(1) Performance: narration, discussion, description and lyricism.

The role of scenery description

1, setting off the atmosphere ...

2. Set off/contrast the author's mood/feelings.

Lyric mode and function

Mode: express one's feelings directly, express one's feelings through scenery, and be indirect and implicit.

Function: to express one's mind directly-it helps the author to express the thoughts and feelings of … directly, and it is also convenient for readers to understand.

Lyric by borrowing scenery-express the author's feelings skillfully with the characteristics of scenery.

Expressing emotions in an indirect and implicit way-expressing the author's feelings in an implicit, profound/meaningful way.

(2) Expression skills:

Contrast, foil, symbol, flip-chip, bedding, transition, care, desire to promote first, call people, borrow things to express their feelings, and hold things to express their aspirations. ...

1, the role of contrast: different people, different life phenomena, different thoughts and feelings can be distinguished more clearly.

2. set out:

① positive contrast: set off with the same things and highlight the characteristics (similarity) of the lined person.

Example: "Peach Blossom Pond is deeper in thousands of feet than in Wang Lun."

Example: "My Castle in the Air" describes the beauty of the trees around the hut in order to highlight that the hut is more beautiful.

(2) Contrast: Use the opposite things to highlight the characteristics of the lining (reverse side).

Example: "The quieter the cicada forest, the quieter the Yingong Mountain."

3. Symbols:

Walking slowly in the garden in a wheelchair is a foggy morning and a sunny day. I only think about one thing: my mother is gone. I stopped by the old cypress tree and the decaying wall on the grass. It was the afternoon when insects were everywhere and the dusk when birds returned to their nests. I only said to myself: but my mother is gone. Put down the back of the chair, lie down, as if sleeping until the sun is gone, sit up, in a trance, and just sit there until the ancient altar is full of darkness, and then the moonlight gradually comes, and then I realize that my mother can never come to this garden again.

Many times, I stayed in this garden for too long, and my mother came to see me. She came to me and didn't want me to find out. As long as she sees me still in this garden, she will turn back quietly. I saw her come back several times. I saw her looking around several times. Her eyesight is poor, and wearing glasses looks like looking for a boat at sea. I saw her when she didn't see me. Seeing her and me, I won't go to see her. After a while, I will look up at her and see the back of her slowly leaving. Sometimes my mother can find me.//I just don't know how many times she hasn't found me. Once I was sitting in the bushes, which were dense, and I saw that she didn't find me; She walked alone in the garden, walked past me, walked past some places where I often stayed, and walked blankly and eagerly. I don't know how long she has been looking for it or how long it will take. I don't know why I decided not to call her (sometimes my mother can't find me)-but this is definitely not hide-and-seek when I was a child. Maybe it's because of the stubbornness or shyness of grown-up boys? But this stubbornness made me lose my pride. I really want to warn all adult boys not to be stubborn to their mothers, let alone be shy. I see, but it's too late.