In his youth, Li Bai studied in a wide range. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and the Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the second year1February, he was invited to the Lee Shogunate in Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.
Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich contents. Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and sufferings, which focus on thinking about women and remembering people, as well as the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiudeng Xuancheng Xie Tiao North Building, Sitting alone in Jingting Mountain and Journey to Qingxi, are good at depicting quiet scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems, such as "But since the water is still flowing, even though we cut with swords and raise our glasses to drown our sorrows" and "White hair is three thousands of feet, and sorrow is like a beard" (Song of Autumn Pu, article 15), depict his deep worries after the failure of political activities in Chang 'an, which are widely circulated. For example, he wrote "Poetry is a gift from the north window, and a thousand words are not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") and wrote his own talents; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Lake is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), writing about the deep friendship between friends, etc. , all impressed readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell from afar shows the hidden worries about the political situation in the later period of Tang Xuanzong through the wandering fantasy legend. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm. The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which are obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained in language. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the remarkable characteristics of his language style. Li Bai's poems have a far-reaching influence on later generations. Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all benefited from and were influenced by Li Bai's poems to varying degrees. Li Bai also wrote several poems. There are 12 poems in Zunqian Collection and 7 poems in Hua 'an Miao Ci Selection. Among them, "Qingpingdiao" has three songs "Clouds Want Clothes, Flowers Want Capacity", and the genre is actually a quatrain of seven words, which was sung with music at that time. Other long and short sentences handed down by Li Bai are not very credible. Among them, Bodhisattva Man, Smoke in the Desert of Pinglin, Hubei and Yan are the most famous, but whether these two sentences are Li Bai's works is quite doubtful by later generations. There are more than 60 essays by Li Bai today. Many antithetical sentences did not get rid of the popular parallel prose fashion at that time. But the language is natural and fluent, which is similar to its poetic style. Among them, Hanshu Jingzhou and Preface to Peach Blossom Garden (Li) were selected by later generations and widely read.
Du Fu (A.D. 7 12-770), with a beautiful word, was named Shaoling Yelao, and was also called Du Gongbu because he was the inspector of the Ministry of Industry. A native of Gongxian County, Henan Province, lived in the turning point of the Tang Dynasty from prosperity to decline, and had a bumpy life and eventually failed. In the fifth year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (746), Du Fu came to Chang 'an. The following year, he took the imperial examination of Emperor Xuanzong of the Tang Dynasty. Due to the obstruction of treacherous court official Li, none of the candidates were admitted. Since then, there is no way to make progress and live in poverty. It was not until the fourteenth year of Tianbao (755) that he got the position of "from Wei Ling to Fu" and was responsible for guarding the arsenal. In the same year, the Anshi Rebellion broke out, and Du Fu was visiting relatives in Fengxian County (now Pucheng, Shaanxi Province). In the second year, he settled in Qiang village of Yinzhou (now Fuxian County, Shaanxi Province) and defected to Su Zong, who ascended the throne in Lingwu (now Gansu Province). On the way, he was captured by the rebels and taken to occupied Chang 'an, during which he witnessed the killing and looting atrocities of the rebels and the suffering of the people. It was not until April of the second year of Zhide (757) that he ventured to Fengxiang (now Fengxiang County, Shaanxi Province), the temporary residence of Su Zong, and was awarded the post of left. Soon after, he was demoted to join the army as secretary of Huazhou for helping to look after the house. Since then, he was very disappointed with the real politics, gave up his official position, moved his family to the west, and finally arrived in Chengdu. With the help of Yanwu and others, he built a thatched cottage on the banks of Huanhuaxi in the west of the city, named Du Fu Cottage. Later, he was recommended by Yanwu as a clerk and Yuanwailang in the collating department. After Yanwu's death, he left Chengdu and his family lived in Kuizhou (now fengjie county, Sichuan). Two years later, from Kuizhou to Jiangling and Hengyang. In the fifth year of Emperor Taizong (770), the poet died in a boat on the Xiangjiang River. Du Fu wrote more than 1000 poems in his life, among which the famous ones are Three Officials, Three Farewells, Chedian, Autumn Wind Breaking the Cottage, Two Roads, Spring Hope and so on. Du Fu's poems fully expressed his deep sympathy for the people and exposed the sharp opposition between the exploiters and the exploited in feudal society: "The drunken road in Zhumen froze to death!" This immortal poem has been remembered by the people of China for generations. "Dare to love death when saving, and be afraid when you are lonely!" This is the full expression of Du Fu's incomparable love for the motherland, and it is also the reason why his poems are so popular. Du Fu's patriotic hot pillow is also very rich in his masterpieces such as Spring Hope and Imperial Army Recovering the Banks of the Yellow River. In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the broad masses of people who endured all kinds of pains, and even showed readers his childlike innocence of patriotism and love for the people. Out of love for the motherland and the people, it is bound to have a strong hatred for the extravagant and dissolute face of the ruling class and the crimes that bring disaster to the country and the people. This point has been vividly demonstrated in the immortal masterpieces "Car Shop" and "Two Ways". A great patriot's concern for the country and the people is bound to be expressed in other ways. Some of Du Fu's poems about things and scenery, even those about couples, brothers and friends, are permeated with deep feelings for the motherland and the people. In a word, Du Fu's poems are an artistic record of the decline of the Tang Dynasty. Du Fu bravely, faithfully and profoundly reflected the extremely extensive social reality with the positive spirit of joining the WTO. No matter what kind of sinister situation, he didn't lose heart. In the long history of China literature, the cognitive function, reference function, educational function and aesthetic function of Du Fu's poems are unattainable.
The greatest artistic feature of Du Fu's poems is that poets often hide their subjective feelings in objective descriptions and let things impress readers themselves. For example, in Two Ways, the poet did not directly reprimand Yang's brother and sister for their debauchery. However, from the specific description of their clothes, diet and other aspects, the author's love-hate attitude has been fully revealed.
Du Fu's poems are simple, popular and realistic, but they are very skillful. He also often uses monologues and proverbs to highlight the characters' personalities.
Du Fu's poems are especially good at describing details when depicting characters, such as a passage describing his wife and children in the Northern Expedition.
Du Fu's poetic style is changeable, but on the whole it can be summarized as depression and frustration. The cadence here refers to the deep meaning of the article, while the cadence refers to the ups and downs of feelings, tone and syllables.
Li Qingzhao (1084 ~ about 1 155) was a poet in China in the Song Dynasty. Self-styled Yi 'an lay man. A native of Zhangqiu, Jinan (now Shandong). His father Li was a famous scholar in Qilu area at that time. Mother Wang knows books and writes well. Zhao Mingcheng, son of official assistant minister Tingzhi Zhao, is a textual research scholar. Li Qingzhao lived comfortably in her early years and was proficient in writing and music. After their marriage, he and Zhao Mingcheng devoted themselves to the collation of epigraphy of calligraphy and painting, and compiled The Book of the Stone. Nomads from the central plains, the family fled south. After Ming Cheng's death, most books and cultural relics were lost in the war, and they were wandering around alone, in an extremely miserable situation. It is said that Qingzhao has remarried, which is quite controversial by later scholars. There is no record about her life in her later years, except that she wrote The Classic of Beating Horse and its preface, and also took Mi Fei's ink to visit Mi Youren for an inscription.
The Style and Artistic Features of Qingzhao Biography;
Li Qingzhao works hard in poetry, can write and is better at ci. With the changes of life in the Northern Song Dynasty and the Southern Song Dynasty, his works showed different characteristics in the early and later periods.
Li Qingzhao's early poems truly reflected her boudoir life, thoughts and feelings, and showed natural scenery and parting feelings. Such as "like a dream" two songs, lively and fresh, meaning beautiful.
Du Nan's post-ci style is also very different from that of the previous period, turning into desolation and pain, expressing nostalgia and nostalgia when he was injured. Such as "Bodhisattva Man", "Die" and the slow word "Ode to Fishing Music", all have a strong yearning for the motherland. In her poems, she fully expressed her deep sadness in her lonely life. Such as "Wulingchun", "Slow Voice" and "Qingpingle". The pain of national subjugation is integrated with the personal miserable life, and the sadness and melancholy are rendered to the extreme. It can be said that this is an artistic summary of the suffering of the times and the unfortunate fate of individuals.
Masterpiece: Summer quatrains: "The Sound is Slow": "Drunk flowers sing and fishermen proudly cut plums.
Su Shi (1037-1101): a writer and painter in the Northern Song Dynasty. Zi Zizhan, a famous Dongpo layman, was born in Meishan, Meizhou (now Sichuan). Su Xun. Jia You Jinshi is a generalist, and he is a liberal figure in poetry, ci, writing, calligraphy and painting. His prose and Ouyang Xiu are called Ousu. His poems and Huang Tingjian are called Su Huang; His ci and Xin Qiji are called Su Xin; He is one of the four great calligraphers of Su, Huang, Mi and Cai. His paintings started the Huzhou School of Painting.
During the reign of Zongshen, Su Shi served as the foreign minister of Zubu, and sought a diplomatic post because he opposed Wang Anshi's new law. He worked as a judge in Hangzhou and knew Mizhou, Xuzhou and Huzhou. Later, he was demoted to Huangzhou for writing a poem "slandering the imperial court". At that time, Zhezong was a bachelor of Hanlin, and once knew Hangzhou, Yingzhou and other places. , a former does history. Later, he was exiled to Huizhou and Danzhou. He died in Changzhou in the second year after returning to the North. Chasing Wen Zhong in Southern Song Dynasty. Being of the same clan as my father and brother, they are collectively called "Three Sows". Politically, it belongs to the old party, but it also has the requirements of reform shortcomings. Wang Yang is one of the "Eight Masters" in Tang and Song Dynasties. His articles are bold and fluent. His poems are fresh and vigorous, good at using exaggerated metaphors and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. The bold and unconstrained writing has a great influence on later generations. "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated. He is good at running script and regular script. He studied under Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi, and he can find a new way. The end of the pen is ups and downs, naive. Cai Xiang, Huang Tingjian and Mi Fei are also called "Song Sijia". He can draw bamboo, learn literature and like making strange stones. On painting, he advocates "spirit likeness" and thinks that "on painting, it is similar in shape and adjacent to children"; He spoke highly of the artistic attainments of "painting in poetry and poetry in painting". His poems include Seven Chapters of Dongpo and so on. There are some books that survive in the world, such as Teacher Xie's Essays, Several Sacrifices to the Yellow Emperor, and Huangzhou Cold Food Poems. His paintings include "Strange Trees and Stones" and "Bamboo Stones".
Lu You (1125-1210) was born in Yin Shan, Yuezhou (now Shaoxing, Zhejiang). Patriotic poets in Southern Song Dynasty. Father Lu Zai is an intellectual with patriotic thoughts. Family education made Lu You set up the thought of worrying about the country and the people and the ambition of killing the enemy and serving the country from an early age. He studied tirelessly since he was a child, and he was able to write poetry at the age of twelve. He also studied sword and art of war. Around the age of twenty-five, he learned a lot from a patriotic poet, and he benefited a lot. From then on, the patriotic tone of his poetry creation was determined.
In the twenty-third year of Shaoxing (1 153), he went to Lin 'an to be a scholar, but he was jealous by Qin Gui because of the "theory of happiness after recovery" and was removed from the list during the second interview. It was not until three years after Qin Gui's death (1 158) that it became the master book of Ningde County in Fuzhou. At the beginning of his reign, Song Xiaozong was summoned and given the background of Jinshi. He has served as a judge in Zhenjiang and Kuizhou, participated in the shogunate of Wang Yan and Fan Chengda, promoted the tea and salt business in Changping and Jiangnan West Road in Fujian, and won the right to be the magistrate in Yanzhou. Guangzong, in addition to the court doctor, does the doctor. After the disintegration, he returned to his hometown of Old Yin Shan. He "mingled with the old peasants", sent doctors and medicines to the peasants, and forged a deep friendship with them. In the second year of Jiading (12 10), an 85-year-old poet passed away with the regret of "wishing he could not see the Central Plains before his death". He was born in an era of sharp ethnic contradictions and critical national situation. He is determined to "sweep away the dust" and "calm down the national disaster" with the heroic spirit of "iron horse conquering Land Rover" and the spirit of sacrifice of "revenge for national subjugation". However, in the political struggle, he was repeatedly excluded and hit by the imperial capitulationists. However, he always sticks to his ideals.
He created a lot of works in his life. Today, there are nearly 10,000 songs with a wide range of topics and rich contents. There are also 130 words, and a lot of essays. Among them, the achievements of poetry are the most remarkable. In the early stage, most of them were patriotic poems, which were magnificent and bold. In the later period, most of them were pastoral poems with beautiful and plain style. The most striking feature of his poems is strong patriotism. Most of his poems are elegant and graceful, but there are also many impassioned works full of tragic and patriotic passion. Jin Mao's "Postscript on the Poems of Releasing Weng" said: "Yang Yongxiu (cautiously) said:' The poems of releasing Weng are as beautiful as Huaihai (Qin Guan) and as magnificent as the eastern slope. "It's more like Jiaxuan's ears to be super cool." His prose achievements are also very high, and he was promoted to be a master of the Southern Song Dynasty by his predecessors. Most of the political essays, historical records, travel notes, prefaces and postscripts written are concise in language and orderly in structure.
Lu You is an outstanding representative of patriotic poetry school. His works have strong patriotism and outstanding artistic achievements, and occupy an important position in the history of China literature. He inherited and folded the fine traditions of realism and romanticism in classical poetry, which had a far-reaching influence on the literary world at that time and later.
There are Selected Works of Weinan, Poems of Jiannan, Book of Southern Tang Dynasty, Notes on Old Ann Studies, etc. In this paper, eleven of his poems are selected: You Shan Xi Village, Jianmen Road Encountered with Light Rain, Reading with Illness, Guan Shanyue, Sleeping in the Water Village, Book Wrath, The First Twilight of Spring Rain in Lin 'an, Feeling of Going out of the Fence Door to Meet the Cold in Autumn Night (Part Two), The Storm on November 4th and Spring Festival in Lin 'an. His five poems are: Bu Operator (by the broken bridge outside the post), Night Tour Palace (when the snow clears), Confession of Love (when Wan Li is looking for a seal), Queqiao Fairy (when the eaves are quiet) and Hairpin Phoenix (with bare hands); One of his articles: The Story of Traveling to Xiaogushan.
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