On the Aesthetics of Calligraphy in Yi Zhuan (1990 paper read at Anyang Zhouyi and Modern Natural Science International Symposium)
Taoist Aesthetics in Fu Shan's Book Theory (Calligraphy Art 1990 No.5)
The Loss of "Normal Mind" —— Reflections on Some Creative Mentality in the Current Book Circle (Calligraphy Guide1No.6, 992)
On Artistic Creation in the New Era from the Overall Framework (Xishan Conference-Seminar on Artistic Creation in the New Era, Xishan, Beijing, 199 1 April)
Establishing Zibo Art Center Market and Promoting the Development of Characteristic Cultural Industry (On Building Shandong into a Cultural Province, Shandong Literature and Art Publishing House, 200 1 year/month)
Zibo Phenomenon in the Calligraphy and Painting Art Market (China Calligraphy and Painting Newspaper, April 35, 200 1 year)
I found it by chance —— Five random thoughts on the calligraphy market (Calligraphy Newspaper, March 3, 2002)
Developing the Antique Cultural Industry of Calligraphy and Painting and Building a Propaganda Position for Cultural Collection (Essays on Building a Cultural City in Zibo with the Tide of Old Capital Culture), China Central Radio and TV University Press, July 2003.
Celebrating Autumn (Qi Feng, No.6, 2003)
Philosophical Thinking on Building a Famous Cultural City (Zibo Daily, July 4, 2004)
Analysis of Cultural Industry Differences (Essays on Cultural Industry Development) (China Central Radio and TV University Press, July 2004)
Cultural City Calls for Li Cheng (Qi Culture and Modernization —— Proceedings of the First International Qi Cultural Tourism Festival, China Federation of Literary and Art Circles Press, September 2005)
Hey Xiaomi (Zibo Evening News, September 23, 2005, Luzhong Morning News, September 27, 2005, Democracy, No.3, 2006)
Rebuilding Xia Ji Gong Xue —— Building an original elite cultural tourism base in the Axis Era (Work in Zibo, No.9, September 2005)
Calligraphy and Philosophy in Song Dynasty (Qi Feng, No.5, 2005)
The Neo-Confucianism Spirit of Calligraphy in Song Dynasty (China Calligraphy,No. 10, 2005, a memorial collection of Professor Jiang Weisong, Qilu Bookstore, 2008 1 month).
Ma Xulun, the highest scholar and calligrapher (Democracy, No.9, 2007)
The Analects of Confucius and Economic Ethics —— Focusing on Shibusawa Eiichi (2007 China-International Confucian Forum —— International Symposium on Confucian Culture and Economic Development)
On Ma Xulun
Life of Mr. Lu Dahuang (Special Issue of Library Science Magazine-Wang Qu Wan Li Road Dahuang Symposium, June 30, 2009)
Three outstanding men know each other —— A brief account of Wang's friendship with Lu Ye (Proceedings of Wang Qu's Wan Li Wild Academic Seminar, June 30, 2009).
"Rebuild Xia Ji Gong Xue, show the concerted efforts of hundreds of cultures in the Axis Age, and enhance the soft power of Chinese culture" ("First Forum on Promoting Qilu Culture and Enhancing the Soft Power of Shandong Culture" in July 2009)
Rebuilding Gong Xue in Xia Ji, Showing the Joint Forces of Hundreds of Cultures in the Axis Era and Promoting the Soft Power of China Culture (Proceedings of the Academic Seminar on Linzi and the Ancient Capital of Pre-Qin Dynasty, September 2009)
A model of literati and calligrapher: Ji Xianlin (China Calligraphy and Painting,No. 18, 2009)
The spread of western learning to the east began with Fang's Yingjing religion (Zibo Daily, April 20 10).