First of all, I want to say that feeling is just feeling, and it doesn't affect the final effect (maybe your sketch works are more plastic in the eyes of other teachers, but not necessarily, so sometimes we have to look at things rationally! ) sketch (as the name implies, pay attention to speed and freehand brushwork, the former is better combined with the times and pursues efficiency, while the latter is more in line with the style of the youth of the times and pursues freedom-hehe, I just want to explain my personal feelings about sketch). Of course, sketching doesn't have to be fast. One person and one thing, it takes me a few seconds to draw. Can you understand? Can others understand it? (Sketches are not all big outlines. In fact, many details exist, because unlike other paintings, sketches are particularly personalized. The first step: "There are many methods, and the following are for reference only." The focus is the same as other paintings, observation+residual imprint (observation should be understood, that is to say, the object of sketch is often not like sketch, and the model of sketch is uncertain (unless specially invited). First, grasp the great momentum (such as standing or doing ...). Step 2: After you have a certain impression, the painting will be much smoother, and you don't have to think too much about the use of lines (although lines are very important, you don't have to pay too much attention to them at first, maybe your colleagues are different. Tick the line at will according to some observed elements (approximate shape and proportion). Step 3: The outline is finally completed. Oh, no, the model to be painted is missing. In an emergency, don't panic-we do it by impression (the advantage of this simulation is that it will help you in the exam, because the model sketched in the exam is not sitting still, the dynamics are changing, just like the girlfriend's mood). Do you think simulation is unnecessary? Well, just draw it. What I emphasize here is that. It's similar to drawing a cartoon character (after the main outline of the character comes out, with clothes and other accessories, the advantage is that I can better grasp the structure, but it can't be as scary as the proportion of the characters in the cartoon.) Step 4: The last step, that is, it's time to adjust the picture, (you can use an eraser, but try to use it as little as possible) (the above is just an overview of the next steps, and there are many details) The fun lies in discovering and mastering it again and again. It is suggested that in addition to subjective learning, objective learning: you can't learn without good textbooks, and you can also buy a textbook that suits you. You can learn without a good video tutorial, with detailed videos (DVD, VCD, CD ...) online and offline. Can you learn without a good opponent? Yes, find someone better than yourself. The goal is to catch up with or even surpass him. I believe you will become stronger in this process. You can't study without a good atmosphere. I suggest finding a training class (systematic training is better than taking more detours). Next, let's see if this training course can be established! ! You can't learn without a good confidant. Under the influence of artistic atmosphere, isn't it more efficient to have a good confidant to paint with —— it is observed that female confidants are more motivated —— ~ ~) Finally, I wish you a breakthrough not only in sketching, but also in other painting projects. Come on!