During the Qianlong period (1736~ 1795), a Pinghu tune called Yuejun Nanci appeared in Shaoxing, and Hu Siyuan, the master of Pinghu tune, appeared, which can be compared with Liu Jingting and Su Kunsheng, famous figures in the art world at that time. Yin Shan newspaper Lushan reported with six red poems that the southern characters in the south and the drum characters in the north are only enough to entertain villagers' women and children. If there are few people with knowledge, they will disdain to listen, so people who practice technology will never be elegant. Hui Siyuan's literary talent, youthful rhyme, and a little longer, that is, he is good at singing Nanci and leaping over old books, all of which have become excellent works, and are famous among literati and scholars. They all say that they complement Liu Jingting's storytelling and Su Kunsheng's Kunqu opera. Ye Tengxiang's Zhengdi Ren Shan Magazine also said: Hu Xiaoer will collect, he has charm; Good at decoration, humor and versatility. Its voice is crisp, such as singing colorful words, which can make people intoxicated; Singing funeral books can make people cry, which is the first word of the Vietnamese army in the south. People have birthdays, get married and have children. Hu Xiaoer's poems must be considered decent. The actor's performance is not enough. Since Hu Siyuan, Pinghu dialect has flowed into the upper class. Singers are not professional, nor are they for commercial performances. By the end of the Qing Dynasty and the beginning of the Republic of China, Zhou Dunfu, a Shaoxing PingDiao artist, was the most famous for his unique singing skills. The Pingdiao circle called it Dunqiang, and his brother Shen Fu was also a famous player. After Dunfu's death, penitentiary angel Xia followed in his father's footsteps and went out to sing, for fear of being slightly inferior to his father in art, including Shan Zaiting and Zhao Bolan, who were later than Dunfu. In the early years of the Republic of China, Pan Zifeng founded the Silk and Bamboo Society in Shaoxing Xinyuan Teahouse to spread the art. 10 years later, the National Defense University (192 1) leveled famous artists such as Li and others. After the founding of New China, Qian and Hu Shaozu, the fathers of history, were unwilling to accept the decline of Pinghu tune with the support of provincial and municipal cultural departments. They made great efforts to compile the bibliography and music scores into the Shaoxing Pinghu Tune Data Collection (five volumes), and held training courses to recruit students, and trained professional actors such as Zheng, Zheng, and Zhang.

After the founding of the People's Republic of China, both the East China Opera Research Institute and the Central Opera Research Institute have investigated Shaoxing Pinghu Tune, and the Zhejiang Provincial Bureau of Culture and the Zhejiang Provincial Museum of Mass Art have also conducted recording interviews. 1953, at the invitation of East China Opera Research Institute, five people, including the father of history, went to Shanghai to hold a flat-tone appreciation meeting and gave a short-term performance at Gaole Opera House. At that time, the father in history recorded the records of "remembering pear blossoms on rainy days" and "going to the meeting alone" 65438-0957, Shaoxing Pinghu Tune participated in the second folk music and dance performance in Zhejiang Province. 196 1, Shaoxing Quyi Troupe held a Quyi training class with a research team, with Professor Hu Shaozu and Professor Qian recruiting 6 students. After graduation, it gave a commercial performance. After the beginning of the Cultural Revolution, the Pingdiao singing group disintegrated, most of the older generation artists died, many post-scholars jumped ship and there were no professional singers.