking about beards, talking about photography and so on, looking in the mirror, writing casually under the lamp, chatting in late spring, miscellaneous memories, from beards to teeth, widowhood, hardliners and unrestrained, should walk slowly in Feupulay and write behind the grave, Fujino.
Lu Xun's former residence
Shaoxing Lu Xun's former residence is located at the mouth of Xichang Square in the west of Zhoujia Xintaimen. Lu Xun was born here on September 25th, 188 1. He lived here until 18 years old and went to Nanjing to study. After that, I went back to my hometown to teach, and basically lived here. Xintaimen is the place where the Zhou family lived together for many years. The original central gate here is six black painted bamboo doors, which no longer exists after reconstruction. Xintaimen whole house is a kind of deep house compound unique to the south of the Yangtze River. It was built by Zhou Xiongzhan, the eighth ancestor of Laotaimen (1731~1821) in Jiaqing period of Qing Dynasty, and the bridge gate was also built. Lu Xun once moved to Xintaimen with Gaozu, and his lineage continued. By the reign of Guangxu in Qing Dynasty, the whole Zhou family had gradually declined. 19 18, this house, together with the back garden, was sold to Zhu, a neighbor in the east. After the house changed hands, most of the original houses were demolished and rebuilt, but the main part of the place where Lu Xun lived was fortunately preserved. After liberation, the people's government allocated funds for repairs many times, and the old concept was restored. Most of the original furniture has been restored and displayed as it is. Lu Xun's former residence is now a national patriotic education base and a national key cultural relics protection unit.