Form.

China's dance emphasizes the curvaceous beauty of "twisting, leaning, winding, bending, leaning, turning and rolling" and the temperament beauty of "vigorous, straight, implicit and flexible". From the unearthed tomb figures and Dunhuang murals, it is not difficult to see that this point has been in the same strain since ancient times and has been constantly developing and evolving.

For example, figures such as hip flexion, sleeve extension and back flexion of dancers in Qin and Han Dynasties, three bends in Tang Dynasty, meridian phase, yin and yang face and twist in China folk dance all run through the human body's twist, warping, roundness and bending.

Jesus Christ.

Charm is an extremely important concept among the basic movement elements of China's dance rhyme. God refers to connotation, spirit, rhythm and temperament. Any art without charm can be said to have no soul. In the movement of human body in classical dance, verve can be recognized and felt. Moreover, only by grasping the "spirit" can "shape" have vitality and appreciate the true artistic conception contained in dance.

"Heart, mind and spirit" are the embodiment of "verve". In the concept of mind, the connotation of Yun Qi, breath and idea is emphasized. It can be said that without rhyme, there would be no China classical dance. Without the stimulation and drive of inner feelings, the most important brilliance of China classical dance will be lost.

People often say that "the eyes are the windows of the soul, and the eyes are vivid tools", and the "gathering, releasing, condensing, closing and closing" of the eyes does not refer to the "movement" of the eyeball itself, but the result expressed by the connotation and psychological rhythm, which just shows that verve dominates everything. "The shape has not moved, God leads first, the shape has stopped, and God has not stopped." This formula vividly and accurately expresses the mutual relationship and internal connection between form and god.

Strong.

"Strength" is an internal rhythm given to external actions and a distinct and contrasting strength treatment. The running rhythm of China classical dance is quite different from the regular 2/4, 3/4 and 4/4 music rhythms. It is often carried out at a regular "elastic" rhythm, loose but not slow, tight but not chaotic, static in motion, free and regular in motion.

Law.

The word "law" contains two meanings: the rhythm of oneself in action and the law followed in movement. Generally speaking, after the action, it must be "smooth", which is the "positive law" in the law, and the action seems to have a feeling of flowing through "smooth". The "anti-law" of "drifting with the current" is also unique to classical dance, which can produce ever-changing, confusing and ever-changing dynamics of human movements.

It is these special laws that produce the special aesthetics of classical dance, that is, the movement law of "relying on each rush, thinking left in turn, meeting each opening, thinking forward in turn". Whether it's smooth sailing at one stroke, facing fortune or "starting from the opposite side", it embodies the beauty of China classical dance, which is the essence of China's "dancing method".