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How to evaluate Qin Xiaoxian's crosstalk level?
Let's start with the conclusion: Qin Xiaoxian is actually the future development direction of Deyun Society.

As the chief marketing guru in the history of cross talk, Degang Guo certainly knows the significance of Qin Xiaoxian to Deyun Society, so he created several hot searches in Deyun Society.

To put it bluntly, Deyun Society should take crosstalk as a label and take the road of idol groups in the future.

Of course, we must pay attention to the old labels such as "saving cross talk" and "promoting traditional culture", otherwise it may touch the bottom line of relevant departments.

Businessmen should do what businessmen should do and make good use of their own resources and business opportunities to make money. Crosstalk and traditional culture may be a big business opportunity for Lao Guo to make money, but that was the time when Deyun Society still had crosstalk audiences. No matter how idle, there are always people who want to see Degang Guo and his disciples move against the trend.

From Degang Guo himself to Yun-peng Yue, the top stream of the second generation of Deyun Society, it is at least related to cross talk. Even if Yun-peng Yue is so eccentric, cheap and muddled, at least he still has a traditional foundation.

After Yun-peng Yue, Deyun Society began to plunge into a thousand miles and embarked on a road of no return farther and farther away from cross talk.

Zhang Yunlei's unexpected popularity has brought the largest number of amateurs to Deyun Society. But what is unexpected is that the professional entertainment circles in Zhang Yunlei Rice Circle are full of fans. They are far more skilled than the existing team of Deyun Society in how to use artists to set up powder suction and then cut leeks. The fundamental reason why they hold a crosstalk artist is that they can get interested feedback from Zhang Yunlei.

However, there is no agreement of interests between these big fans and Deyun executives. Deyun club executives are used to leading everything by themselves, eating big heads by themselves and then giving leftovers to fans outside the club. Degang Guo's former fans did the same thing, so there was no large-scale rice circle, and people basically wandered around in the form of stragglers.

Zhang Yunlei rice circle is completely different, belonging to a typical flow star rice circle, with professional powder collection of leeks, selling them everywhere, and organizing control and evaluation. Theoretically, these fans were appointed or cooperated by idol brokerage companies, but Deyun Society did not form such a cooperative relationship with Zhang Yunlei rice circle, so it had the official skin of airborne, which led to the embarrassing pattern that Zhang Yunlei rice circle almost separated from Deyun Society until it was difficult to survive.

However, Qin Xiaoxian's situation is slightly better. His rice circles are quite large (6.85 million fans), but they are not unified to the extent of Zhang Yunlei. Deyun Society also has a high degree of control over Qin Xiaoxian's resources. Unlike Zhang Yunlei, his family set up a cultural company for him, and he can take over the work.

More importantly, the average age of Qin Xiaoxian's fans is even lower than that of Zhang Yunlei. Almost half of them are after 00, and the rest are between 20 and 35, all of which are pure idol powder.

Qin Xiaoxian's crosstalk label is basically too weak to be seen. Degang Guo, Yun-peng Yue, Zhang Yunlei, Meng Hetang, Zhang Jiuling, and Qin Xiaoxian are all top performers of Deyun Society. The level of cross talk has been declining all the way, but the label of idols is getting heavier and heavier.

This is not a bad thing. Crosstalk is an extremely niche industry, and cross talk audiences don't need anyone to save them. Crosstalk theaters around the country have never been substantially changed because of the prosperity of Deyun Society. Deyun Society has always preserved the cross talk between Degang Guo and his apprentice, and used cross talk as a label to hype people up. In addition, the young talents of Deyun Society are becoming more and more out of the circle, and the correlation with cross talk is getting weaker and weaker. The most important thing is that the existing teaching mechanism and teachers of Deyun Society simply can't teach decent crosstalk talents. Half a bucket of water goes to the small theater to suck powder. If there are many fans, follow Shang Yan's routine.

Instead of getting deeper and deeper in this business model, it is better to take the route of professional idol star if it is broken. Recruit men with good looks and good health in the whole society, hold a seven-day cross talk training class, tell them some basic terms, then put on a gown and go on stage, as long as you can suck powder.

Deyun Society must grasp and create the sample of Qin Xiaoxian, and point out the correct direction for the future development.

Old Qin (Qin Xiaoxian) is definitely an alternative of Deyun Society.

The number of fans in Weibo is second only to Degang Guo, Yu Qian, Yun-peng Yue and Zhang Yunlei.

He has held a special show, led the domestic, Mongolian and few soldiers, and his fans are only half or even less than those of Lao Qin.

When Degang Guo led everyone to sing "Four Happiness" by Kai Men Liu in the box-sealing performance, the old Qin standing in position C never started to sing-obviously not.

Zhang Jiuling and I performed a traditional performance in the just-aired "A Fight for Laughter". We not only forgot the words, but also were recognized by Yun-peng Yue on the spot as "not taught by Master".

Obviously, Lao Qin lacks many basic skills in cross talk, although he is only 23 years old and still young. But at this age, Degang Guo has practiced a traditional folk art, Zhang Yunlei has learned hundreds of Taiping lyrics, Pingju and drum sets, and Yun-peng Yue is also a stupid bird flying first, laying a good foundation on various basic skills.

For crosstalk artists, youth is the best stage to accumulate information, not the reason of "I won't".

Instead of spending a lot of time recording various videos to absorb powder, it is better to polish more new works and new burdens. Crosstalk artists finally spell culture and foundation.

Easy to suck powder, false prosperity is like a mirage. Fans are tired of aesthetics, which is the water under the bridge.

Zhang Yunlei's critics say that Zhang Yunlei is a fluent crosstalk artist, but he is actually wrong. Zhang Yunlei sings traditional songs well, and few people in the phonological circle can match him now. In terms of "telling jokes", it was also honed on the cross talk stage of Deyun Society since childhood. It is not first-class, at least it is upper-middle level.

The real traffic faction of Deyun Society, including Lao Qin, is the only one so far.

At the end of last year (20 19), Lao Qin formally studied with Degang Guo. At that time, the number of fans had reached more than 6 million, and I felt that Degang Guo had got a big bargain.

In fact, Lao Qin did not bring art to Deyun Society like Ou Di or Guo Jingfei. Lao Qin is a serious artist of Deyun Society.

In the entertainment economy, traffic is indeed a good thing, but it is also a double-edged sword. When "art" and traffic are asymmetric, it is also a high probability event that artists are drowned by traffic.

Degang Guo also knows the importance of transportation:

The poor stood on the cross street, playing with ten steel hooks, but they couldn't hook their relatives; The rich play with swords, guns and clubs in the deep forests, and they can't leave their relatives and friends.

Before fame and fortune, genius was SHI the dog.

The further meaning is: fame without real talent and learning is also in vain.

Of course, this does not mean that old Wu Qin is a real genius, but that he is indeed a young crosstalk genius with a good sense of humor. However, the current stage style is noisy, creativity needs to be improved, and basic skills need time to polish.

Do it and cherish it!

Average level, need to practice in a small garden. Laughing too much, I can't control my emotions. This is a taboo for crosstalk performers. I am not ugly, but I am too thin, and I like hunchback. I feel bent when I put on my coat, and it looks awkward. I especially want to straighten him.