1. Mozi's theory of "non-music" embodies the music views of producers and ruled, and its essence is non-Confucian. It is a part of Mozi's criticism of Confucian political ideas, which has an important influence on the music theory of Taoism, miscellaneous scholars and philosophers, and is an important source of China's music theory. In essence, it is a concrete measure that his "frugality" principle is applied to prevent aristocratic waste. Mozi put forward the principle of frugality from the standpoint of "the interests of the country and the people", and "non-music" is also a part of his "frugality" thought. Li Chunyi's article "On Mozi's" non-music "said:" Mozi's "non-music" theory is a reaction to the music art itself; However, as far as its social and political significance is concerned, it basically reflects the desire of the small working class and people to protect their lives and property and improve their social status since the end of the Spring and Autumn Period, when ancient slavery was on the verge of disintegration and began to transition to feudal system, and made a heroic and sharp criticism on the corrupt lifestyle and' rites and music' system of the ruling class at that time, which was of great progressive significance in the historical environment at that time. "2. Shang Yang: He demanded that music be used to praise the war, carry forward the great cause of unifying the world, praise the achievements of the landlord class king with music, serve the new feudal system, exclude other music, deny music education, and deprive people of the right to enjoy music culture. Han Fei: He thinks music is useless and harmful, but he affirms some practical values of music, and advocates depriving people of the right to enjoy music and giving the emperor the privilege to indulge in debauchery. How do I know what you're thinking? It's not a worm in your stomach. 3. On the basis of learning from and inheriting the pre-Qin music aesthetics, Lv Chunqiu put forward his own unique views by synthesizing the theories of various schools. It put forward the important category of "fitness" for the first time in the history of music aesthetics, and analyzed and demonstrated it; It also summarizes and perfects the theory that music has great effects on individuals, countries and society. 1 & gt； Lu's Spring and Autumn Annals preserved the musical aesthetic thoughts of Yin and Yang, and believed that music originated from and unified with nature, and music reacted against nature to promote the harmony of the whole universe. 2> Lu Chunqiu also discusses the origin of music, saying that "joy comes from the first year" and "sound comes from people's hearts", but it does not solve the relationship between them, emphasizing that the sound of music is a simulation of the sound of nature, and the sound of nature is a simulation of the origin of music. 3> Some people also say that music is born by measurement, emphasizing the principle of "harmony" and demanding "moderation" rather than "obscenity". Loudness is not conducive to health preservation. Affirm people's aesthetic desire for music and oppose indulgence. It is believed that only by combining peaceful subjective state of mind with moderate objective happiness can we really get aesthetic pleasure from "desire" to "joy", and there is obvious Taoist health preservation thought. 4. The pre-Qin Confucianists generally took heaven as the leading factor and inherited Yang's traditional cultural thought. Confucianism advocates "being", keeps promising, enters the WTO, and values personnel over nature. Taoism values softness and respects yin, advocates the orthodoxy of Huangdi and Laozi, and believes that everything belongs to the soil, and the soil is "Kun" and the soil is soft. Therefore, Taoism carries forward the traditional culture with soft thoughts, worships "nothing", does nothing, retreats, and values nature over personnel. Their musical thoughts are both parallel and opposite, and they are also integrated and convergent. Confucianism and Taoism harmonize and complement each other, which has a far-reaching influence on China's ancient music thought. In the development of China's ancient music thought, their works were brilliant, and they were also inseparable from them in later thoughts, whether Confucianism or Taoism. This should be the tradition and characteristic of China's music thought. To tell the truth, this topic is enough to write tens of thousands of papers /a-gzxk2005020 18.html4 > The relationship between music and politics is close to Confucian aesthetics. The core is: the law is precious and true; Tianle 6. The heterodox is characterized by unifying Confucianism and Taoism with the theory of Yin-Yang and Five Elements, with Taoism as the core. It not only criticized Mozi's "non-music" proposition, but also affirmed people's aesthetic desire for music, and opposed indulgence of desire and clearly advocated abstinence. It is believed that only by combining peaceful subjective mood with moderate objective pleasure can we get "pleasure" from "desire" and truly get aesthetic pleasure. 7。 It is acknowledged that music can make people happy and give people a sense of beauty, but the premise of making fun and enjoying music should be "success without big troubles"; I think that at that time, "I was hungry, I didn't wear clothes, and I couldn't rest." I couldn't enjoy myself and listen to songs. People think that music is not only useless but also harmful. Enjoying concerts wastes people, hurts money, mismanages politics and even destroys the country. This view, which regards music as a harmful thing, puts forward the theory of music subjugation and advocates banning music, is a narrow utilitarian music aesthetic thought.