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Details of Mi Fei's work Shu Su Tie, one of the four great masters in the Northern Song Dynasty.
Mi Su Tie Mi Fei, Zi Zhang, Han nationality, surnamed Mi, surnamed Qian, from Shaanxi. After moving to North Xiangyang, he once settled in Zhenjiang, Jiangsu. Mi Fei was a calligrapher, appraiser, painter and theorist in the Northern Song Dynasty. One of the famous "Song Sijia" in Northern Song Dynasty was Mi Fei. He used to be a school teacher, a doctor of painting and calligraphy, and a foreign minister of does.

The Susu iron part of Mifei

Mi Fei is good at writing poems, painting calligraphy and painting, and also knows how to identify the authenticity of items. Miffy founded the Midian landscape. Miffy has a strange personality and a little crazy behavior. Someone once called him "Mi Dian".

Shu Sutie is Mifei's work. Length 29.7 cm, width 284.3 cm, 7 1 line, 658 words. There are eight poems on it. Shu Sutie is also called "quasi-ancient poetry post". Why is it called Shu Sutie? Shu refers to Shu, and now it refers to Sichuan. There is a kind of natural silk fabric with good quality in Sichuan, called Shusu. Susu is very exquisite, woven with black silk, and it is a very precious item.

At that time, a man named Shao Zizhong framed it into a long volume. He hoped that his descendants could write poems or something on it, but after three generations, no one dared to write on it. Later, after Mi Fei saw it, he wrote five or seven poems on it, like a duck to water. At that time, Mi Fei was 38 years old, and his literary talent was amazing. This is the "cycad in Shu".

Misuto's structural brushwork is very elegant and the structure is very strange. Its unique style is quite different from the peaceful and simple calligraphy style before the Jin and Tang Dynasties. Shu Sutie created a colorful artistic conception, and later generations called it the first beautiful post in China. Now it is collected in the Palace Museum in Taiwan Province Province.

Many literati written by Mi Fei in the past dynasties have high attainments in Ci, exquisite skills in calligraphy, or unique achievements in poetry creation, but it is difficult for some people to master all their strengths, such as Ouyang Xiu, who achieved the highest prose achievement, Li Bai, who wrote countless poems, and Zhang Xu, who achieved great accomplishments in calligraphy, and so on. Although I have dabbled in other aspects, I have not reached the level of perfection, but there is one person who is different from them. He is not only good at writing poems, but also good at calligraphy and painting, proficient in identification, and has a high enthusiasm for collection. This man is Miffy.

Mifei statue

Speaking of Mi Fei, we have to mention his other nickname "Mi Dian", which is the name given by the world because of his strange behavior and crazy form. If you meet a strange stone, you will be a brother, so this name conforms to his character and behavior. Mifei is good at creating ink and wash landscape paintings, and has a deep skill in calligraphy. He has his own unique understanding and insight into the brushwork and charm of traditional calligraphy masters. He is also very strict about writing poems, even though he has written many times, he is not satisfied, which shows that his rigorous attitude towards creation is admirable.

There are not many works handed down by Mi Fei, especially ink and wash landscape paintings, which basically do not exist in later generations. In terms of ink works, there are mainly Tiaoxi Poems and Shu Sutie, and in terms of book theory, there are Book History and Book Theory. Most of Mi Fei's works handed down from ancient times are in small print, and the only big characters are poems of many scenic buildings, which are now in the Shanghai Museum. Another poem "Hong County Poetry" is in the Tokyo National Art Gallery, and another poem "Yan Poetry" is in the Palace Museum in Beijing. In terms of poetry, Miffy's later works include "Water Turn Around?" Mid-Autumn Festival, Dong? Although there are not many masterpieces handed down from generation to generation, we can see from his works that he has made great efforts in these arts and dabbled in a wide range.

In the history of Mi Fei Suotie, Mi Fei was a famous calligrapher, painter and calligraphy theorist in Song Dynasty, and Mi Fei was known as the messenger of Haiyue and the descendant of Huozheng. She is very good at calligraphy and painting, among which, for calligraphy, he is good at all kinds of fonts, such as cursive script, official script and running script. He can also identify the authenticity of various paintings and calligraphy, and he also likes to collect some good paintings and calligraphy works. Because of her weird personality and bumpy behavior, she is called "Mi Dian" by the world.

Mifei pictures

In the classical Chinese "Mi Fei Suotie", Mi Fei's eccentric character and bumpy behavior are vividly written. "Secret is not trivial" is a classical Chinese text selected from "Stone Forest Romance". It's a story about Mifei asking Cai You for a post.

The first sentence of "Mi Fei Suotie" is written like this: "Mi Fei is curious. During Zhou Zhen's stay, Mi Fei often asked Mrs. Cai to stay on board in order to receive a message from Lue Wang. " Mi Fei's curiosity is very heavy, so in Zhou Zhenshi, he specially visited Cai You. Cai You was very happy to see his attitude, so he took out Wang Xizhi's Lue Wang Post and showed it to Mi Fei. I didn't expect Mi Fei to like it very much after reading it. He couldn't put it down and asked Cai You to give him the Lue Wang Post. Cai You refused.

When Mi Fei saw that Cai You didn't want to give him the Lue Wang sticker at all, he shouted, "If you don't give me a picture, I'll throw myself into the river." . At first, Cai You thought Mifei was just joking. I didn't expect Mimi to get up and walk to the boat, ready to throw herself into the river. Cai Youli immediately got up and grabbed him. In desperation, she gave the Lue Wang Post to Mimi.

From the classical Chinese "Mi Fei Lock Posts", we can see that Mi Fei's personality is really eccentric and her manners are bumpy, but it also reflects her incomparable love for calligraphy from the side.

Mi Fei, a famous painter and painter in the Northern Song Dynasty in Mi Fei, lived in an era when literati painting became more and more mature. The subjects that can be painted are figures, landscapes, pines, bamboo, stones, flowers and plants, and so on. Because of this, Mifei has made great artistic achievements in landscape painting. He has made great achievements in ink painting and landscape painting, and his strength is extraordinary. What he pursues is a natural and simple style of Jiangnan water town.

Quotations from poems and posts of Mifido Classics Building

Mifei has the deepest skill in traditional painting and calligraphy. He combined the characteristics of many traditional arts and created his own unique style. His brushwork, brushwork and font all have unique characteristics of rice characters, and "Poems on Duojinglou" is one of his representative works.

The long volume of "Poems and Sticks on the Classics Building" became a pamphlet in the Song Dynasty. There are 41 lines, two or three words in each line, and 96 words in total, such as the size of a fist. This post is a combination of poetry and books, with strong fonts, high spirits and great momentum, which is the most bold style of rice characters. This book was written by Mi Fei for the Zen master when he traveled in Kanluoji, Jiangsu Province in his later years, and it is regarded as the masterpiece of his later years' calligraphy style. The whole post is crisp and neat, vigorous and powerful, and the pen and ink are natural. The structure of words and characters has a strong sense of rhythm, the composition is done in one go, the momentum is magnificent, and the calligraphy lines are extremely beautiful. On the surface, this poem looks bold and simple, but it is not. From the depths of the works, we can see that there are many calligraphers in the past dynasties who have formed a bold and harmonious style element in the whole post through friction and integration. Mi Fei has created a vivid, rich and bold calligraphy world for us with his unique artistic creation concept, which is admirable.

Most of Mi Fei's works in later generations are fine print. The only Chinese characters such as Poems of the Classic Buildings are now in Shanghai Museum, and another one, Yan, is in Beijing Palace Museum.

Have you ever heard of the idiom "horse talent" in Mi Fei? Yes, the Tianma mentioned here refers to the "Ili Horse" in "Tian Ma Fu". However, to be exact, the word "uninhibited" is not from Ma Tiancai, but from Liu Tingzhen's Preface to Satyaxi Poetry in Yuan Dynasty. This "gastrodia elata" and that "gastrodia elata" refer to the same variety.

Tianma Fu Xuan section

According to Hanshu, during the period of Emperor Wu of the Han Dynasty, Wusunguo raised horses on a large scale, and horses were excellent. They pay tribute to horses to the Han Dynasty every year. Emperor Wu of the Han Dynasty liked Wusunma very much and named it "Tianma".

Mi Fei, a calligrapher in Song Dynasty, seems to like this kind of horse as much as Emperor Wu of Han Dynasty, so he wrote the poem "Horse Talent". Ma Tiancai's genre is Ci Fu, which is the treasure of Mi Fei's running script and one of the original calligraphy handed down by Mi Fei. The writing style of the work is vigorous and powerful, and the article vividly depicts the unconstrained style, swallowing Wan Li's direct potential. Emperor Kangxi of the Qing Dynasty called it unprecedented and unprecedented.

However, whether this work belongs to Mi Fei has always been controversial in the fields of calligraphy and literature. Before the Yuan Dynasty, it was generally considered as an original work by Mi Fei. Dong Qichang, a calligrapher in the Ming Dynasty, claimed to have seen four kinds of woodcut horse talents. First, at the end of this ode, the words "Pinghai Master Book" are inscribed; Second, there was an afterword of Huang in the Yuan Dynasty, which said. As soon as he opened it, a lot of holes fell, and the sound was like thunder. The third type, also known as "five books", has many dry pens on it, so people suspect that this may be another style of rice calligraphy; The fourth piece was carved by Dong Qichang himself, and Mr. Qi Gong wrote an inscription for it.

Whether the existing painting is Miffy's original or the four possibilities mentioned by Dong Qichang cannot be verified now. However, Mi Fei's "Ma Tiancai" really made his calligraphy style, whether true or false, it is undoubtedly a great treasure in the calligraphy field.

Mi Fei's brushwork Mi Fei was a calligrapher in the Northern Song Dynasty. Mi Fei's brushwork is good at distinguishing, and he is good at seal, official script, model script, running script and cursive script. Mi Fei often copied the calligraphy of the ancients to achieve the effect of confusing the fake with the real. Mi Fei is one of the "northern Song Sijia", and Song Huizong named Mi Fei as a doctor of calligraphy and painting.

Mifei's calligraphy

Mi Fei's brushwork is beautiful, Mi Fei's calligraphy is as unique as himself, and his calligraphy is unique. Mi Fei had the deepest employment in calligraphy and achieved the greatest success in his life. Miffy is a casual person. Although he is in official career, he is not good at catering to officialdom. He obtained a doctorate in painting and calligraphy all his life. Although the rank is not high, it is also a pleasure to have many opportunities to browse the unique famous paintings in the world. Mi Fei's calligraphy calls itself "collecting ancient Chinese characters". Mi Fei studied the calligraphy of Yan Zhenqing, Ou Yangxun and Chu Suiliang in his early years. By studying Two Kings, he was greatly influenced. After the age of 50, he completed the establishment of his own style. Mi Fei's stereotyped calligraphy is magnificent and too bold, and he has his own unique views on the distribution, structure and use of calligraphy. He is good at the positive, negative and turning between strokes, forming an elegant momentum and a depressed and cheerful style in the ups and downs between lines.

Miffy's pen is often heavy and slightly lighter in the middle. When he meets a turning point, he turns his pen and runs with running water, which is very enjoyable. The biggest feature of Mi Fei's calligraphy is "brush writing". What is "brushing character"? In other words, using a pen is fast and powerful, just like using a brush, but every time a word comes out, it hits the nail on the head, and the style is chic and heroic. A word "brush" will set off Mifei's elegant demeanor vividly. Su Dongpo once said that Mi Fei's calligraphy is superb, calm and happy, and can be compared with Zhong Wang.