▲ When writing, you must sit up straight, don't shake your upper body, and try to find the feeling again and again. “0Kv_I

▲ When writing, you should be "two slow and one fast", that is, write slowly, the center line is fast, the pen is slow, and the pen is clever. This writing is both legal and comfortable. This is contrary to the principle of "two quick and one slow" for hospital nurses to give injections to patients. Nurses should feed the needle quickly, push the medicine slowly and pull out the needle quickly when injecting, which makes people feel comfortable, otherwise the pain will be unbearable. But I see that among the students, writing is not fast, but much slower. If you are slow, you can't write straight and always bend, so you should write fast. Don't worry, especially when writing a horizontal folding pen. For example, when driving, you must turn slowly, or you may have an accident. When folding the pen and collecting it, be sure to tidy up the brush strokes. Look at the shape and you will know what effect your brush strokes will have. You have to have this hunch, or you can't write it. Because as soon as you pick up the pen, look at the pen holder, look at the nib, and even look at your posture, you will know if you can write. This is something you learned all the year round, and it was also beaten by your father with a stick when you were a child. When Mr. Qi Gong went to the countryside to write couplets, others stood and wrote them, but Mr. Qi Gong bent down and carefully wrote on his wrist. Because he knows it's better to write like this than to stand. Some people say it's better to stand, and that's what they want. Such a person can't actually write it. lutecium (Lu)

2. About the writing of strokes &; 1 Celsius

▲ The most difficult strokes to write are punctuality and straight hook. t

▲ Tick writing method, straight tick is not easy to write, write straight tick and right dot, other strokes will be easy to write. nFS7

▲ Words with left and right structures, horizontal strokes on the left shoulder. H%，[X~

▲ The less conspicuous the strokes of a word, the more attention should be paid to writing it well, such as the lower right point in the middle of the word "Lang". Whenever you write a word, you should hold it to the right and then pause. o2Zp

▲ What is a pen? Kneeling with a pen and hitting the front is a calligraphy skill term I made up. Fortunately, it has been widely accepted by students. f

3. About using ink u & gtj@rv

▲ The best ink is the cabinet. When using ink, we should pay attention to mixing well, and of course, we should also study the container of ink. I don't need an inkstone to write, especially the new inkstone is easy to hurt my pen. The use of inkstones is not consistent, individuals can choose according to their own preferences, but we must pay attention to mixing the ink evenly, which is the principle. Ink mixing makes writing smooth, clean, beautiful and energetic. You can try. De' c'

4. About using the pen jSAi*

▲ Soak the new pen in water for about 10 minute. If you use it, a good pen will be finished. A few good pens are rare in life. Now that you use it, you won't throw it away. The ancients often dug holes and buried used pens. ，Gf

▲ Never put a pen in a water cup or use hot water. Warm water can be used. After drying, straighten the pen. It's best to hang it up. You must know this truth and cherish the brush. commander

5. About paper

▲ Color propaganda is not good paper, but I think it is best to write Ou Kai color propaganda. Sharp tools can do a good job. Z~

6. What is calligraphy L?

▲ Calligraphy is infinitely mysterious and a very high spiritual enjoyment. ，s }z

▲ Calligraphy is both a mountain and a sea. Metaphorically, it's like a person struggling to climb up a cliff. When he was about to climb to the top of the mountain, he found a hole with two doors. When he opened the door, he saw an endless sea with two words written on it: "Calligraphy". Dollar hour

7.2t2/ How to write this word?

▲ If you write, you must write well. In order to make people say yes, you have to force yourself to find a sin. Because we don't see through the world of mortals, we just want others to say yes. Some words are said to be well written, but it is difficult to say what is good at once. It just feels good, because some words are just feelings. Art is sometimes written subconsciously in an unconscious state. But feeling is not enough. The most important thing is to advocate a good post. To learn calligraphy is to persist. In order to learn European calligraphy, I put Ou Yangxun's calligraphy textbooks on my desk, sofa, bedside, bathroom and car, and pick them up whenever I have time. Stick to your post first, and don't always want to reform. I have also written many calligraphers' books. In short, I still study European-style books and posts, also to study how to write European-style well. l

▲ Every dynasty has scribbles, but scribbled words can't be passed down. Preface to Lanting Collection is handed down only because it is good. Whether it is true or not, it can be handed down to future generations by kung fu. Wang Xizhi is not a big official because his handwriting has been handed down from generation to generation. Some people can write good words by watching kung fu, but they can't. Why? Because he doesn't stick to his post, some people always think they understand. In fact, after ten years, there are still many things you can't understand. fkB

▲ Confucius said that learning is not enough. Learn to be sleepy through teaching. In this calligraphy study, a friend told me that I wanted to cry when I saw this word, and another student said that I wanted to vomit when I saw this word. I have written it hundreds of times, but I still can't write it well. In fact, no word is easy to write, and it will never be written well without hard work. ，} * h & ampa

▲ In the world, good things are hard to do. Writing is the same, beautiful words are difficult to write. It is almost impossible to be accurate in every stroke. One misstep makes a lasting regret, especially the art of calligraphy. I once came across a fist-sized word, and I always felt uncomfortable after writing it. I measured it with a ruler, and it was only a millimeter short, which means that a millimeter short is not enough. This is the same as people. They all look alike, but some are good-looking and some are not. In fact, it is a bit difficult to study it carefully. Writing is almost impossible, people may not see it, but people have paid a price for it and must be worthy of it. Always write at the best level. You, you, you

▲ I don't even want to read my handwriting in the past, but it was that level at that time, and I felt that Jiang Lang was exhausted. Therefore, to constantly pursue progress and perfection, only you are good, others feel good, and never feel almost enough. _(/S

▲ Some words and strokes are difficult to write, but as long as they are long. You can't write well by playing with words. The key is where to put it. Calligraphy is the most conscientious thing. If you work hard on it, it will reward you with one point. This is not the same as being a human being. Some people may bite the hand that feeds them, no matter how enthusiastic you are about them. But art is different. Art is the most conscientious. '

▲ Many people's strokes are thick and cannot be refined. The point is that they can't afford a pen. Once they lift the pen, they can write well with the nib. #

▲ What is the most difficult thing to overcome in the world? It is too difficult to overcome habits. Fortunately, everyone is here to study, so we should pay attention to forming good habits and posting well from the beginning. )*Z

▲ Can some old habits when writing be changed? It can definitely be changed, but the question is whether there is such a state. When writing, you should raise your head one by one. I just walked around, and almost none of the students' posts satisfied me. Because the post was right in front of me, I didn't read it at all. I don't know if some posts fell to the ground. I'm just writing hard. I am very confused about this. Why don't you write according to the posted words, but write in a bigger size? Sticking is the only way to improve calligraphy. I repeat, since you are in America, please give up yourself. Whatever I send you, you must write it according to it. n@G

▲ Poor handwriting is a matter of level, but poor handwriting is a matter of moral quality. If it is deliberately distorted, this person is likely to have psychological barriers. Words are like people. From a person's handwriting, we can see his or her gender, approximate age, character and conduct. Egb

▲ Calligraphy is learned. But some people just don't study and always like to write according to their own temperament. As you can see, the contents of the students' exam works displayed today are all the same, but the writing level is different. Why? It is because everyone's level is different. Of course, there are many and complicated factors. Including age, gender, experience, personality and other aspects have an impact, all between the lines, in every stroke. Just like the ancients all imitated and worshipped Wang Xizhi, but in the end they all wrote differently. My brother Zhang Yun and I have been writing with inkstones since childhood, but our writing styles are different. For example, a newborn child looks very similar at first glance, but the longer it is, the different it is. The purpose of this face-to-face calligraphy class is how to learn calligraphy. There are only a few situations. First of all, I feel good and swagger into the classroom to study. If you are a little complacent, you should study. Arrogance is normal, but I always feel good about myself. I'm afraid this is very dangerous. There is another situation, that is, I feel that I can't. Just practicing in your own home, you can't tell the difference between east and west, north and south, and you can't tell the difference between good and bad. Some people see bad words and don't want to offend you, so they flatter them. The saddest thing is that I take others' flattery seriously, which is very sad, which also shows that I should study hard. {h！ & amp

▲ Learning calligraphy is a road of no return. It does not mean that once you learn calligraphy, you must stick to it. Some people gave up because they didn't persist for various reasons, but they didn't give up. They kept thinking that once the conditions were ripe, they would pick it up again. K-(=a

▲ After three days of study, every student has made progress. After voting, the top three students will be recorded in the history of "China Regular Script Network". Don't take the number of votes and whether you win the prize too seriously. What you should seriously think about is: What have you learned after three days of study? xi

▲ When I started the class, I emphasized: "When you come to the training class, you must give up yourself." I didn't come to the training class to learn from Tian Yingzhang. My brother also said in "One question a day, one word a day": "Learn from Europe and Mexico". But what I want to tell you is that it is very dangerous not to "learn" when you know almost nothing about calligraphy. In today's book world, some people say: I don't learn from anyone, I write about myself and show my "temperament". They oppose "calligraphy skills" because they don't want to work hard and advocate "temperament", which can't be accurately expressed and there is no measure of temperament. So they can boldly open graffiti and express their temperament and diarrhea. Anything written at regular intervals is judged to be "temperamental". Some people say: Do you want to learn from Tian Yingzhang and stop being a "thousand people"? What's that smell? During the training, I saw that everyone wrote the same eight words, but who can write as well as who? Many of our students are just beginners, and their writing is still different. If you write for twenty or thirty years, it will be very different. The great calligraphers in history, such as Ou, Yan, Liu, Zhao, Su, Huang, Mi and Cai, all imitated Wang Xizhi and all said they were his disciples. But none of them can be like what Wang Xizhi wrote. There is no saying that "a thousand people have one side" in calligraphy. My brother and I grew up with an inkstone, a writing brush and a copybook. We received family education and the same idea of calligraphy education. Are we writing the same thing today? Sometimes we all want to write the same thing, but it's impossible. When my brother and I "closed the book", everyone saw in the video: just like one person wrote: it was the result of trying to get together, and I trained at home for a long time and many times, and it was limited to these words. If writing can be the same as someone's, I have been writing about Ou Yangxun for 57 years. Did I write like him? I want to be like him, but I just can't. I am so involved in Europe that I dream of writing like Ou Gong, but I always can't. h_？ -|

▲ Calligraphy may be "almost" at the beginning, but it is limited to beginners. After reaching a certain height, it will be different, just like the newborn child in the obstetrics and gynecology department of the hospital will be like this. Nurses often hold the wrong child and grow up slowly, but they will never be like an adult. The same is true of calligraphy. At first, the time is still shallow, but with the deepening of skill, it is different. C[

▲ Some people say: "We learn the same style of writing, so many people write the same. What's the point? What's the significance of what many people write like Tian Yingzhang? What's the point of learning what Ou Yangxun wrote like Ou Gong? " Please don't worry about it. Tell everyone that if you really want to be like Tian Yingzhang, it will be strange and impossible. Write well and study hard, and you won't write the same. So, what I want to explain is that our training class does not ask you to learn Tian Yingzhang, but tells you how to learn calligraphy. There may be two situations before coming to the training class: one is that I feel that I have written very well before coming, and I have been here for decades, decades and years; I copied a lot of stickers, learned calligraphy from others, won any prizes, and strode into the training class. I was very proud. This is because you think you are "good" because you don't study. As long as you are a little complacent and feel that your writing is not bad, it shows that you should study and learn something good. Your eyes are so low that you think your writing is "good". Our normal situation is that we can see the shortcomings of a master calligrapher and others' calligraphy works, but we can't write them ourselves, so we can't write them ourselves as well as others. Your low vision is understandable. You are afraid of your "low vision", so low that you even think you can write well. People often can't face up to themselves, and always feel that they write well. In this case, you need to learn and improve. g

On the other hand, I practiced at home and got lost, just like walking into a maze, into an endless desert and lost my way. I don't know where I came from, where I want to go, and I can't move forward. Is your handwriting good or bad? I don't understand. In this case, I really want to hear other people's comments, and I still believe the layman's comments on calligraphy. Some people say: Oh, Master, your writing is really good! If he believes it, he may be overjoyed. Someone said: What did you write? It's ugly. He will be very depressed. In this case, you need to learn and improve. ? )

▲ How to learn calligraphy? You need temporary stickers to learn calligraphy. Calligraphy is temporary, and temporary pasting is the only way to learn calligraphy. Lin Tie is an outstanding achievement of learning from predecessors and others. When you come back from the training class, you must post it carefully at home, and don't scribble at will. I have seen some book lovers attend several training courses, but they have not made much progress. It must be that you are not serious in class, which means that you are not serious at home or the posting method is wrong. This is what every student should pay attention to. six

8. Why do you want to learn European calligraphy a=/? Landing Craft

University calligraphy is to carry forward the traditional culture of the motherland and inherit the national treasure. I won't elaborate on the reason, but I think writing and practicing calligraphy are most conducive to personal moral cultivation. Calligraphy is an elegant art, which cultivates self-cultivation, cultivates sentiment and can best improve people's cultural taste, much better than playing mahjong, chatting, drinking and playing cards. Some people lose at cards and tear them up. This is a kind of temper and anger. But tearing up unwritten words is ambition and backbone. I advocate taking back the bad words written in the past and tearing them up so as not to delay future generations. %C`e

▲ About European calligraphy. In the Tang Dynasty, calligraphy formed a kind of "conscious culture and art". Before the Tang Dynasty, people just wrote and didn't fall into the topic. Since the Tang Dynasty, there has been a name signed "Shu Dan". Calligraphy has become a special art form. China characters began to study the meaning and shape of words from the Sui Dynasty. The study of fonts is also the study of calligraphy. Through writing, I began to reflect on the feelings of book writers, as well as their world outlook and outlook on life. Li Shimin's admiration was also one of the reasons why calligraphy reached its peak in the Tang Dynasty. Calligraphy looks at the Jin and Tang Dynasties, and the calligraphy in the Tang Dynasty far surpassed that in the Jin Dynasty. It is also beyond the reach of future generations. At that time, the whole country was learning calligraphy. Ou Yangxun has caught up with this era. Personally, I think that the cursive script in the Tang Dynasty was not as good as Yan's, but in terms of regular script, Europe surpassed Yan and Liu. There are more criticisms of Yan than Europeans in history. Of course, there have been criticisms of Ou Kai in history, such as being criticized as "like an operator", but the criticisms are normal, ranging from Confucius to Mao Zedong. Some people in contemporary book circles have extended the ancient people's criticism of Ou Yangxun's "operator style" to the whole of Tang Kai, saying that Tang Kai is "too dead" and the operator has no "vitality". Still "strong", can vent emotions. You know, beauty is fluid, moving and static. For example, in the park, those who practice Monkey Boxing are very ornamental and beautiful, while those who practice Tai Ji Chuan are very quiet. Although they play brilliantly, they are not lively, and they are too slow to attract the audience. This is caused by people's appreciation level. Their cognitive level can only see the excitement of Monkey Boxing and a strong sense of festival, but they can't perceive the beauty of Tai Ji Chuan's quietness and movement, peace and strangeness. Just like people's taste, children love sweet, middle-aged people love spicy, sour and exciting, and old people love light, which is a return after tasting sweet and sour. Life is like this, so is the development of art. Zhuge Liang said, "Be indifferent to your ambition." Calligraphy art needs a calm heart to face. Don't be too impetuous. We sometimes watch online video writers, wriggle, scribble, work hard and hold broken pens, hoping to become famous overnight in the country. Of course, they are also excusable. The judges are like this and are liked by the judges. At present, many people in the regular script Committee can't write regular script well, and the cursive script Committee can't recognize all the cursive characters. It's a big joke that the entries should be annotated to simplify the content of the characters. ，rlFC

▲ Ou Yangxun's regular script has always been in a very high position in history, and was rated as "a journey through the ages" and "one person in ancient and modern times". I think it's right for us to learn all the regular script of tern Liu Zhao. It's good for us to learn from everyone, but we are afraid that no one will learn and only practice ourselves. You can succeed by studying any course. Then why do we only emphasize Ou Yangxun? Because Europe is "strict in laws", beginners will think that Europeans' character is too strict to cross the border. "It's too difficult and painful to learn." It is good for beginners to study calligraphy strictly. Being able to master the rules and regulations will help anyone to learn from Yan Liu in the future. Just like educating children, strict discipline, law-abiding and courtesy from an early age are good for children's future growth. If you let them do whatever they want from an early age, they will never succeed in the future. zqj|

▲ No one likes to go anywhere, and no one likes to go anywhere in a word. A Level Gauge.

▲ Ou Kai is a good word. Good words can be exchanged for food, and good works can be circulated in the market. Calligraphy is an art and art can be exchanged for money. No one buys your work, which still shows that the level is not up to standard. What you write can only be narcissistic and complacent at home, which shows that it is not enough. The process of public recognition is: your words are praised, many relatives and friends ask you for words, then relatives and friends exchange your words for gifts, and finally strangers are willing to pay for your words. If your calligraphy is always not sold, it means that it is not a real work of art. Once someone buys your calligraphy, your enthusiasm for learning books will be higher. Xia Liang's calligraphy works are particularly good in the Beijing market; Ten outstanding Ou Kai, whose works were bought by a lot of money. We learn calligraphy not for money, but as a supplement to art. Isn't it better to have money? J

9. Calligraphy needs to communicate with each other]

▲ All of us should log on to China Regular Script Network more often. Some friends on the Internet will point out the shortcomings of your works and give you suggestions for rectification without reservation. Calligraphy needs communication and can be improved through communication. If you are confused, you can't keep writing to me, and I can't reply one by one. If you publish your confusion online, a brave friend will help you. long ton

10, China Calligraphy Association welcomes spring o=

▲ I hope everyone will post carefully and write well. Learn Ou Kai well and welcome the spring of calligraphy. Today, China's calligraphy has reached the lowest point in history, because the mainstream of China's calligraphy today is not to let people inherit the tradition, but to let people scribble and create their own names. If it is really "creative", it is ok. The problem is that they are "creative" shit, and they always flaunt themselves. Once someone writes well, a group of people will curse you like mad dogs. We wrote to Ou Yangxun to provoke you. Why are you cursing? And there are some associations that support agitation behind the scenes. You don't need to pay attention to him. What you need is patience, stick to your post and write well. q

▲ There are always highs and lows in historical development. The depression of China's calligraphy for one or two generations is not enough to affect the historical progress of China's calligraphy. China calligraphy always welcomes spring, and we are looking forward to this glorious moment.

Don't be impetuous. Regular script pays attention to the correct standards and norms, especially the European style, which requires delicate and accurate strokes, so that the writer must devote himself to writing calmly, wholeheartedly and meticulously. If his mind fluctuates slightly, his movements will be deformed and his strokes will not meet the requirements of exquisiteness. Many people who study Europe feel this way. Every morning and evening or at some time, when they are distracted, they can adjust their writing state well and their words can be in place. However, when their mood fluctuates and they are absent-minded, their state drops, and the more they write, the more annoying they get. If calligraphy can express meaning, then what Ou Kai wants to express is a calm state of mind, and Jing Ya can't write Ou Kai well at all.

Second, avoid complacency. "Writing at school, boasting at dusk" is a taboo for scholars and Europeans. There is no end to learning, and the sea of books is boundless. Calligraphy is like climbing to the top of the mountain and the Wang Yang sea behind it. Most of us European learners are like climbers who are still at the foot of the mountain. We are still 108 thousand miles from the top of the mountain, and we haven't even seen the shadow of the sea yet. You need to devote your life to rock climbing and racing. There is no room for complacency. Open-minded, struggling to climb, is talk.an excellent, it is possible to reach the peak of success, it is possible to approach the other side of the ideal. Tian teacher's level has reached the so-called first level in China, and it is still open-minded and eager to learn, not to mention us beginners!

Don't stay at the shallow end. Doing everything well requires persistence and persistence. If you retreat from the disaster and don't work hard, it will be difficult to succeed, and so will learning from Ou Kai. Some Ou Kai fans, although they persist well, don't like it again and again. When they came to it for the third time, they thought they had learned the word well and immediately changed the parting word. As a result, there is such a situation: it is clear that these words were well written when they were posted, but once they were written completely, they would not be written immediately, and the shortcomings of shallow kung fu immediately appeared. Therefore, friends studying in Europe must establish the spirit of sharpening the iron inkstone, and write every word hundreds of times until they reach the proficiency of knowing and forgetting their hands in the book, so that writing many times can be very similar to copybooks. This is to concentrate on the war of annihilation, which seems to be slow, but in fact it has a quick effect.

Four taboos, one exposure and ten cold. Many friends who study with tian teacher have this feeling. Once they like Ou Kai, they will be addicted to smoking and can't stop, making writing a hobby they devote themselves to and an indispensable part of their lives. If they don't write with a pen for a while every day, their hands will itch and they will feel uncomfortable. This state is the most basic prerequisite for learning Ou Kai well. Some people just regard writing as a kind of "work". If they think of it, they will write a few strokes. They can't remember how many days, so they let the brush sleep there, fishing for three days and drying the net for two days. Just after making progress, it was abandoned. Take a step further, take a step back and stand still. When can we reach the peak of success?

Don't be jealous of talents. To learn from Ou Kai, we should not only learn from copybooks, but also learn from high-level people, learn from other people's good experiences and methods, and use them for my own use, so as to constantly improve my understanding and writing ability. Jealousy virtue will not have any influence on others, but will only disturb your own mentality, so that you are always in a state of resentment and jealousy, and you can't calm down and practice your handwriting well. Therefore, people who study Europe should have the consciousness and character of seeing Si Qi, being open-minded, eager to learn, respecting teachers and teaching, respecting talents and abilities, learning from high-level people and other colleagues with an open mind, constantly absorbing nutrition and improving the level of calligraphy.

Six taboos are different. Learning books is not single-minded, learning what is popular, learning what you think is good. If you learn this style today and that style tomorrow, you will eventually know a little about everything, know everything and be sloppy, and eventually accomplish nothing. Many of our friends who love calligraphy have studied calligraphy for several years, ten years or even decades, but there is nothing outstanding. It is because they are not single-minded in studying books that they distract their energy and time. That kind of calligraphy is changed halfway before you learn it thoroughly, and it will always be half a bottle of vinegar. Those who study Europe must stick to one goal, have the perseverance to insist on the castle peak, concentrate on it, study the European model and learn the essence.

Seven avoid carelessness. Ou Kai, as a typical "I-type", has strict requirements on the structure of strokes. Two tian teacher studied it to a meticulous degree, and studied it properly, where they connected it in a real and virtual way, which was thick, which was thin, which was wide and which was narrow. For example, a large number of European learners think that the horizontal spacing of the word "book" is equal. In Ou Kai Analysis, Zhang Yun suggested that the first and second horizontal spacing of the word "book" should be wider than other horizontal spacing, and ancient inscriptions were written in this way, so it looks comfortable to write. In the fifth special training class, Mr. Zhang Ying elaborated on the different writing methods of "folding" pen in three situations, and the meticulous degree of its exploration was really amazing. If the teacher hadn't reminded me, many people wouldn't have noticed these subtle places. Usually casual, always follow the gourd when posting, thinking that almost enough, it is impossible to learn Ou Kai well. Details determine success or failure. When writing, Cedar, Xia Liang and other masters pay special attention to nuances. Sometimes, in order to write sharp brushstrokes, they use the fine strength of "fine money pierces the eye of a needle" Only in this way can their writing be unique and particularly dynamic.

Eight taboos are eager for success. Calligraphy is an excellent traditional culture in China. As for its skills, it is also a time-consuming and laborious skill, especially Ou Kai. People who need Xi Zhi should not only have solid basic skills, but also have profound knowledge and education. Without more than ten years or decades of hard work, they could not have succeeded. As the so-called "three-year painting for ten years", the essential characteristics of calligraphy determine that learners cannot succeed in a short time. Those who become calligraphers after studying for two or three years are just cheating the world and stealing their reputation. European learners must endure loneliness, resist all kinds of temptations and be prepared for a protracted war. They must not want to run before learning to walk, and want to innovate before mastering the most basic things in Ou Kai. We should take writing Ou Kai well as our lifelong pursuit, and through more than ten years and decades of hard study and tempering, we should accumulate enough Ou Kai knowledge and writing skills to achieve a qualitative leap.

Nine avoid self-defeating. Some friends who learn from Europe have not made any progress for a while, or they think that they are old and have less kung fu and cannot be effective; Either you think you are clumsy and have poor understanding, so you are not suitable for learning calligraphy. Driven by these consciousnesses, you gradually lose interest in calligraphy and give up studying Ou Kai. In fact, this is completely wrong. First of all, learn calligraphy regardless of age, although we also advocate that calligraphy should start with dolls, in order to better popularize calligraphy knowledge and improve the calligraphy level of the whole society. It doesn't mean that you can't learn calligraphy when you are old and you can't learn Ou Kai well, so you won't succeed. Lin Sanzhi began to learn cursive script at the age of forty, and became a generation of "Cao Sheng" in his seventies. Every European learner should learn from the most basic strokes and experience depression and hesitation for a long time. Calligraphy depends on hard study and hard practice. Although learners have different levels of understanding, there is no difference between a genius and a fool. There is no genius in calligraphy, everyone has equal opportunities and the same starting point. Every European learner should establish self-confidence and believe that he has the ability to learn Ou Kai well. Only in this way can he achieve satisfactory results.

Ten taboos are closed inward. Calligraphy needs communication, others need to point out the maze and correct your mistakes. If you just bury yourself in practice, you will often be limited by your own level of understanding and appreciation, unaware of your own bias, and will continue to consolidate your mistakes because you have been writing mistakes. If you don't communicate with others, you won't learn from others' good experiences and methods, but you will only increase your time, consume a lot of energy and make rapid progress. Therefore, we European learners should take part in more pen meetings and calligraphy seminars. "Three people must have a teacher." Through communication, learn from each other's strengths and promote the continuous progress of calligraphy.

I recommend you to write a European style brush. Although it is difficult, it is difficult for people who practice to write a simple one. European-style characters are also suitable for integration with running script and official script, which is more standardized. I even recommend Tian Yingzhang and Wu Yusheng, who are handsome. You also need to choose a good pen, not too good, as long as it is easy to use. For example, Tian Yingzhang's pen only costs 3.5 yuan money, but he has used it for 30 years. It has always been cost-effective and benefited for life. But the most important thing is practice. No matter how good a pen is, it won't be useless to write it. You should also master the method of practice. I hope that in the near future, there will be more talents in China calligraphy circle.

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