Qin Lingyun, the most famous painter and educator in Qin Lingyun (1965438+February 8, 2004 -65438+20081October 29), was born in Jixian County, Henan Province (now Weihui City); He used names such as reform. ; The studio hall number is Wugua Caotang and Wenji Building; Word ridge cloud; Qin Lingyun spent his childhood in a painting studio and was interested in traditional plastic arts since childhood. 65438-0934 entered the painting department of Beiping National Art College; After the outbreak of War of Resistance against Japanese Aggression, he studied at Yuanling National Art College in Hunan. 1938 Since March, he has served as a staff member of the Central Army Military Academy, a middle school teacher, an artistic director of the Aoki Guanmin Education Center of the Ministry of Education, and a teacher of the Middle School Attached to Jinling Women's College of Arts and Sciences and the National No.10 Middle School. After the founding of New China, he worked in the Central Academy of Fine Arts and People's Fine Arts Publishing House, and died in Beijing in 2008.

Qin Lingyun (19 14—2008) was born on February 8, 2004. He once used the names prestige, Ming San and Avi; Word ridge cloud; A native of Weihui City, Henan Province, he is a famous art educator and Chinese painter in China.

Mr Qin Lingyun was born in a family of folk painters, and spent his childhood in a painting studio. From an early age, I was interested in traditional plastic arts such as murals, lamp paintings, clay sculptures and paper-cuts. After graduating from primary school, due to his poor family, he was admitted to a provincial fifth normal school in this city, which gave him the opportunity to be taught by art teachers who came back from Beijing and Shanghai, and he became more and more interested in painting. 1In July, 934, he was admitted to the Western Painting Group of the Painting Department of the National Beiping Art College, and studied sketch and oil painting for three years.

After the outbreak of War of Resistance against Japanese Aggression, Qin Lingyun went to Yuanling National Art College in Hunan for further study. 1938 Since March, he has worked in Chongqing and other places as an art officer of Xinshengshe, a teacher of the 15th National Middle School, an art director of Chongqing Qingmuguan Folk Education Center of the Ministry of Education of the National Government, and a teacher of the middle school attached to Jinling Women's College of Arts and Sciences and the 10th National Middle School.

, Zang, Liu, Yu Zhizhen.

, Zang, Liu, Yu Zhizhen.

After the establishment of People's Republic of China (PRC), he served as the head of the art supply agency of the Central Academy of Fine Arts; 1950 participated in the editing work of People's Fine Arts Publishing House of the Publishing Bureau of the Ministry of Culture. Engaged in art education, editing and archaeology for more than half a century, devoted to painting research, 1974 retired; 1987 was hired as a librarian by central research institute of culture and history in February.

Before his death, Mr. Qin Lingyun was a member of the Revolutionary Committee of the Chinese Nationalist Party, a member of the China Artists Association, an artistic director of the Beijing Landscape Painting Research Association, a director of the Beijing Fine Arts Society, an editor-in-chief of Poetry and Painting, an editorial board member of the Chinese Painting Monthly, a vice president of Zhongshan Calligraphy and Painting Society, a vice president of Yanhuang Calligraphy and Painting Institute and a director of the China Senior Calligraphy and Painting Research Association.

He died in Beijing on October 29th, 2008, at the age of 94.

Personality achievement

China Modern Famous Painters' Works Collection-Qin Lingyun (Cover)

China Modern Famous Painters' Works Collection-Qin Lingyun (Cover)

Qin Lingyun is an original Chinese painting artist who focuses on China landscape painting, learns from nature, attaches importance to tradition and integrates ancient and modern art.

Over the past decades, he has assiduously studied ancient and modern painting theories and famous works, and has been in contact with landscape painting and religious art in the Song Dynasty, but he has his own unique experience in painting practice. He said: "Pen is bone, ink is flesh, brushwork should be vigorous, and pen and ink should be vivid"; "Pay attention to water with ink, take ink as shape, take water as gas, make use of the melting of water, and give full play to the brilliance and charm of ink." He often said that to draw a good landscape painting, we must deal with the relationship between scenery, interest and interest, pursue the blending of scenery, promote scenery with emotion, and contain feelings in the scenery; Both form and spirit, there is a god outside the form; Pursuing intention first, it is interesting to have the law, and it is interesting to see outside the law. A few words summed up the wonderful theory of Chinese painting that he experienced.

Qin Lingyun tried to establish himself in China painting circle with a new look. He believes that today's landscape painting should have today's essence and style, and should not be completely identical with the predecessors. Language should be your own, thoughts and feelings should be your own, and you should let go of your hands and feet in terms of conception, material selection, brushwork, composition, dyeing and scenery, and go your own way. He said so and did the same. 1950 years later, due to his work, he was able to "take Wan Li Road" and almost traveled all over the world. under

qin lingyun

qin lingyun

After ten years of catastrophe, he was particularly excited. He experienced Huangshan Mountain, Taishan Mountain, Yandang Mountain, Wudang Mountain, Changbai Mountain, Lushan Mountain, Hengshan Mountain, Jiangnan, Three Gorges, xiang yuan, Li Qing, Shennongjia and Jingbo Lake, and took pains to travel and sketch, making his landscape paintings more fantastic and diverse in style. This "natural" achievement is exactly the way he found after years of exploration. His works are not only majestic waterfalls, clouds and strange peaks, but also feelings of flowing water and bamboo houses. They are full of commercial flavor and strong artistic appeal. He participated in many important art exhibitions at home and abroad, and was invited to hold solo exhibitions in Hong Kong, Singapore and other places. He also published a large number of works in important newspapers and albums at home and abroad.

Qin Lingyun's exposition of freehand brushwork landscape painting is very incisive; He said in "Freehand Landscape Painting Techniques" that freehand landscape painting needs the painter's emotion, the unity of form and spirit, the tangibility outside the image, the blending of scenery and scenery, the interest in law and the interest outside the law, in order to be called a master. He told beginners that if they want to rise to a higher position step by step, they should pay attention to their inner cultivation while honing their pen and ink skills, and "read thousands of books and follow Wan Li Road". When a painter doesn't like reading and staying at home, his future will not be broad. Only by deeply and persistently experiencing the feelings in life can we change with each passing day and stand on our own two feet.

Main work

Mr. Qin Lingyun's Chinese Painting (1)

Mr. Qin Lingyun's Chinese Painting (1)

Mr. Qin Lingyun has a large number of landscape paintings handed down from ancient times. Other collections include modern landscape paintings, Qin Lingyun sketches, Qin Lingyun landscapes and freehand brushwork techniques.

Mr Qin Lingyun is not only a landscape painter, but also a diligent organizer and introducer of China's art heritage. He has published works and picture books such as Historical Materials of Folk Painters, Yongle Palace, fahai temple Mural, China Mural Art, Evonne's Painting, Zheng Banqiao and Eight Stories of Yangzhou.

In addition, Mr. Qin Lingyun has compiled a new edition of Landscape Painting Techniques, Lecture on Landscape Painting, Picking Up Ears in the Ink-stone Field, and Gossip by the Ink-stone in Newspapers and Periodicals, and has been invited to give lectures at the Central Academy of Fine Arts, the Art College of the People's Liberation Army, Peking University, Beijing Institute of Education, relevant societies and painting clubs for many times.

Personality assessment

In today's China painting world, there is a famous saying in the praise of the older generation of painters in China: "The moon in the mountains (Guan Shanyue, a famous Chinese painting artist in Guangdong) is in the south, and the cloud of Qinling Mountains is in the north".

The reason why Qin Lingyun is highly respected is mainly because he can create his own ideal art world with his own feelings, without being bound by previous norms, and achieve the high realm of "I am for myself, I have my own existence", which embodies the spirit of borrowing the past and opening up the present.

During his decades of artistic career, Qin Lingyun learned from others, not only from tradition, but also from life. He collected materials from nature, refined them in practice, and actively explored new creative methods and high-grade artistic styles-climbing Mount Tai to see the sun, playing with the moon in the West Lake, stepping on the beautiful forests in the north, visiting the coconut groves in Qiongya, watching the clouds in Huangshan, watching the snow and ice in Tianshan Mountain and observing its scenery. Because of his dedication and comprehensive and profound cultivation,

He dissolved "sketch" in brush and ink lines and brought the essence of Chinese painting to a new height. His works include pen and ink, pen in ink and color in color. The colors of pen and ink echo each other, or splash or write, splash and write together.

Qin Lingyun's hard artistic practice is fruitful; Essays such as Wen Man Hua, published in the Series of Poetry, Calligraphy and Painting in his later years, are concise, profound, different in style and eye-catching. All these have left precious wealth for China painting circles.