Pingyuan Museum, located in Xinxiang City, Henan Province, is the second largest museum in Henan Province, second only to Henan Museum, and one of the national key museums.
The Pingyuan Provincial Museum, Xinxiang City Museum and Xinxiang City Archives, formerly established in 1949, had a total investment of about 300 million yuan in 2007, and merged into a comprehensive building integrating museums, archives, local chronicles and urban construction archives in 20 1 year.
The planned total land area is 7.5 hectares, with a total construction area of 52,585 square meters and three floors above ground.
The first and second floors are exhibition spaces, 19 cultural relics exhibition hall and 6 archives exhibition hall.
Pingyuan Museum has more than 30,000 cultural relics, including tens of thousands of precious cultural relics and 63 national first-class cultural relics.
Pingyuan Museum has 19 museums, of which 16 museums are used for cultural relics exhibitions.
Among them, 12 exhibition hall is a fixed exhibition hall and four are temporary exhibition halls.
On the west side is the "Muye Huazhang" General History Exhibition Hall, which is divided into four chapters: Primitive Society, Xia, Shang and Zhou Dynasties, Han, Wei, Sui and Tang Dynasties, Song, Yuan, Ming and Qing Dynasties. Categories include bronzes, ceramics, calligraphy and painting, bamboo and wood products, rubbings, jade articles, stone carvings, etc. , especially the Shang and Zhou bronzes, Ming dynasty paintings and calligraphy, rubbings on rubbings of past dynasties.
On the east side is the special exhibition hall of cultural relics, which is divided into five special exhibitions: bronze collection exhibition, ceramic collection exhibition, calligraphy and painting collection exhibition, fine rubbings collection exhibition and sculpture art exhibition. Exhibit 1000 pieces of exquisite cultural relics, especially bronzes, porcelain, calligraphy and paintings, rubbings, etc.
Most of the cultural relics were unearthed in the area under the jurisdiction of the original Pingyuan Province.
No matter the quantity or value of the collection, it ranks among the best in the provincial and municipal museums.
Among them, the treasures of the town hall include a number of precious bronzes, such as Zuxin, Fufang Haozun and Niu Mianwen, as well as stone carvings, stone carvings and stone tablets, such as the northern Wei Dynasty stone carvings and Shi Guwen rubbings.
In addition, there are more than 700 paintings and calligraphy works/kloc-0, from Qin and Han dynasties to modern times. The representative collections include paintings and calligraphy works of Zhao Ziang, Dong Qichang, Shi Chunhui, Li Kuchan and Bai Xueshi.
This hospital is one of the top ten landmark cultural buildings in Xinxiang.
In architectural art, one of its manifestations is "the light of China"-the spread of civilized spirit. With the help of the radial planning picture of the planning form and the unique personality of the architectural image, the museum has formed a shocking overall momentum through the huge physical scale and rhythmic arrangement of the vertical stones, symbolizing that Mu Ye in Xinxiang is the center of the earliest dynasty in Xia, Shang and Zhou Dynasties in China and the birthplace of Chinese civilization.
The second is the "historical rings"-the precipitation and inheritance of history. The plane of the Plain Museum is semicircular, which echoes the "tree rings" in shape and texture, reflecting the continuity of history.
She hinted that the city is a growing city, and the Pingyuan Museum will officially record the "annual rings" in the process of the city's growth, so that people can pay attention to her memory through these "annual rings".
Its three manifestations are "Taihang Mountain potential"-regionality and growth. The architectural image of the Plain Museum emphasizes the sense of vertical growth and ups and downs, and its appearance is tough and resolute, and the children of the Plain are indomitable.
After the visit, I benefited a lot, as if I had witnessed the cycle of history with my own eyes, felt a strong historical atmosphere, and strengthened my determination to study for the rise of China.