1930, former classmates jointly opened a red light photo studio, which is located at Haining intersection of Sichuan North Road.
1934, his film "River Snail" won the honorary award of Swiss Photography Salon.
"Little Stone" is one of Wu Yinxian's early photography works, which reflects the busy figure of people in Cheng Hui, Shuyang County, his hometown. Under the backlight, the silhouette of people working was set off on the stone road by the morning dew, which vividly recorded the life portrayal of the local people at that time. It shows that Wu Yinxian's photography not only pays great attention to artistic expressions such as light, shadow and picture structure, but also reflects social real life with photography. Until his later years, this realistic photographic work has been hung on the walls of Wu Yinxian's study and reception room, becoming one of his favorite works.
In his youth, Wu Yinxian focused his camera on the working people at the bottom of the old society, showing their hardships and giving them great sympathy. He has photographed such photographic works as Hungry and Cold, Feeling Through the Villa, Tracker, etc., showing the social reality that the working people are struggling for survival and looking forward to change.
1935 "Painting and Photography Exhibition" was jointly held with Xu Xingzhi. This is the first solo exhibition of Wu Yinxian, with 56 works on display.
Leave Tianyi Film Company and go to Dentsu Film Company to shoot the film "The Son of the Storm".
Later, he filmed China's first musical comedy "City Scenery", which was directed by Yuan.
Photographic works include: screaming, staring at others, etc.
1935, Wu Yinxian was invited by Xia Yan, a leading figure in film culture, to Shanghai Dentsu Film Company to shoot the film "Children of the Storm" written by Tian Han and directed by Xu Xingzhi, and became a cinematographer. The film takes the "September 18th Incident" as the historical background, showing the process of intellectuals from depression and hesitation to awakening, struggle, and then revolution, and also reflecting the strong desire of the people of the whole country to unanimously demand anti-Japanese. This film premiered in Shanghai in May 1935, which caused a sensation and greatly stimulated the anti-Japanese passion and fighting spirit of the people throughout the country. In particular, March of the Volunteers, the theme song written by Tian Han and composed by Nie Er, deepened the theme of the film, became a battle horn that swept the country and inspired people to fight for national liberation, and became the national anthem of our country in the future. After that, he filmed China's first musical comedy, Urban Scenery, directed by Yuan. The film satirizes the darkness and pedantry of old China with different comic expressions.
Later, he made two films, Life and Death Together and Street Angel, for the No.2 Factory of Star Film Company. The former shows the theme of revolutionary history, while the latter reflects the life and feelings of the people at the bottom of the colonial and semi-colonial society, praises their beautiful and kind hearts and shows their struggle for freedom. After the film was released, it caused great repercussions in Shanghai and received a very sensational social effect. Street Angel became a classic of left-wing movies in 1930s, and was praised as "a wonderful flower of China". This film is also a famous work of Wu Yinxian, which marks the maturity of his photography technology and makes him a famous photographer in China. 1980- 198 1 year, the film was shown in the "China Film Month" held in London, San Francisco, Paris and Lyon, France, and was loved by the audience and valued by public opinion. 1February, 1982, Street Angels was shown at the opening ceremony of "Fifty Years Retrospect Exhibition of China Films" held in Turin, Italy, and was widely praised. Darcy Lach, a famous film critic in this country, wrote: "New realism was born in Shanghai". The position and influence of this film in the world film history can be seen.
While shooting movies, Wu Yinxian has been using his spare time for photography creation. During this period, he shot many photographic works such as Scream and Thunderbolt. "Scream" expresses the inner world that the oppressed have to resist with the shouting characters. Thunderbolt, dark clouds rolling, lightning and thunder mean that the disaster-stricken Chinese nation is looking forward to profound changes.
1936, the filming of "Live and Die Together" was completed, followed by the filming of "Street Angels" directed by Yuan.
1937 After the "August 13th", Shanghai fell. In order to survive, Wu Yinxian stayed in Taiyuan, Shanghai and Hongkong for more than a year. Just then, Yuan sent a telegram with the number 1938, inviting him to come and discuss an important matter. It turned out that the Central Committee of the Communist Party of China's representative and deputy comrades working in Wuhan invited Yuan to Yan 'an, the Shensi-Gansu-Ningxia Border Region and the enemy lines in North China to film the documentary Yan 'an and the Eighth Route Army, which reflected the life and fighting of the anti-Japanese soldiers and civilians under the leadership of the Communist Party of China. Wu Yinxian resolutely decided to accept the invitation and go to Yan 'an!
After receiving the news, Wu Yinxian immediately left Hong Kong and went to Wuhan via Shanghai. During his stay in Hankou, he was entrusted by Zhou Enlai. One night, he went to the designated place to receive an "Em" film camera with only one lens and 2,000 feet of film from Evans, a famous Dutch film director. Yuan bought a 16 mm movie camera and some film from Hong Kong, and bought three cameras. They arrived in Yan 'an in August of that year and directly devoted themselves to the cause of resisting Japan and saving the nation. The film group of the Eighth Route Army General Political Department established in Yan 'an (hereinafter referred to as Yan 'an Film Group) was headed by the film group (later by the film group leader), and Yuan and others took on the heavy responsibility of filming the documentary Yan 'an and the Eighth Route Army, which reflected the anti-Japanese military-civilian struggle under the leadership of China's * * production party and the precious revolutionary historical materials of China leaders such as Mao Zedong, Liu Shaoqi, Zhou Enlai and Zhu De.
Due to the blockade of the Kuomintang, the material life in Yan 'an was extremely scarce at that time, not to mention the equipment for making movies. When the negative film used for filming is used up, everyone will replace it with a positive print and do everything possible to overcome difficulties and complete the task. At the same time, Wu Yinxian and his colleagues also took a lot of historical photos, and developed and enlarged these photos. Through various channels, including the Wuhan office of the Eighth Route Army led by Zhou Enlai himself, they introduced the cause of resisting Japan and saving the nation led by the Communist Party of China (CPC).
1September, 938, the eighth route army general political department film troupe was established in Yan' an, headed by Tan Zheng, deputy director of the general political department, political instructor, art director Yuan, technical photography director, photographer Xu, general affairs and handyman.
1 01October1day, the first shot of the large-scale documentary Yan' an and the Eighth Route Army, which was filmed in Yan' an at the invitation of Zhou Enlai, was shot in the imperial tomb in central Shaanxi. This is the first work of the people's film.
Photographs here include: Baota shan, overlooking Yan 'an, camel bell Ding Dong, anti-lunch, etc.
1939 shooting news footage of Dr. Bethune.
Photographic works include: Dr. Bethune, Red tassel and so on.
1939, after filming in Yan 'an, the film crew went to the anti-Japanese battlefield in North China to film the heroic battle between the Eighth Route Army and the Japanese aggressors and the activities of the people in the base areas. Wu Yinxian personally filmed the documentary and the famous photographic work Dr. Bethune, a great internationalist fighter and Canadian doctor, who rescued the wounded of the Eighth Route Army on the front line of the anti-Japanese bonfire in China. In the Shanxi-Chahar-Hebei base area, at the invitation of Deng Tuo, president of the Anti-Enemy Newspaper, and Changsha Fei, director of the photography department of the Political Department of the Military Region, he wrote a book "Photography Common Sense" as a teaching material for training photographers, which was provided for photographers in the Eighth Route Army and the liberated areas to read. Although the book is not long, it is the first photography textbook edited and published in the liberated areas. This was written by Wu Yinxian in the hot summer, on a big stone under a tree in a field, on a heatable adobe sleeping platform in people's homes and under a faint castor oil lamp. The preface of this book was written by Deng Tuo and Sha Fei respectively, printed and published by Anti-Japanese Newspaper, and distributed to the army and local governments. Its great role and significance are self-evident.
1940 filmed the 30th anniversary celebration of the 1911 Revolution in Yan 'an, the victory celebration of the Hundred Regiments War in Yan 'an, the memorial service and the International Youth Day.
Photographic works include: Zhu De, Zhou Enlai and a series of photos of people.
1942, joined the China * * * production party.
As a representative of the film industry, he participated in the Yan 'an Forum on Literature and Art, and served as a conference photographer.
Photographic works include: Hard Struggle, Reclamation, Cavalry Exercise, Yan 'an Forum on Literature and Art, etc.
1943 The production of the large-scale documentary Nanniwan was completed.
Photographic works include: arrangement, Yan 'an Chinese cabbage, brother and sister reclamation, like-minded and so on.
1945, the first photography training class started, and Wu Yinxian presided over the teaching.
Photographic works include Chairman Mao's Talk about Coalition Government, Farewell to Boarding, Coming Back, Seven Meeting Rooms, Zhu De Report, Liu Shaoqi Report, etc.
Wu Yinxian realized that if photography is to be a powerful weapon to publicize, organize and inspire the masses, it is necessary to develop the Party's photography team and train more photographers. At the beginning of 1945, he and the comrades of the film crew overcame the lack of material conditions and held the first photography training course along the Xiayan River in Baota shan, Yan 'an. This class is presided over by Wu Yinxian, who teaches photography. This training course not only teaches the basic theory and operational skills of photography, but also highlights the position of photography in the revolutionary cause and the tasks of photographers, and educates students to adhere to the principle that photography should serve the party's principles and policies, the people, and the workers, peasants and soldiers first. Each student in the training class can only get two expired films, and records must be made immediately after filming. After the negatives and photos are developed, they will be summarized against the shooting records for reference. Wu Yinxian personally compiled the textbook with pictures and texts, and the illustrations and photos on it were all shot, printed and produced by himself. Because of the shortage of film, they often adopt the training method of "shooting with empty bullets"-some cameras used for teaching practice at that time were loaded with film and some were not, but the students didn't know it, so they still chose the scenery, lit the lights and shot carefully. Of course, the photos taken by students with cameras will also be the object of classroom evaluation. In this way, the students learned the complete set of techniques for shooting and making pictures, and cultivated the spirit of hard work.
1945165438+10, the film troupe was ordered to advance into the cadre detachment with the Northeast and leave Yan 'an to work in the Northeast New Area. Wu Yinxian and the comrades of the film crew started the second photography training class. Later, it was temporarily suspended due to changes in the war situation. By 1946, the second training course continued, and Wu Yinxian was still in charge of teaching the basic knowledge of cinematography and film production. Soon, Wu Yinxian followed Ye Jianying to work in Beiping Military Command, and the photography training class was hosted by other comrades.
During the War of Liberation, Wu Yinxian served as the deputy director of Northeast Film Studio, and held four large-scale training courses in Dongying, training hundreds of cadres of various types. While serving as a factory leader, Wu Yinxian also taught photography in the training class. After graduation, students greatly enriched the strength of various departments of the film factory and laid the foundation for exporting professional cadres of photography in the future. These photographers trained in Yan 'an and Northeast China worked in the battlefields of Central South, Southwest China and Northwest China respectively during the Liberation War, and became the main force of photo reporting. Some of them became famous photographers of Xinhua News Agency and other media after the founding of New China.
1 94610 June/0/day, Northeast Film Studio was established, and at the end of the year, Wu Yinxian served as the director and deputy director of the technical department.
65438-0947, went to Czechoslovakia to attend the first World Youth and Student Festival and worked as a photojournalist.
1949 ——1954 Wu Yinxian took over as the director of Northeast Film Studio.
During his tenure as the factory director, Dongying produced excellent films such as Sons and Daughters of China, Zhao Yiman, White-haired Girl and Iron Warrior.
1952 China film delegation attended the first Indian International Film Festival.
Photographic works include: bird feeder, etc.
1954 resigned due to illness.
1955 participated in the preparatory work of Beijing Film Academy.
His works include Ship Shadow on Oujiang River, North Sea in Festival, Hall of Supreme Harmony in the Forbidden City, etc.
From 65438 to 0955, Wu Yinxian was transferred to Beijing from the post of director of Northeast Film Studio, and was ordered to establish Beijing Film Academy, the first film education institution in China, with comrades Sharla Cheung and Zhong Jingzhi, and began his teaching career for more than ten years. Since then, Wu Yinxian has devoted all his energy to teaching and educating people.
Beijing Film Academy is one of the earliest art colleges in New China, and it is also the only institution in China that trains talents for film art creation in a long historical period since 1950s. Since the establishment of the company, Wu Yinxian has been the vice president and head of the photography department. One of his most important educational thoughts is to make students truly become outstanding talents with advanced professional knowledge to serve the people and socialism through university education. Therefore, he attaches great importance to the cultivation of students' moral quality and the teaching of professional knowledge. In this regard, he practiced, taught by example, and made a lot of efforts.
Wu Yinxian personally teaches photography as a leader, and teaches basic photography courses for students of photography department. At the beginning of class, he always tells young students about the mental outlook and work style of Yan 'an Film Group comrades with his own personal experience, and cultivates students' spirit of overcoming difficulties and working hard to complete tasks. He said that when filming in Yan 'an, the lack of equipment and conditions was unimaginable. Not only are there not enough negatives, but what is more difficult is that there is no printer and no electricity. How can I print out a copy? However, difficulties can't scare the comrades in the film group. They took off the lens of the "Em" film camera, put the developed negative and unexposed positive together, and let them go through the camera door and contact with the sun for printing, so they just printed the copy.
There are also many difficulties in taking pictures. There is no electricity in Yan 'an. How can I enlarge the photo? They built a small windowless house like a sentry box with a small hole in the roof and installed an old camera with an extended leather cavity as a magnifying glass. The negative to be enlarged is placed at the ground glass of the camera, and the lens is facing the enlarged paper. Outside the small house, the assistant informs the change of sunlight intensity at any time, and with the help of sunlight transmitted through the small hole, the photographic paper is sensitized through the camera lens and made into photos for publicity.
After listening to these legendary stories told by Wu Yinxian, the students of photography department received a very vivid and convincing education, which had an important influence on the formation of their outlook on life. Many of these students inherited the spirit of their mentor Wu Yinxian and made due contributions to the photography career in China after graduation.
Wu Yinxian also often educates students to correctly view the relationship between people and equipment. He said that it is good to have advanced equipment, but our country has a weak foundation. It is very important to practice the basic skills of photography in order to shoot excellent works on the basis of using inferior photographic equipment. He set an example. At the bottom of every photo in his "60 years of photography career exhibition", there is a camera pattern, which shows which old camera was used to shoot the work. The photography department of Beijing Film Academy also inherited this tradition of Wu Yinxian. Although many excellent photographers have been trained for decades, they have not spent more foreign exchange on top-notch photographic equipment. Wu Yinxian, vice president and head of the department, was invited to Japan and Hong Kong for photography exchange and creation on 1966, and also borrowed a camera from the photography department of Xinhua News Agency temporarily.
While attaching importance to ideological education, Wu Yinxian's academic spirit is very rigorous and he is extremely responsible for his classmates. He attached great importance to teaching with visualized teaching materials, and personally took and made complete sets of photos to enhance the teaching effect. In order to explain the influence of different light and climate on photography modeling, he took pains to shoot and produce a series of group photos in Jingshan, Beijing under different natural conditions, such as sunlit, sidelight, backlit, sunny, cloudy, rainy, snowy, foggy, morning, noon, dusk and evening, to explain to the students. In portrait photography class, in order to explain the influence of light effect on the shape of the subject, he personally took a group of photos in the lighting room and explained them to the students seriously ... His professionalism received good results and won the sincere respect of the students.
Wu Yinxian has always believed that the students of Film Academy should have solid professional skills, and only after graduation can they better serve the society and people. Starting from this guiding ideology, in terms of professional training, he requires step by step and down-to-earth training. Learning photography is inseparable from practice, but he does not advocate that freshmen are busy with photography creation. He believes that the initial stage of teaching is mainly to let students practice basic photography skills, and then arrange creation later. He also believes that learning film photography should first learn photo photography well, first exercise with the camera, master the basic rules of photo photography, and then carry out dynamic training of film photography. His teaching philosophy is undoubtedly responsible for students. Judging from the test of the actual effect, the graduates of photography department are generally solid in photography and can complete the task well. Especially the graduates in the early 1960s and those in the 1970s after the resumption of the college entrance examination, because they really implemented Wu Yinxian's thought of attaching importance to basic skills in teaching, they generally laid a good professional foundation and made contributions in their respective jobs.
In the teaching process, Wu Yinxian attaches great importance to the inheritance of excellent ancient and modern cultures. When he teaches photography modeling methods, he often refers to China's excellent traditional painting theory, expands students' knowledge field and inspires students to inherit the essence of traditional art theory. He taught the picture composition of photography in combination with the six methods written by the Southern Qi Xie He, which deepened the students' understanding of the meanings mentioned in this famous painting theory, such as "vivid charm", "quotient position", "things are pictographic" and "coloring by class". Combining the vivid spirit in Shen Zongqian's Painting Mustard Boat in Qing Dynasty, this paper teaches portrait photography class, and expounds that portrait photography should achieve the realm of "both form and spirit", prevent only paying attention to the one-sidedness of appearance description and performance, and lay a solid theoretical foundation for students.
The teaching system established by Wu Yinxian in the photography department of Beijing Film Academy not only makes the film education in China embark on a comprehensive and regular development path, but also is a pioneering work of the national photography education. Although Beijing Film Academy is not the first institution in China to offer photo photography courses, it is the first institution with the most complete photography courses. Many people in the society think that the photography department of Beijing Film Academy teaches filming, but this is not entirely the case. Since the mid-1950s, the photography department of the Film Academy has started to offer quite perfect photography courses, including photo composition, photo light processing, portrait photography, landscape photography, still life photography, color photography, news photography, life photography and darkroom technology. These courses were established under the auspices of Wu Yinxian, and some of them were taught by him personally. In fact, these courses have played a dual role: they are not only professional basic courses for film photography, but also systematic training for photography. After taking these courses, I can engage in both film and television production and photography. You can engage in both commercial photography and reporting photography; I can be a photography editor and devote myself to photography teaching and theoretical research. Because the photography teaching system founded by Wu Yinxian is quite comprehensive and complete; Although the photography skills mastered by students vary from person to person, they are generally comprehensive. Many graduates of photography department devote themselves to photography. More than a dozen of them worked in People's Pictorial, the most influential photo newspaper in China, and held important positions such as deputy editor-in-chief, assistant editor-in-chief, editor-in-chief and chief reporter, and achieved recognized results. This is proved by the fact that the graduates working in China Youth Daily won the first place in the "Top Ten News Photographers in China" for three consecutive years. In fact, since the mid-1950s, in the national photography education system, the courses offered by Wu Yinxian in the photography department of Beijing Film Academy are quite comprehensive and rigorous in cultivating students. Because of this, the photography basic teaching and research group of the original photography department was expanded to the Photography College of Beijing Film Academy on 1996, becoming the earliest institution of higher learning in China to comprehensively train photographers.
During his teaching in the Department of Photography, Wu Yinxian was far-sighted and attached great importance to the training of teachers. Regarding the allocation of teachers, he put forward the idea of "three-thirds system", that is, one-third of all teachers are teaching in the front line, one-third are engaged in artistic creation practice and one-third are committed to preparing lessons. This is a far-sighted and responsible proposition. It ensures teachers' artistic practice from the system, closely combines classroom teaching with production practice, and gives teachers enough time to prepare lessons, which is conducive to continuously improving teaching quality. There is no doubt that these statements are very correct. Under the guidance of this idea, the photography department has trained a large number of backbone teachers for decades, who have enjoyed a high reputation in the field of photography education and become the backbone of photography teaching.
While presiding over photography teaching, Wu Yinxian never forgot his own photography practice. He has made films such as Red Flag Spectrum and Dr. Bethune, served as the photography director of the feature film Camel Xiangzi, and created a large number of photographic works. At the same time, he took the lead, focused on the construction of subject teaching materials, and wrote and published the first teaching material of the photography department of Beijing Film Academy, "The Masterpiece of Photography Theory-the Expression Method of Photography Art". The publication of this book has attracted great attention from the photography community. In the mid-1950s, only a few domestic photographic works were concentrated on the technical level of photography, and there was no monograph to systematically expound the theory of photographic art modeling and the law of photographic creation. Wu Yinxian's book is characterized by integrating theory with practice, systematically expounding the role of photography art creation in social life, the characteristics of various photography schools and artistic expression skills, thus becoming the earliest, most complete, most systematic and authoritative classic in China. This book was not only the official textbook of the only university offering photography art courses at that time, but also a rare reading for photographers in society. The book sold out immediately after publication, and a manuscript appeared among readers; From 65438 to 0973, this book was translated and published by Masotta Publishing House in Milan, Italy, and distributed in Western Europe, which attracted the attention of international photography publishing houses, showing its great influence.
During his more than ten years in Beijing Film Academy, Wu Yinxian devoted himself to study and made unremitting efforts in the research of photography theory, photography practice, photography technology and artistic skills, and trained a batch of outstanding film photography and photo photography talents. Many people have created works of art with profound attainments, some have become leading cadres and backbone forces in film photography and photo photography, and some have become well-known scholars. When he was young, as a teacher, Wu Yinxian often felt happy and gratified.
Wu Yinxian won the respect and love of students for his professional ethics, personal character and artistic accomplishment. Wu Yinxian is a leading figure in film and photography in China, but he is very modest and approachable, especially caring for young teachers and students. Every time the students of the photography department have a group activity, he takes photos of them, enlarges them with his own photo paper and sends one to everyone. For the sake of economy, the photos are of course not big. In the early 1960s, he went to Guilin to create photography. Because he made a lot of films, he found a teaching assistant to help him develop them together. He developed the smaller 135 film himself, and the teaching assistant developed the larger 120 film. The teaching assistant knows very well that Wu Diwen 120 has not many films, and he is reluctant to use 120 until the key points are reached. Any 120 must be an important graph, so he is very cautious. Unfortunately, there was not much experience at that time, and many bubbles were brought in when injecting developer. I mistakenly thought that the medicine was full, and as a result, an important film was scrapped. The teaching assistant looked at the incomplete image, blindsided and guilty. Just as the teaching assistant was terrified, Wu Yinxian said slowly, "Never mind, the second volume will be fine." In this way, the teaching assistant can continue to operate. This has always been firmly remembered by the teaching assistants. Since then, there has never been a developing accident, whether it is his own negative film or the negative film that others asked him to develop, whether it is black and white or color.
1 956 September1day, the opening ceremony of Beijing Film Academy was held, with Wu Yinxian as vice president and head of photography department.
China Photography Society was founded, and Wu Yinxian was elected as the chairman.
1960, the second national congress of China Photography Society was held, and Wu Yinxian was elected as the vice chairman.
196 1 year, Wu Yinxian Photography Exhibition was held in China Art Museum, with 160 works, and then exhibited in seven provinces and cities.
1963- 1964, Wu Yinxian served as the chief photographer of the feature film Dr. Bethune and went to Shanghai Film Studio to shoot. In order to train young teachers, he brought two teaching assistants as assistants. This film is the key film put into production in this factory. The creators include many famous film artists who live in the most famous overseas Chinese hotels and international hotels in Shanghai. Once, the set in the studio was not dry, and everyone had a rest. Wu Yinxian took this opportunity to invite the mechanic of the photography team (responsible for taking pictures) to take a bath in his room in Huaqiao Hotel. This puts the mechanic in a dilemma, which should not, should not, should not. Because this mechanic survived as an apprentice in a film factory in the old society, he has never encountered such a thing. The chief photographer invited him to take a bath in the private room of the hotel, which is probably unprecedented. He consulted Wu Yinxian's teaching assistant: Will you go or not? The teaching assistant said that Wu Lao was easy-going and had no airs. The next day, the mechanic did go. The teaching assistant welcomed him into the room at the gate of the hotel. He is wearing a brand-new blue gabardine tunic suit, which may be his best dress. After the "Cultural Revolution" began, the old mechanic was very worried about Wu Yinxian's situation.
/kloc-in the autumn of 0/966, he specially sent someone from Shanghai to the Beijing Film Academy to find a teaching assistant and inquire about the recent situation of Wu Lao. The teaching assistant had no choice but to tell him that Wu had high prestige and good popularity, and the rebels just told him to watch the bicycle pull weeds. Wu Yinxian, a famous photographer and educator, cares about others in this way.
Of course, Wu Yinxian has always been concerned about the vast number of photographers and the popularization of photography education. After he left the teaching post of Beijing Film Academy at an advanced age, he devoted all his energy to the writing of photographic works, giving lectures in various places and spreading photographic knowledge. He believes that only a few people are lucky enough to enter photography colleges and universities to seek scholars, and more people should learn and acquire knowledge through "universities without walls". In his 80s, besides writing, he also gave lectures in Shaanxi, Gansu, Sichuan, Shandong, Liaoning, Heilongjiang and other places, and wrote and published Portrait Photography, Landscape Photography, Color Photography, Lighting for Photography, Use of Photographic Filters and Photographic Composition 120 Cases. He often says that he should pass on his photographic experience to young people to promote the development and prosperity of photography. Until he lived in a nursing home in his 90 s, he wrote with manuscripts, pictures and even a magnifying glass. ...
65438-0970, member of the State Council Culture Group, vice president of Central May 7th Art College, presided over the teaching of film department.
1972, Wu Yinxian returned to Yan' an to collect folk songs. As soon as he checked in, the whole hotel spread the news: "Chairman Mao's photographer is here!" " This title made Wu Yinxian famous and set the background of his life.
1979165438+10 The China Photography Society held its third member congress in Beijing, and decided to name it China Photographers Association, with Wu Yinxian as its vice chairman.
Photographic works include: writer Mao Dun and painter Huang Zhou.
China portrait photography society was founded 1984, and Wu Yinxian was elected as honorary chairman.
Photographic works include: Quiet Seaside, Long Shot, Soaring, Barracks in Macau, etc.
1985 the fourth congress of China photographers association was held in Beijing, and Wu Yinxian was elected as the vice chairman.
Photographic works include: nine songs stills, roses, peonies, etc.
1987 went to Harbin to attend the opening ceremony of "Sixty Years of Wu Yinxian Photography Exhibition".
/kloc-0 was invited to visit the United States in April, 1988, and accepted the "Photographic Meritorious Certificate" issued by new york International Photography Center, exhibiting 43 works. The exhibition is named Yan 'an, the Birthplace of New China.
In July, he participated in the19th arles International Photography Festival.
In June, 1 1, the second Shanghai International Photography Exhibition held a retrospective exhibition of Wu Yinxian's photography and exhibited 12 1 works.
The World Photography Council awarded Wu Yinxian the title of "Honorary Member".
Wu Yinxian was written into the Who's Who of Cambridge International Biography Center.
1989 Beijing film academy awarded Wu Yinxian the title of honorary professor.
Elected honorary chairman by China Film Photographers Association.
Attend the opening ceremony of Wu Yinxian Photography Retrospect Exhibition held in Urumqi, Xinjiang.
Photographic works include: The Flame Mountain, etc.
1990 "Without the * * * production party, there would be no new China" won the "Special Honor Award" in the 16th National Photography Art Exhibition.
1991110. In October, Wu Yinxian War of Resistance against Japanese Aggression Photography Exhibition was exhibited in China People's War of Resistance against Japanese Aggression Memorial Hall, with 69 works on display.
At the fifth congress of China Photographers Association, Wu Yinxian was elected honorary chairman of the Association.
1March 1992 went to Shenzhen to attend the Wu Yinxian Photography Exhibition, which opened when Shenzhen Photography Building was completed, and exhibited 160 works.
On June+10, 5438, China exhibited "Wu Yinxian's photographic works and the use of cameras" in Beijing during the second photography festival, and exhibited 165 pieces.
Participated in the joint exhibition of 20 Chinese and Japanese photographers on the 20th anniversary of the normalization of diplomatic relations between China and Japan, and exhibited 12 works.
Get "special government allowance".
The jury of the first China Cinematography Award awarded the "Special Award" of "Excellence Award in Cinematography".
Beijing Film Academy awarded the "Golden Candle Award".
June 1993 "Wu Yinxian Photography Exhibition" was exhibited in the Swiss Villa Museum, with 90 works on display.
Wu Yinxian's Photography Collection was published by Central Literature Publishing House.
China Old Photographers Association was established 1994, and Wu Yinxian was elected as honorary chairman.
Wu Yinxian Scenery and Flowers Photography Collection is jointly published by China Guangdong Old Photographers Association, China Guangdong Overseas Chinese Photography Society and China Guanglian Industry Co., Ltd.
In March, Hong Kong and Macao Photography Association awarded the title of "Master Photographer".
He died on the morning of September 7th at the age of 94.