First of all, Li Bai's poems are strongly romantic.
Li Bai's poems have the artistic charm of "the pen falls and the wind and rain shake, and the poem makes the gods cry". Like many great writers, all Li Bai's works also contain romanticism and realism, but as far as his dominant tendency is concerned, he is a master of positive romanticism. As a romantic, although he also accepted the influence of realism in The Book of Songs, it was Qu Yuan's works in The Songs of the South that influenced him more deeply. Li Bai and Qu Yuan have similar political ideals and misfortunes, the same rebellious spirit of dissatisfaction with reality, and equal noble quality and artistic genius. On the basis of these characteristics, he is bound to embark on the road of positive romanticism initiated by Qu Yuan, and enrich and develop it according to his own life practice and artistic practice. Li Bai inherited and developed Qu Yuan's tradition. He combined his political ideal of "securing the country" and "helping the poor" with the Taoist cynicism and the spirit of resisting violence, saving the weak and helping the poor in the ranger thought, and expressed his love for the motherland. Express sincere sympathy for the oppressed and damaged people; He expressed deep hatred and anger at the dark phenomenon hatched by feudal system; He expressed strong resistance and contempt for the dignitaries in the ruling class-his positive romantic spirit is indeed broader than Qu Yuan's. In terms of expression, he also inherited and developed Qu Yuan's romantic expression, especially the exaggeration in folk poems, and improved it in creative application to make it more perfect. On the object of description, he contacted more subjects than Qu Yuan, so he used romanticism more widely. He not only uses this technique to express romantic themes such as "self", seeking eternal life and sleepwalking, but also often uses this technique to reflect wars and describe daily life and natural scenery, so as to gallop his imagination of "wanting to fall from the sky". It was through this fantasy realm that he expressed his hatred of the cruelty and ugliness of the enemy and his sympathy for the suffering of the people.
Li Bai has a wild youth. In his youth, he was bathed in the atmosphere of the Tang Dynasty, with heroic, optimistic and high-spirited feelings. At the same time, Li Bai hopes to make achievements in politics all his life, make contributions to the country and realize his great ambitions. However, due to the glorious history and painful memories of traveling in Chang 'an for a long time, he was finally forced to leave the bustling imperial city and go to the folk, which made him recognize the upper ruling class and write immortal poems. I spent my unfortunate old age wandering down and out, and passed away with deep resentment and outstanding poems that have been immortal. Li Bai's life is romantic. He flaunts himself, is free and easy, optimistic and upward, like an elegant and simple fairy who is not polluted by the turbid world. No matter how many contradictions and setbacks there are, he still has "since God has given talents, let them find jobs!" Open-minded, waiting for the "big Pengfei Xi Town Bazi". Enjoy the splendid prosperity of Chang 'an at the expense of destroying eyebrows and waist, but Li Bai is still willing to love: "Shen Zhi Tan." The art of seeking the emperor, ... enlarge the area of the atlas and make Haixian clear. ("Dai Shoushan answers Meng Shaofu's command") "But he was brilliant all his life, wandering around the world, singing about wine. Perhaps, just as wealth attracts thieves, too much talent is bound to be frustrated-but such a rich life, but such a miserable life, can not help but make people feel that "there is a different taste in their hearts." Li Bai has a big heart, and poetry is by no means the theme of life in his mind. Poetry is just a quality of his life. Of course, people who "don't look at the mountains when the five mountains return" don't really love mountains. Li Bai is "the five mountains are sacred mountains, and there is no way to think far, according to my unchanging habit all my life", and perhaps there is a little helplessness in it, so he feels that "the afterwind is inspiring for generations". Li Bai longed to be an official all his life, but he met several times in personnel. He became famous in behavior until he begged for power. He was emotionally unfair and cynical. He left more than 1000 poems, full of romantic exaggeration, and always showed the fantasy of "being friends with the prince" in his rhetoric. His dissatisfaction with reality centers on the fact that his ambition of going into politics cannot be realized. What he hates is the villain who stands in his way, but he knows nothing about his talent as an emperor and a dignitary. He loves all the beautiful things in real life, but he has no scruples to despise and attack unreasonable phenomena. He made no secret of his yearning and pursuit of fame and fortune, but he could not go along with the decadent forces and greedy people. Because Li Bai is romantic, his drinking poems are always full of cheerful and optimistic emotions. But the iron reality can never reach the romantic ideal, and it is impossible not to suffer, even when drinking. The poet's "I left my food bar and cup, I couldn't eat or drink, pulled out his sword and bumped into the post at a loss" can make people see his depressed struggle. Even bringing my shadow here, so that the three of us can enjoy ourselves easily, contains a sense of loneliness and helplessness. Li Bai and wine are a true portrayal of his life, and only "drunkenness" can make him forget his ill-fated and miserable life; Only by falling asleep drunk can we get rid of the pain brought by reality. The poet is romantic and strong. He always sings with a smile when drinking, but the carelessness of his true feelings makes the pain he wants to hide go up in smoke. In my opinion, he writes drinking poems, he laughs at the sky in the poems, and the more he indulges in singing, these are the graves where poets bury their pains.
Second, Li Bai's poems focus on the atmosphere and have a distinct personality.
Among the poets in the prosperous Tang Dynasty, the artistic personality of Li Bai's poems is very distinct. Even in the whole history of China's poetry, his poetic artistic features are unique. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. The self-expression of Li Bai's poems is very subjective and lyrical, and his feelings are overwhelming. For example, when he entered Beijing as an official, he said, "Laugh at the sky and go out. Are we Artemisia people? " ! When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west". Such poems are very infectious. In addition, extreme exaggeration, appropriate metaphor and amazing fantasy make people feel highly real. When reading the poems "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to eliminate the sorrow" and "The white hair is three thousands of feet, and the sorrow is like a beard", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic techniques are more prominent in his poems, such as Dream on Tianmu Mountain and Difficult Road to Shu. Most of Li Bai's quatrains are fresh and natural, but they are rich in implication and endless in feelings. Some of its styles are beautiful and quiet, some are free and easy, and some are elegant and hearty. In any case, most of them can be organized and have distinct personalities.
Li Bai's poems are based on "qi", which is strange, easy, strong, energetic, meteorological and imposing.
Although the ancient people's understanding and usage of Qi were not exactly the same, it generally referred to the artistic realm, personality strength, temperament and psychological preparation, as well as passion, impulse and courage of writers and artists in literary and artistic creation. It is in this respect that Li Bai's poems win with qi. When we read Li Bai's poems, there is an air that is higher than the sky and equal to history, which makes people have to overcome his strength. Li Bai's poems, in a word, are magical, ethereal and powerful; In a word, there is strength, weather and momentum.
"The wind blows my heart and hangs Xianyang tree in the west." Jinxiang sent Wei Ba to Xijing.
"The geese lead the heart to worry, and the mountains hold the moon." Shi er Xia Deng Yueyang tower
"I am worried about the bright moon, and I will follow you to Yelangxi." "I heard that Wang Changling moved to Longbiao kiln and sent it once."
He imagined that his heart could leave his body and fly far away, or with the strong wind, or with the geese, or with the bright moon. This shows that the extraordinary creativity and novelty of Li Bai's poems are unimaginable to predecessors.
The escape of Li Bai's poems is manifested in his love and pursuit of freedom. Li Bai's poems are elegant and unconventional, with bold feelings. He compared himself to Dapeng many times and said in On Li Yong:
"Dapeng day with the wind, straight on nine Wan Li didn't get up. If the wind weakens, it can still lift away the turbulent current. Others are laughing at my big talk when they see my unchanging tone. Fu Xuan can still fear the afterlife, and her husband can't be young. "
The word "unique tune" can just explain his personality of loving and pursuing freedom without being bound by secular ideas. This spirit of loving and pursuing freedom is also prominent in Li Bai's landscape poems. What he wrote about the roaring rivers and the strange and steep mountains towering into the sky are often the embodiment of this spirit.
The high national self-confidence and national pride in the prosperous Tang Dynasty also cultivated Li Bai's optimistic and self-confident spirit. No matter what difficulties, setbacks and blows, Li Bai can treat them with a positive attitude. One of his masterpieces, It's Hard to Go, is a strong proof. Li Bai often writes about his own thoughts, including his illness, his face, his face, his heart, his hair, his intestines, his apes and his clouds. However, by comparing the worries of Meng Jiao and Li He in the middle Tang Dynasty, Wen and Li Shangyin in the late Tang Dynasty, and the leisurely worries locked in the deep courtyard of a small building in the Song Dynasty, we can feel that even if Li Bai is worried, he is also a strong man with a general sense of awe.
Li Bai's heroism has always been praised. "Pine and cypress are lonely and straight, but peaches and plums are hard to lose weight." "Do what you can, and no one will suffer from being seen with a sincere face." "Gold and white jade buy songs and laugh, and get drunk." They all clearly showed his spiritual strength. Despise the powerful, contend with the princes from the pride of cloth clothes, challenge the vulgarity of society with an unruly attitude, and show their personality strength.
Li Bai is a Confucian full of ambition to help the world. He often praised himself to Lv Zhonglian, Fan Li, Le Yi, Xie An and others, and asked himself to show himself like them in order to "help the poor" and "secure the country". He wants to make a difference. He never gave up the pursuit of ideals and never lost confidence in life. "Since God has given talents, let them be employed!" And "make a comeback." This strong sense of self-confidence and mission makes his poems unique. There is also a strong subjective color in his poems, which highlights himself and publicizes his personality. Li Bai wrote in the poem "Song on the River": "Xing Han put pen to paper to shake the five mountains, and the poem became a smile and proud of Cangzhou." This shows his strong subjective color of highlighting himself and publicizing his personality. Many poems are passionate and heroic, without detailed description, and have a rushing sense of movement. "Difficult Road to Shu" is magnificent and accomplished in one go, but it can't be completed by itself. "Into the Wine" begins with "You don't see how the water of the Yellow River moves out of heaven and into the ocean, never to return". The whole poem is like the Yellow River in Wan Li, and it always stirs people's hearts every time it is read.
Thirdly, the peculiar imagination and explosive emotional expression in Li Bai's poems.
Li Bai's life is lonely. Because all his life, he was in a situation where his talents were not satisfied and his life was untimely. Therefore, his poems are always accompanied by a sense of political abandonment, without a sense of refuge. When Li Bai was young, he had a strong desire for fame and fortune, and he was "conceited for worldly affairs." This strong concept of charity obviously comes from the Confucian idea of governing the country and calming the world. However, Li Bai is not an ordinary scholar. His heroic character and his extraordinary temperament as a romantic poet are all rich imagination and whimsy divorced from reality. For example, Climbing Mount Tianmu in a Dream is a sleepwalking poem written by Li Bai, and it is also a poem about immortals. This poem was written in Tianbao for three years, and Li Bai was repaid by Tang Xuanzong. After he left Chang 'an, although he lived in the east foot and lived happily, Li Bai had an unstable soul and pursued higher and further, so he made such a radical call in his poems. It is precisely because he wants to express his contempt and intransigence for Quancheng in a way far from reality that he seeks immortality in the poem, which is the embodiment of his noble character of refusing to imitate.
If the sense of political abandonment and loneliness without refuge are caused by the conflict between the poet's ideal, the poet's personality and the environment. Then, Li Bai's loneliness can only be said to come from the poet's subject and personality itself. This is the loneliness that the poet is aloof, arrogant and unwilling to walk with the world. Let's call it loneliness of self-exile. The loneliness of self-exile can especially show the strength and brilliance of the poet's character. Li Bai has a very strong sense of self. His chivalrous and romantic character, coupled with his natural talent and good education, often makes him feel pretentious and superior. Searching for a bosom friend embodies Li Bai's strong desire for the world. The sigh of bosom friend's peace of mind also reflects the unique loneliness in this world, and of course reveals the pride of Chun Xue.
In some of Li Bai's poems, there is also the sadness of the first passers-by. "The living are passers-by, and the dead are returnees. Heaven and earth go against each other, sharing the same sorrow and dust. " It is precisely because the poet is aware of the irreversible natural laws of life and the universe that he can realize this desolate sense of loneliness in the deep contrast between finite and infinite, death and eternity, and often has a sense of loneliness that cannot be dispatched. This sense of loneliness directly influenced his poems and brought him a sense of loftiness and sadness. Although the style of Li Bai's poems is bold and unrestrained, the sense of loftiness and sadness brought by loneliness makes quite a few of his works have the style characteristics of seeing loneliness in luxury and sadness in luxury. Free and easy temperament, arrogant and independent personality, easy to touch, and generate showed strong feelings, which made Li Bai's lyric style have distinct characteristics. It is often explosive. Once the emotion is aroused, it gushes out without restraint, just like a raging and overflowing volcano in the sky.
The imagination of Li Bai's poems is very rich, magnificent and unpredictable, often inexplicable, with a wild spirit of random growth. Such as: "the cloud wants clothes to look good, and the spring breeze blows the threshold to reveal wealth." If it weren't for those people in Yushan, they would meet Yaotai under the moon. "This poem imagines clothes as clouds and looks like flowers, giving people a feeling of flowers. The poet's imagination suddenly rose to Yushan and Yaotai where the western kings lived. Through rich imagination, praise Yang Guifei's outstanding posture with flowing clouds and beautiful flowers. " The green clay mountain is made up of many circles. We panted over Orion and passed the well star. Then, we fell to the ground with our arms folded and groaned. We wonder if this road to the west will never end, and the terrible road ahead is getting darker and darker, even darker. Nothing can be heard except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird. The highest cliff is less than a foot from heaven, and the withered pine trees hang low on the cliff surface. Feirui Waterfall is raging, and the cliff fossils in Shi Shui are thunder. "(Difficult Shu Road) The poet used the power of imagination to artistically show the winding, majestic, lofty and rough face of the ancient Shu Road, and painted a colorful landscape picture. At the same time, it also creates a broad artistic realm, full of romanticism. Among Li Bai's poems, the poem "Climbing Mount Tianmu in a Dream" is even more striking: "The bright moon shines in my shadow and takes me to Shanxi. In Xie Caotang, the clear water is rippling and apes are singing. I wore Xie's earliest spiked shoes and climbed the Qingyun ladder. Halfway through the sunny ocean, the sacred rooster crows in space. The dry rock is uncertain, and the flowers and rocks are suddenly moth-eaten. Bears are swinging in the spring, and the millet is at the top of the forest. Clouds are darkened by rain, and streams are pale by fog. God of thunder and lightning, the mountains are crumbling. The stone gate is broken and ventilated in the deep pit of heaven. An impenetrable shadow, but now the sun and the moon illuminate a golden and silver terrace. Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one. Playing the piano is a tiger, dancing is a phoenix, rows and rows, like a hemp field, lined with the image of a fairy ... "These poems vividly depict a charming fantasy through the magnificent imagination of a strange orange. These imaginary words, fantasy pens, or magic, or magnificent, or magical, or magnificent, are all intertwined with imagination and fantasy. Another example is: "Xiyue is magnificent and mighty! The Yellow River is like a silky sky ... Genies roar through the Western Hills, and Hongbo sprays the East China Sea ("Xiyue Yuntai Song Send Dan Qiu Zi"). " Flying under the moon, the sea clouds are like a palace "(seeing my friends off at Jingmen Ferry) I ate fairy pills, and went away from worldly troubles. I was satisfied before I played the piano for three times (Lushan Folk Song Send Lushi to Xu Dan)" Sail tomorrow, the maple leaves fall behind me "("Night Sleeping on Niuzhu Mountain ") My hair is three thousands of feet, and my sorrow is as long as long. "("Autumn Pu Song "(XV). ) The wind blows my heart, and the Xianyang tree hangs in the west "("Jinxiang sends Wei Ba Xijing "). "Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai" (popular in the north). I really want to fall from the sky. It's incredible.
The strange imagination of Li Bai's poems often has unusual connections and often changes with the flow of emotions. There is a great leap between one imagination and the next, and the combination of images is also large-span, bizarre and dreamy, changing vertically and horizontally, and as smart as possible. Ever praised him as "fallen immortal", so Li Bai has the reputation of "poetic immortal".
Fourthly, the magnificent images in Li Bai's poems.
The spirit of "taking history as a mirror" of the rulers in the Tang Dynasty, the scholars' pre-historical thoughts, the sense of historical return and the relaxed cultural environment at that time made the long-lasting epic poems mature in the Tang Dynasty. As a wonderful flower of classical literature, the landscape poems in Tang Dynasty not only vividly describe the landscape of China, but also profoundly express the lofty thoughts and feelings of landscape poets. It washes the soul, cultivates temperament and contains valuable aesthetic value. In this process, the cultivation of Tang people formed the poetic heart of scenery and the poetic interest of images, which finally affected the characteristics of the times when Tang poetry generally paid attention to vivid scenes. 1. From the landscape temperament in the inheritance of cultural concepts and attitudes towards life to the beauty of landscape poetry in the consciousness of poetic theory (early Tang Dynasty); 2. With lofty landscape images full of aesthetic sense, it contains subjective interest with both life beauty and personality beauty (prosperous Tang Dynasty); 3. With the interweaving of descriptive and narrative, the novelty of creativity and the smartness of intelligence (in the middle Tang Dynasty) surged; 4. The late Tang style of beautiful landscape poems should be between elegant ink charm and desolate landscape artistic conception (late Tang Dynasty). The aesthetic features of Li Bai's poems are as follows:
First, beautiful and magnificent beauty. The beauty of Li Bai's poems is first manifested in grandeur. Rich metaphors, bold exaggeration and absurd imagination have painted magnificent beauty with strange colors, lofty ideals, broad mind, majestic verve and profound knowledge, enriching its connotation. Shu Dao Nan is a typical representative in this respect.
Second, the beauty of rushing. His poems are magnificent, magnificent. In essence, this momentum mainly refers to the explosive lyricism in Li Bai's poems. For example, farewell to Secretary of State Shu Yun at Xie Tiao Villa in Xuanzhou.
Third, the beauty of vertical and horizontal changes. Li Bai is the most imaginative. His poems are unpredictable and changeable, showing great creativity. The combination of images in Li Bai's poems has made a great leap. Another example is Song on the River.
Fourth, the beauty of clear water hibiscus. The language of Li Bai's poems seems to come out casually, but it can be superb, fresh and natural. Such as Gulangyu.
(1) Li Bai's poems and songs are magnificent in image and imagination. There are many magnificent images of mountains and rivers in Li Bai's poems, including the sun and the moon. He is fascinated by huge and spectacular things. The objects he likes to recite are often Dapeng, giant fish, long whales, rivers, seas, snow-capped mountains and so on. Li Bai described them in an unusually broad spatial background, which constituted a magnificent poetic image. For example, in Guan Shanyue, the bright moon rises from the mountains and the sea of clouds in the sky. Changfeng Zi Wan Li, lamented Yu Yutong battlements ". "The bright moon rises from the mountains in the sky, and the sea and clouds ask". Flying in the air with a pen vividly shows the spectacular sight of a bright moon rising in the Ran Ran between clouds in Tianshan Mountains. Looking up, I saw the vast Changfeng blowing from the distant Tianshan Mountains, leaping over the mountains and rivers of Wan Li with irresistible force and blowing all the way to Yumenguan. The bright moon in Tianshan Mountain, the sea of clouds in the sea and the long wind in Wan Li are magnificent and vast. Another example is "Tianmen cuts off the Chu River, and Higashi Shimizu flows to this point, opposite the Qingshan Mountain on the west bank, and sails alone to the side of the sun" ("Looking at Tianmen Mountain"). This poem focuses on the mighty Chu River flowing east, breaking through Tianmen Mountain and rushing away. Tianmen Mountain, where Jiajiang confronts, has great binding force and reaction to the surging Chu River. When the vast Yangtze River flows through the narrow passage between the two mountains, it has aroused countless twists and turns, forming a choppy spectacle and beautiful scenery, and the realm is so open. "I climbed up. I look at the whole world, and the vast rivers can't go. Huang Yun is driven by the wind for hundreds of miles, and the snow peaks are surrounded by nine streams ("Lushan Mountain Ballad sends Lu Yu an empty boat"). The poet is full of lofty sentiments and pen and ink, and writes the scenery of the Yangtze River with lofty artistic conception and colorful weather. How magnificent it is, why should it be magnificent! The combination of these magnificent images gives people a sense of loftiness. "Ye Pingshan, into the wild flow. The bright moon is like a mirror, and the sea clouds are like a palace "(Jingmen Ferry bid farewell to friends). The images are also extremely vast and spectacular. There is also "Looking at Lushan Waterfall" in "Rizhao incense burner gives birth to purple smoke, and the waterfall hangs in front of Sichuan". Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days. " This poem is about an indomitable incense burner, clouds of white smoke rising in Ran Ran, dimly discernible between the green hills and the blue sky. It turned into a purple cloud under the irradiation of the red sun. Looking from a distance, the fog fills the air, and the waterfall hangs high between the three rivers like a huge white practice. The waterfall falls from the sky and is unstoppable. These landscapes in Li Bai's works constitute magnificent images.
(2) There are many fresh and beautiful images in Li Bai's poems. For example, "There is no cloud in the blue sky in Hexi tonight. Boating in the autumn wind, sailing tomorrow, falling leaves coming later "("Thinking of Night Sleeping under Niuzhu ") These poems are about the night view of Niuzhu. The night view of Niulan is blue sea and blue sky, Wan Li is cloudless, the sky is vast, and the Xijiang River is boundless. All these are dissolved in the night, and what a vast and beautiful realm is displayed in front of us! There is also "Lushan Nandu Show, Yundasi is like a nine-sided screen, and the mirror lake is deep and clear" in "Lushan Mountain Ballad Sending Lu Yu an Empty Boat". The Golden Gate leads to two mountains, and a silver stream hangs down to three stone bridges. Xianglufeng Waterfall is separated from it by a distance, and it is a heavy cliff towering into the sky. Asahi clouds, no birds fly into Wu. " These poems are written in nine-color Dieyun screens, and the shadows of colorful clouds are reflected on the clear lake, with red waves and scales. There are three springs on the screen of Dieyun, the water potential is three times lower, like the Milky Way hanging on the Liang Shi. The green reflection and crimson rosy clouds set off the red sun. Screens, clouds, Ming Lake, Milky Way, incense burners, waterfalls, Cuiying, Xia Hong and Asahi, these scenes constitute a very fresh and bright image, such as "In rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now, white-haired, drunk in the bright moon, the sage in the dream, the bewitch in the flowers, you turn a deaf ear to the emperor and the mountain, how I long to reach you "in the message to Meng Haoran. In these poems, pine clouds, bright moon, fallen flowers, mountains, pure fragrance and other scenery also constitute a beautiful artistic conception, such as "in the mirror of pedestrians, in the screen of birds" ("Little Westbound"). "Walking down the blue mountain in the evening, the moonlight is my companion on my way home, lying in layers of shade, leading me to meander through the green bamboo, and the green vine hooks my skirt ("Going over the Tiger Mountain to Leave Wine "). The green water is clear and the moon is clear, and the egrets fly on the moon" ("Qiu Ge" XIII). "Bamboo is green under the stream, and lotus is fragrant in the mirror" ("Not in existence"). "Her white jade stairs were cold with dew, and her silk soles were wet, so she stayed there for so long. Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? "("Jade Family "). These beautiful images, such as Qingxi, bright moon, egret, bamboo and white dew, have greatly enriched the artistic style of Li Bai's poems.
(3) Li Bai is cheerful by nature and has an instinctive love for white transparent body. Because Li Bai likes lightness, the most commonly used color word in his poems is "white". "Huang Yun is popular for a hundred miles, and the snow peaks are around nine streams" ("Lushan Mountain Ballad sends Lu Hou to imperial virtual boat") "I will say goodbye to you like this, and I don't know when, let me raise a white deer on the green slope" ("Dream of Tianmu Mountain"). "The mountains in the north are blue and the water in the east is white" ("Seeing Friends Off"). "Three mountains and a half fall out of the sky, and Egret Island is full of water" (on "Climbing the Phoenix Tower in Nanjing"). "A thousand miles a day to Jiangling, farewell to Bai Di" ("Send Bai Di City Early"). Bai Bo, Bailu, Baishui, Bailuzhou and Bai Di are all white transparent body. Followed by gold, cyan, yellow, green and purple. For example, "the golden stove is burning at first, and the mahogany is in bud!" ("Mei Dao Guan Yan"). "lanling wine tulips, jade bowls filled with amber light" (Guest Works). "The gongs and drums on the head of the city are still ringing, and the blood of the golden knife in the box is still wet" (Army). "Wild bamboos are green and misty, flying springs hang blue peaks" (Interview with Taoist Dai Tian). "The mountains in the north are blue and the water in the east is white" ("Seeing Friends Off"). "It also led me to bypass the green bamboo and the green vine wrapped around the clothes" ("Going down to the South Mountain and Crossing the Tiger Mountain to Leave Wine"). "My youthful desire burns with the years, just like the golden ashes in the flame of cinnamon" (from Qin State to monk Yuan). "I will cross the Yellow River, but the ice will choke the ferry, and Taihang Mountain will be covered with snow" ("Three Difficult Poems"). "The grass in your north is as blue as jade, and the mulberries here bend out of moss" (Spring Thoughts). "Tianmen cuts off the Chu River, and the clear water flows back here" (Wangtianmen Mountain). "The fire shines on the heavens and the earth, and the red star is in purple smoke" (Qiu Ge). "The incense burner in Rizhao gives birth to purple smoke, and the waterfall hangs in front of Sichuan" ("Looking at Lushan Waterfall"). As can be seen from these poems, Li Bai also likes things with colors such as gold, cyan, yellow, green and purple. It can be seen that Li Bai is cheerful by nature and likes bright colors, not dark ones.
(4) "The bright moon is my heart", and the bright moon is the poet's best friend. Li Bai liberated endless space from the bright moon, and the bright moon was more vivid because of Li Bai's romantic poetic heart. Yue Ming is Li Bai's best friend. The bright moon, accompanied by Li Bai, came from the distant Tang Dynasty.
Li Bai called the bright moon "White Jade Plate" and "Mirror of Yaotai" to show the nobleness and broadness of human spirit. So when he feels the pain of ambition, he doesn't feel lonely; When bureaucrats framed him in public, ran on him and isolated him, he was angry and contemptuous, but he didn't feel lonely because he and Mingyue were soul mates. It is the beauty, cleanness and brightness of the moon that gives him the power to transcend resolutely. Wanli Guanshan and Wanli Mingyue are full of Li Bai's surging accusations against militaristic rulers and sympathy for the suffering of ordinary people. "Three cups of sword dance and autumn moon dance, suddenly singing and crying", ambition is hard to pay, life is fleeting, let the pride of youth and eternal moonlight fly between heaven and earth; "A bright moon hangs high in the capital, and it's tempered." Doesn't this piety and yearning for civilian life also reveal an aversion to decadent court life? And the song "The foot of the bed is as bright as a thread" makes Yue Ming and Li Bai immortal together.
"Today people can't see the ancient moon, but this month they took pictures of ancient people." With huge wings, Li Bai roamed in the moonlight, walked through the vast universe without hindrance, overlooking the vast history of mankind. His heroic and joyful mood, like the handover moonlight, overflows between heaven and earth.
Fifth, the fresh and lively language style of Li Bai's poems.
Li Bai's and Wang Changling's seven-character quatrains are the highest in the Tang Dynasty, and they really benefited from the study of folk poetry in language. It is precisely because Li Bai has gained valuable artistic experience in this kind of study that he advocates nature and opposes carving in language. In his poem, he said: "Clear water produces hibiscus, natural carving" and "carving insects is naive" are all explanations of this proposition. He also critically absorbed the language skills of outstanding poets since Wei and Jin Dynasties. He said: "Since Jian 'an came, beauty is not precious. While abandoning the poetic style of the Six Dynasties, he inherited the language art of Tao Yuanming, Xie Lingyun, Bao Zhao, Xie Tiao and Yu Xin. Du Fu praised his works, saying that "Qing Xin Yu opened the government and Jun Yibao joined the army"; In his own poems, Li Bai once praised or quoted Xie Lingyun's "Spring grass grows in the pond" and "Beautiful landscape", and Xie Tiao's "Chengjiang is as quiet as practice" and "The north wind blows and rains", which are fresh, natural and creative. His works describing natural scenery are really influenced by Xie. His "Giving a Kind Pillow and a Kind Bowl to the South Mountain" is very close to Tao in language style and content. Because he absorbed the language art of folk poetry and critically inherited the fine artistic tradition made by the poet, his language is not only vivid and natural, but also bright and beautiful, romantic imagination and unrestrained enthusiasm, which makes his language have the characteristics of "luxury" and "boldness" as mentioned by predecessors.
Li Bai is another great positive romantic poet after Qu Yuan, and his achievements have reached the peak of romantic art in the history of China's classical poetry development. His positive romantic poems, both in spirit and in expression, had a great influence on the Tang Dynasty and later generations. Han Yu in the Tang Dynasty has given a high evaluation: "Du Li's article is there, and the flame is long." Many writers after the Tang Dynasty, such as Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty and Gong Zizhen in the Qing Dynasty, all accepted his influence to varying degrees and made different achievements.
The language of Li Bai's poems is fresh and lively, and bright and lively is the basic tone of his words. For example, "Listening to the King Playing the Piano" in the case of the Buddhist monk Qingsiqin in Mount Emei in the Western Heaven. When I hear the sound of Matsutani, I wave my hand at will. I heard him in the clear stream, I heard him in the cold bell. I can't feel the change, although the mountains are getting dark, cloudy autumn has piled up the sky. " The language of this poem is so fresh and lively that it seems effortless at all. Even the antithesis and allusions are cleverly arranged, but there is no trace. It has the natural beauty of "clear water produces hibiscus, natural carving" Another example is the poem Uncle Yun, Xie Tiao House, Xuanzhou, which says, "Those who abandoned me can't stay yesterday, and those who disturbed my heart are even more worried today. Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine. Penglai Gu, I am Xiaoyaxie who grew up beside you. We are all lofty distant thoughts, longing for the sky and the bright moon. But since the water is still flowing, although we cut it with our swords and raise our glasses to drown our sorrows. Since the world can't satisfy our desire, I will loosen my hair tomorrow and take a fishing boat. " In his poems, the author expressed his frustration and anger. The language is natural and unrestrained, like blurting out, completely unconstrained style. As Zhao Yi, a scholar in A Qing, said, "It's all an act of God. It's not quietly tied to the duality of metrical patterns, but it's competing with sculptors.". Another example is the poem "Phoenix once played here, so this place is named after them, and now it is abandoned in this desolate river" in "On the Phoenix Terrace in Nanjing". Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine. Three mountains and a half fall outside the blue sky, and Egret Island is wet. The poem "A cloud rose between the light in the sky and me, hiding his city in my melancholy heart" wrote the author's own unique feelings and expressed his concern about the country and the times. The language is also fluent and natural, uncut, chic and beautiful.
In a word, more than 900 poems left by Li Bai to later generations show his mental journey all his life, which is an artistic portrayal of social reality and spiritual life in the prosperous Tang Dynasty. True feelings, free and easy temperament, and refusal to identify with the secular sense of personality undoubtedly have great charm. The bold and elegant style, unpredictable imagination and the beauty of clear water lotus in his poems are also very attractive to future generations. Because he writes poems with talent and temperament, his poetic style can't be learned. But as long as we read more books and appreciate Li Bai's poems and songs, we will be infected by his personality strength and charm. This is of great benefit to improving our personal cultural accomplishment, ideological and moral accomplishment and life value.