Feel the star version of butterfly lovers and the love story of butterfly lovers tonight, and have a chat.
Scene 1: Grass Bridge Worship (Han Tingting,? )
At the beginning of the play, it was too late to read the subtitles. Zhu Yingtai and Yin Xin have left home, and I can't recognize which Yingtai this is. At first, the voice didn't open, it was a little shaky, and the high notes floated. When Brother Han came out, the phrase "Leave my hometown and don't be my parents" was a bit out of tune. Later, Liang Zhu and his wife slowly entered the state. As far as I know, it should be acclimatized. Butterflies have just flown to the island. There must be an adaptation process, haha. Fortunately, this is the first time for Haikou audience to watch Yue Opera. Anyway, they can't tell what genre, and their quality is quite good. They looked at it quietly and applauded after a scene.
Scene 2: Students are reading (Wang Junan, Shu Jinxia)
The actors performed very well, and Jun 'an's Yin Opera was very beautiful and euphemistic. Dressed up handsomely, it is no wonder that all beings are fascinated. Shu Jinxia's Wang Pai Yingtai has a unique charm. Brother Liang's appearance in Shuai Shuai has always been a worry for me.
Scene 3: Eighteen Gifts (Wang Junan, Shu Jinxia)
It wasn't until 18 birthday party that I discovered that Brother Liang was really a bit silly. A beautiful song, such as a small bridge flowing water, has aroused warm applause from the audience from time to time. (Naturally, unlike Shanghai, actors clap their hands before opening their mouths. ) When I saw this, I remembered the Qiong opera "Lower Nanyang" I watched earlier. I added too many dialogues, and it will be a play soon. Opera is opera, and "singing" is first of all singing, and the singing of actors is very important. The star version of Liang Zhu is original, although the audience can't understand it, but the beautiful melody can cause * * *.
Scene 4: "I do" (Han Tingting)
Han Tingting's schools are full of charm, beautiful, and the performances are in place. When Jenny explained the truth to her, she suddenly realized that it caused the whole audience to laugh. Two aunts next to them smiled and pointed to Brother Han and said, "What a nerd!"
Scene 5: Back to Eighteen (Wu Fenghua)
I have never seen the scene of Ahua. Today is the first time. The little opera fan next to me (who just graduated from college, but is a die-hard fan of Ahua) said to me, "Ahua just gave birth to her son. We are so lucky. Haikou is her first stop."
"Zhujiazhuang * Yingtai ..." People didn't appear, and Jen's hearty voice had already resounded through the audience. Still so thin, Brother Wu came out in high spirits. Longhui 18 is natural and smooth, like flowing water. Just coming back has no effect on Ahua, and she is in a better state. The audience commented that she had a "great voice". I have always loved jen. Fan sent five golden flowers. I like rainbows and flowers best. I also fell in love with Tingting tonight! Rainbow can't come, there are Ahua and Tingting, and finally there is comfort.
Scene 6: Visiting Zhu (,)
Outside the toaster is Zheng, who is born with a good voice. I thought Chen Fei would come, but I didn't expect CoCo Lee. Li's Yingtai is good, but she always feels a little less when matching flowers. I found Mrs. Li Yingtai sitting on the ground sadly while arguing with her father. Recently, Uncle Shan was invited, and Yingtai quickly got up and wiped her tears to meet Brother Liang. I'm a little surprised: although Zhu Yingtai is not an imperial concubine, she is still a small jasper (a lady of a big family anyway), not to mention being knowledgeable and considerate. How can she love to sit on the floor (the same action happened when she refused to get married later)? Sitting posture, standing posture, smiling without showing one's teeth and moving without showing one's skirt should be the manners and standards of a lady at that time, right?