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Brief introduction of Cui Cui
1957 was born in Zizhuwang's scholarly family, and studied in China Calligraphy Association Training Center and Wuxi Calligraphy Institute in Jiangsu Province. He is currently a member of Zhumadian CPPCC, vice chairman of the International Calligraphy and Painting Exchange Committee, executive director of China Calligraphers Association and senior consultant of Hong Kong International Calligraphers Association. Executive director of China Hard Pen Calligraphy Association, national first-class artist, member of China Calligraphy Association, president of China Contemporary Bamboo Leaf Calligraphy Art Research Association, Guan Shanyue disciple, calligraphy tutor, calligraphy researcher, visiting professor of Huanghuai Painting and Calligraphy Art Research Institute, vice president of China Painting and Calligraphy Institute, vice president of Jiangsu Tang Bohu Painting and Calligraphy Art Research Institute, honorary president of China Nanhai Zen Temple Painting and Calligraphy Art Research Institute, director of Yang Jingyu Research Institute, red gold medal calligrapher, Director of the Office of Famous Artists' Works of China Calligraphy and Painting Association and Minister of International Liaison Department, National Excellent Calligraphy Teacher, Senior Dean of Beijing Modu Painting and Calligraphy Institute, and honorary title of "China Excellent Calligraphy Artist's Highest Honorary Achievement Award" awarded by People's Republic of China (PRC) and the State Committee of Literature and History. He has held and planned more than ten national pen exhibition competitions.

Mr Cui is an epoch-making innovative calligraphy artist. First establish his character, then establish his calligraphy, write a writing record, learn "two kings" first, then "two Europe", then "two yellow", continue to learn from hundreds of ancient and modern schools, learn Buddhism, naturally realize the Tao, worship bamboo as a teacher, learn from the ancient times and learn from the present, be enterprising, and love public welfare cultural undertakings. By experts as a strength calligrapher, innovation. Famous hard-pen calligrapher and calligraphy art activist. Over the years, we have determined to be a man with the spirit of plum blossom, to be a man with the spirit of pine and bamboo, and to struggle with the spirit of dragon and horse. Mr. Cui has made positive contributions to promoting cultural development and improving the level of artistic innovation. After decades of hard polishing, the original bamboo leaves are unique, which successfully fills a gap in Chinese calligraphy fonts, and can be said to be a unique innovation in calligraphy. Created an elegant and unique "bamboo book" that conforms to the aesthetic habits of the Chinese nation. Although it is as silent and harmonious as sound, it is as brilliant as dull light. At the same time, in the process of research, he also greatly enriched and developed his own art and innovative artistic ideas. On the basis of grafting Wang Fengou's soul, bamboo slips calligraphy runs through the national spirit and culture, as well as new ideas, new fashions and new schools. The newer the nation is, the more vitality it has, the more things the people need, and the highest spiritual realm and social value is what the people digest and utilize.

Mountain division is the peak, dare to be the first in the world. Nothing is difficult for those who are willing to try. Mr. Cui has always taken bamboo as the word, bamboo as the word, and word as the meaning, completely breaking the old ideas, old concepts and old patterns. With the artist's great courage and boldness of vision, he will no longer indulge in the spring worries and autumn grievances of Tang steles, and boldly create a fresh and lofty artistic conception and a new and unrestrained look. Mr. Cui applied new aesthetic theories and principles to integrate the dynamic beauty of bamboo leaves and the beauty of the world into his bamboo leaf calligraphy. Zheng Banqiao's famous phrase "Insist that the green hills will not relax" is even more famous. If writing is my life, I would rather not eat for three days than not write for three days. Create miracles in adversity and polish bamboo leaves under pressure. He wrote not only bamboo slips calligraphy, but also thoughts, aspirations, life, mind, realm, spirit, humanity and nature. He combined the truth, goodness and beauty of life with the spiritual beauty of bamboo leaves. Sister arts such as music, Beijing opera and dance and all the beauty in the world are integrated into his bamboo book. Calligraphy cultural revolution and independent artistic innovation, in his view, bamboo, as the element and spiritual home of calligraphy innovation, integrates natural scenery with artistic conception of calligraphy, and deliberately takes bamboo leaves as the imitation object of his own calligraphy innovation. Full of knots and leaves. Bamboo slip calligraphy embodies the national spirit and culture, his artistic life and life experience, which triggered his profound thinking on the cultural revolution of calligraphy. Bamboo with national spirit and cultural connotation has been fully displayed in bamboo slips calligraphy. Bamboo has a tough, noble and open-minded spirit, which can be used to describe things, people, feelings, aspirations, Taoism and reason. It is an original bamboo leaf calligraphy, a colored pen to promote cultural development, a realization of creativity, and a concrete embodiment of loving the motherland, hometown, people and life. The establishment of Bamboo Leaf School in search of spiritual home is self-development, self-perfection, self-sublimation and self-formation. His heart is like the sea, he is frank and open-minded, and his popularity is easy-going. His calligraphy is simple and innovative, and he has no desire. If he sees it, he will let it go and innovate with his fate. Low profile all your life, high profile all your life. Live up to expectations, create and serve the people all your life. The creation of bamboo leaves has exhausted his decades of hard work, and his passionate years are like fire and light, burning himself to light up the society and writing an unprecedented vast new world with his life's energy. Mr. Qiu, a contemporary Mr. Lu Xun, said: "The cultural innovation of bamboo slips in China is a phenomenon of Cui calligraphy innovation. Bamboo leaf calligraphy is not only dangerous, unique, handsome, elegant, chic, free and easy, natural, noble and tenacious, but also can purify people's hearts. Try to give people a pleasing look and feel and a more lasting aesthetic taste. Bamboo leaf calligraphy can be used as a national melody calligraphy, with national music, so that the tide of Mohai will surge in the hearts of people of all ethnic groups. His bamboo slips calligraphy harmoniously unified heaven, earth and people through natural channels. His direction is the artistic direction of the Chinese nation, the road of innovation he wants to take is the road of innovation that the Chinese nation must take, and his aesthetic habits are the aesthetic habits of the Chinese nation. In recent years, the created bamboo leaves have won the special prize in international competitions twice, the international first prize three times and the national first prize six times. He won the first prize and the national gold medal twice in the national calligraphy competition to commemorate the 30th anniversary of Yu Youren's birthday/KLOC-0. There are two books published: Cui's Calligraphy Collection and Cui Zhujian's Calligraphy Collection. Yang Jingyu's story is very hard; He has held five individual book fairs in Kaifeng and Guangzhou. Compiling more than 20 national dictionaries and elegant collections; Writing cover for national international books and periodicals 10 times or more; Recommend more than 20 kinds of China celebrity books and other magazines; More than 30 official websites and art websites were displayed. Mr. Cui's unique bamboo calligraphy entered the 2 1 century with the tide of reform. A hundred flowers blossom and a hundred schools of thought contend in this century. Calligraphy art is fragrant all over the world and will always stand in the world art forest.

China Contemporary Zhuyeti Calligraphy Art Research Institute