I recommend three books to you. One is "Forever Red Classics" by Professor Fan Xing of Wuhan University, which is available online. One is "Re-interpretation of China Literary Classics in 1950s and 1970s" by Li Yang of Peking University, which should only be in electronic version, and the other is "The Main Tide of China Contemporary Literature" by Chen Xiaoming of Peking University. . . These three books, all from the perspective of "experienced people", use the most cutting-edge theory to interpret the seventeen-year literature (Chen's book spans a large span and can be a history of contemporary literature).

I think there are some good topics for reference. Of course, I didn't study them carefully, but it suddenly occurred to me that you asked.

1 is the modernity of seventeen-year literature, red flag spectrum, song of youth and Bakhtin's initiation novels.

2. Lin Yuan is a synthesis of politics and morality in seventeen years' literature, in which the most prominent words are the death of good people and bad people, as well as modeling, conceptualization and Facebook. There is also downplaying the tragedy of personal fate in the comedy background.

The concept of body politics is the most obvious in Song of Youth in the third and seventeenth years. Jiang Hua, Yu Yongze and Lu Jiachuan represent different classes and strata respectively.

The fourth is about the concept of "home" in the literature of that period. Most of the model operas whose protagonists are homeless (not belonging to seventeen-year literature, but their prototypes, such as Shajiabang, the prototype script of Lu Danghuo) do not have a complete home. And some couples in Redstone.

The prototype of folk literature in the seventeen-year literature (Lin Yuan, The Story of the Red Lantern) and Three Men and One Woman (Shajiabang,)

There are also many differences between cooperatives and agricultural themes in modern literature before liberation.