Jing is a famous hard pen calligrapher in China. He is currently a member of China Hard Pen Calligraphy Association, Shanxi Calligraphers Association, director of Shanxi Young Calligraphers Association, distinguished professor of Beijing Yantian Academy, and member of China Language Newspaper? Special editorial board of calligraphy edition, special senior writer of calligraphy newspaper? Hard Pen Calligraphy is a distinguished creator, an academic member of Popular Painting and Calligraphy Institute, an academician of Guan Gong Painting and Calligraphy Institute, and an academician of Fu Shan Painting and Calligraphy Institute. The following is Jing's hard pen calligraphy that I arranged for you. I hope it works for you!

Appreciation of Jing Hard Pen Calligraphy

Jing Hard Pen Calligraphy Picture 1

Jing's hard pen calligraphy picture 2

Jing Hard Pen Calligraphy Picture 3

Jing Hard Pen Calligraphy Picture 4

King's personal data

Jing, with the word Haozhi, is a disciple of Mr. Tsinghua University Academy of Fine Arts, a distinguished calligraphy teacher, and a model author of the textbook "Writing" and "Calligraphy" in nine-year compulsory education.

Member of China Hard Pen Calligraphy Association, member of Shanxi Calligraphers Association, director of Shanxi Young Calligraphers Association, distinguished professor of Beijing Yantian Academy, China Newspaper? Special editorial board of calligraphy edition, special senior writer of calligraphy newspaper? Hard Pen Calligraphy is a distinguished creator, an academic member of Popular Painting and Calligraphy Institute, an academician of Guan Gong Painting and Calligraphy Institute, and an academician of Fu Shan Painting and Calligraphy Institute.

His calligraphy is versatile, combining hard and soft skills. He has won the highest prize and grade prize in China Calligraphy Competition for more than 20 times, and has been exhibited for more than 100 times, especially won the first place in the national European calligraphy proposition joint exhibition twice.

He has served as a judge of national and provincial calligraphy competitions for many times.

More than 200 kinds of calligraphy teaching materials have been published nationwide, such as Brush Classroom, Mastering Standard Characters, Calligraphy Level Examination Course, Commonly Used Standard Chinese Characters, Skills Drawing Course, Calligraphy Teacher Around Me, Pupils' Synchronous Regular Script Learning and Copying, and Misspelled Words Raiders. Among them, The Course of Calligraphy Grading Examination, Commonly Used Standardized Chinese Characters, Calligraphy Teachers around me and other teaching materials have won the first place in the best-selling list of national art books for many times. Participate in the compilation of "calligraphy" and "writing" textbooks for nine-year compulsory education, and compile all brush and hard pen models. Hard-pen calligraphy has been compiled into "Hard-pen Calligraphy Course for Teachers" as a standardized teaching material for senior high schools and other normal universities in China.

It was rated as "Top 100 Hard Pens in China in 20 Years" by China Pen Calligraphy Magazine, "Top 100 Hard Pens in China" by Pen Calligraphy Newspaper for four consecutive years, "Top 10 Writers in Ou Kai" by China Formal calligraphy net, and "Advanced Individual of Ten Thousand Households in Calligraphy" by China Calligraphy Association.

The Development of Hard Pen Calligraphy

The beautiful investigation on the development of hard-pen calligraphy has changed from mass practicality to conscious aesthetic demand. It has been more than 100 years since the British inventor wortmann invented the first dip pen and spread it to China. In this historical process, due to the progress of science and technology, dipping pens have been continuously improved, and great progress has been made in types, techniques, properties, styles, etc., forming a pen family series supplemented by pencils and ballpoint pens. Hard pen? . The appearance of hard pen ended the dominance of writing brush for thousands of years and began to absolutely become the writing tool of the people.

With a pen, there is a writing behavior of a pen. Since people started writing with pens to this day? Hard pen calligraphy? Hard pen calligraphy has experienced a gradual and arduous development process. The whole process can be divided into two stages, namely? Former hard pen calligraphy? And then what? Hard pen calligraphy period? . The first stage is: the early stage of hard pen calligraphy, that is, the writing stage. This period is from the appearance of the first hard pen to the end of 1970s. During this period, although China's traditional culture still dominated, it was influenced by? Western learning spread to the east? The aesthetic trend of thought of the whole society began to collide with tradition and modernity. Although the performance of traditional brush calligraphy for thousands of years has been replaced by hard pen, its artistic side is more prominent, and people's aesthetic appreciation of Chinese character writing is correct. Calligraphy? Our understanding is still within the framework of traditional brush calligraphy, especially the dominant position of a large number of brush calligraphers. In this environment, pen words can only exist for practical purposes, but because pen words are fast and convenient, and lines are smooth and free, they cannot be compared with brush calligraphy. Therefore, some brush calligraphers with modern consciousness began to pay attention to this problem and study pen writing skills. At the same time, some literary celebrities, such as Lu Xun, Mao Dun, Guo Moruo, Jiang Feng, Ba Jin, Wen and so on. , also contributed to the popularity of pen words. People began to pay attention to writing well with pen and ink, but at that time it was only for writing well, standardizing and facilitating thinking. Hard pen calligraphy? The ideology of the concept has not yet formed. This reflects people's understanding of the pen space at that time, from the representative works of this period, Chen Gongzhe's "A Thousand Characters for Running Calligraphy", Deng Sanmu and Bai Jiao's "Deng Sanmu Bai Jiao Pen Garden", Huang Ruozhou's "Pen Sketch" and Pang Zhonghua's "Talking about Learning and Writing Pen Words". But what is this for? Written? Objective: The aesthetic consciousness of pen writing began to sprout, which made psychological preparation for the appearance of hard pen calligraphy later. The second stage is: hard pen calligraphy stage, that is, calligraphy stage. 1982, the first national youth pen calligraphy competition was held in Hangzhou. People began to think about art from the aspects of brushwork, structure and composition, not just to meet practical needs and standardized, easy to identify and beautiful purposes. Because of its brand-new artistic appearance and good artistic feeling, it has adapted to the psychological characteristics and aesthetic needs of modern people, and an unprecedented explosion has taken place in China. Hard pen calligraphy fever? All kinds of competitions, exhibitions, trainings, organizations, publications and seminars are all the rage. ? Hard pen calligraphy? The concept of was formally put forward. Hard pen calligraphy began to gradually go out of its own way.

From the above tracing back to the development of hard-pen calligraphy, we can see that people's understanding of hard-pen calligraphy is from the instinctive aesthetic need of how to write well the pen characters to the conscious aesthetic pursuit of how to create well the hard-pen calligraphy, which lies in discovering the inner beauty of the new pen characters and awakening people's aesthetic consciousness, that is, the pen characters themselves exist? Beautiful? People find and need this? Beautiful? . This is a process of knowing new things from scratch and crossing the river by feeling the stones. To this end, predecessors have taken many detours. For example, Chen Gongzhe's "A Thousand-character Running Script" and Huang Ruozhou's "Sketching Chinese Characters" are all fastidious? A book? On the contrary, the quick writing effect of Deng Sanmu and Bai Jiao strengthens the slippery feeling of pen lines and weakens the sense of rhythm and melody of stippling lines. However, Hehe's pen words have never jumped out of the pattern of writing brush calligraphy, nor have they found the key to the problem from the ontology of pen calligraphy. Therefore, the emergence, development and maturity of every new thing have to go through many twists and turns, and it is in this difficult and tortuous course that people's aesthetic understanding of hard pen calligraphy has been continuously improved.