According to Cao Zhi's masterpiece "Luoshen Fu", "Luoshen Fu Tu" is a masterpiece handed down by Gu Kaizhi. This Song version retains some features of Gu Kaizhi's art to a certain extent, and we can also get a glimpse of his pen and ink expression from thousands of years. The whole volume is divided into three parts, which describes the sincere and innocent love story between Cao Zhi and Luo Shen in a tortuous and detailed way. The characters are properly arranged and naturally alternate, overlap and exchange in different time and space, but in the description of mountains and rivers, they all show a sense of space.
Unfolding the picture scroll, I saw Cao Zhi's expression standing on the shore stagnate, and a pair of autumn waters looked at Luoshen on the distant water waves, infatuated with yearning. Wearing a high cloud bun and a belt raised by the wind, Luo Shen on the water wave has a feeling of falling from the sky. She wanted to go and stay, and she looked around to show her admiration. After the first time, the painter arranged for Luo Shen and Cao Zhi to meet again and again in the whole picture, which lasted for a long time. In the end, the sentimental Luo Shen drove the six dragons and sped away in the clouds, leaving Cao Zhi on the shore, thinking all day, and finally reluctantly leaving. Among them, the deep feeling before crying and laughing and wanting to stop is the most touching.
The whole painting is unpretentious, just like the painting of mountains, rivers, trees and stones in Silkworm Spinning in Spring. The so-called "there are more people than mountains, and water can't be flooded" embodies the characteristics of early landscape painting.
This picture scroll is worthy of being one of the treasures of China's classical painting in terms of content, artistic structure, figure modeling, environmental description and pen and ink expression.
The Proverbs of Women's History has twelve original paragraphs. Because of its long history, there are nine sections. The first existing paragraph, "Xuan Xiong climbs the threshold and Feng Yuan attacks", should be the fourth paragraph, which describes the story of Feng Yuan's resistance to bears and protection of Emperor Han Yuan, and his thoughts are often the most touching.
The second existing story about Ban Jieyu, the Emperor of the Han Dynasty, is engraved with the motto "Ban Jieyu has words" ... to avoid minor worries ",and the virtue of empresses is also touching. In the third paragraph, the mountains overlap and people shoot and hunt in the mountains. The essay "If you don't kill a dragon, it's like a terrible machine", which says that the sun and the moon remain the same and everything in the world rises and falls. It is wise and a virtue to maintain moderation and peace. The fourth paragraph draws the relative makeup of two women. The proverb "People know how to cultivate their appearance, but they don't know how to decorate their nature" is still popular thousands of years later. In the fifth paragraph, the couple in bed face to face, and the man lifts the bed and looks in a hurry. In the preface, the proverb "Say what you say is good ... doubt others" is a thousand miles away. What's the farthest distance?
In the sixth paragraph, the husband and wife sit side by side, the concubine sits left and right, and the baby rolls his knees. Essays range from "a husband's words are as small as a whisper" to "all kinds of people", meaning that my concubine will have many children if she is not jealous. In the seventh paragraph, men and women are opposite, and men raise their hands to refuse women. The article "don't desecrate your happiness, don't focus on your pet ... that's why" exhorts women not to deliberately compete for favor, but to be arrogant if they are specialized. In the eighth paragraph, I drew a sitting princess with a quiet posture. The preface is "respect for yourself, respect for respect", which means that if a woman wants to be noble, she must be cautious in her words and deeds, especially "cautious and independent". In the ninth paragraph, I draw a female history, I am writing a book, and there are two girlfriends walking together, caring for each other and chatting. The topic is "Advice from the Department of Women's History, Dare to Tell Ji Shu". Female officials in the imperial court are advising concubines to be cautious and kind, and women all over the world can learn from this.
Renzhi Volume contains 15 stories about women. This volume is incomplete, and seven stories, such as Dear, Madam, Mrs. Cao, Sun Shuai's mother, Kimbozong's wife, Madam and Uncle Ji, are well preserved. Only half of the three stories, The Son of Qi Zhong Ling, The Mother of Jin Fan and Ten Women in Qilu, have been preserved, while the other five stories have all been lost. The right half of Ten Women in Qilu and the left half of Jin Fan's Mother are wrongly spliced together, which makes people mistakenly think that it is a story.
This volume preserves the dress code of the Han Dynasty in many places, such as the man ignaz Koehler, wearing a curved sleeve robe, a ribbon around his waist and a long sword; Women have curly hair and wear deep clothes, especially their eyebrows are painted with cinnabar, which is a new makeup that imitates Zhao and shows the customs and fashion in a specific period. Mi Zhu's carriage is called "chariot", which is also the shape of the Han Dynasty. It is described in great detail and there are no mistakes. These can be found in a large number of Han Dynasty stone reliefs, brick reliefs and murals.
There is a picture of Wei Linggong and his wife sitting at night and smelling the sound of a carriage in the lacquer screen painting "The Picture of Lienv Ren Xian" unearthed from Sima Jinlong's tomb in the Northern Wei Dynasty, which is very similar in composition and layout and gestures of characters, and it can be confirmed that it is from the same ancient edition. In the process of spreading Mohism, the latter is more faithful to the ancient books.
According to Hanshu, Liu presented the Biography of Lienv to Emperor Hancheng, and also presented the Ode to Lienv, which was painted as a screen. After Ban Jieyu, the Emperor of the Han Dynasty, fell out of favor, in her poems, she talked about seeing the pictures of women in the palace as a warning to herself. These are all included in Ban Gu's Han Shu. There are many themes in the stone reliefs and brick reliefs in the Eastern Han Dynasty that express the stories of Lienv. The history of painting also contains a picture of a little girl created by Cai Yong. During this period, a large number of women's pictures appeared, not only for the needs of court political struggle, but also for widely promoting women's moral education in society to maintain feudal order.
According to many customs in the Han Dynasty and the simplicity of its composition form, it is speculated that this volume should come from the Eastern Han Dynasty, and its ancestor was Liu Xiang. Excluding the traces attached by later generations in Biography, we can still see through the artistic brilliance of court painting in Han Dynasty two thousand years ago. Its characters have rough and smooth lines and accurate shapes. In particular, the portrayal of women is light and graceful, especially wonderful. The composition and layout are in the same strain as the stone reliefs in Han Dynasty. There are many biographies and pictures of women's benevolence and wisdom in the Song Dynasty, which are the only ones preserved and especially precious.
Please adopt ~