Is it about women in Selected Works of Lu Xun? About Women is included in the complete works of Lu Xun, Ji Nan Shi Bei Shi. It was first published in June 1933, Volume II, No.6 of Shenbao Monthly, and signed by Lowin.
Wang Shihua, Yuan Zhen, Qu Jiefang, facing the classics, selling soul secrets, the most artistic country, inside and outside, penetrating the bottom, talented people and beautiful women in the Grand View Garden, the quasi-romance in this and later articles. Lu Xun made some changes in the text of these articles (the titles of some articles were changed), asked someone to copy them and sent them to Shenbao under his pseudonym. Newspapers such as "Free Talk" were published and later included in their own essays.
I didn't know Xu Zhimo until I read Xu Zhimo's "About Women" (a lecture at Suzhou Girls' Middle School). It was when I was very young that I saw such a poem from a pile of yellowed old books: "I left gently, just as I came gently;" I gently waved goodbye to the clouds in the western paradise ... "I was just a child who had just started studying. I looked at these words innocently and accidentally shed a ripple in my heart. The golden willow, the sunset, the small bridge, the long pole and the book are the initial impressions, which are the mysterious images originally formed by the poet with words. With such talent, he is not only good at writing poems, but also unique in prose, with beautiful artistic conception and elegant thoughts. His changeable prose style made him so conspicuous in that era when there were many essayists. He is famous not only for his poems and essays, but also for his love stories with Lin and Lu Xiaoman. Such complex emotions have made his literary creation have a deeper understanding, and such poems have also inspired our generations to admire him and all kinds of lively, passionate and romantic love views. What we can recite is his poem: "I am a cloud in the sky, occasionally projecting on your heart;" You don't have to be surprised, let alone happy; Disappeared in the blink of an eye, you and I met in the dark sea ... "Accidental encounter, destiny takes a hand's stranger. With the tangled love story between Xu Zhimo and Lin, we can easily see some poets' helplessness and release in their poems. He was born in a noble family, but he accepted more western cultures, studied in the United States and Britain and had many life experiences. His emotional world naturally touched later people!
Only those who have experienced more can the written words touch the readers in essence and produce the sound of heart and heart. Because of his experience and lively personality, we can see these enduring poems today. These essays and poems either expounded his ideal country or expressed his deep love for his lover. Almost every thought ups and downs, he can be converted into words. These women he loves are the source of his poetry creation, and the depressed life he experienced is also one of the important sources of his poetry creation. The true feelings extracted from one's daily life can most touch people's hearts and arouse people's expectations for the ideal country at that time. Just like in turbulent times, the more people's thoughts surge, the more creativity will get out of hand, and it will inevitably create such a talented and outstanding figure as Xu Zhimo.
Many people think that Xu Zhimo is just a poet who has tangled emotional experiences with three women: Zhang, Lin and Lu. In fact, he made many like-minded friends in his short life with his lively and unrestrained personality, and these people are all literary giants we are familiar with today. For example, Tagore, Yu Dafu, Dickinson, Hu Shi and others. Such a group of people are outstanding representatives of that stormy era, and they have influenced the thoughts of several generations of China students, either strong or wise or rational or straightforward. In the minds of such people, words are endowed with life and overturned in the flowing ocean of poetry. Some people say that his prose can't be strengthened, but I think it is more accurate. His sticky words and delicate emotions are intertwined, too thick to dissolve! If I can compose music, I would like to match Xu Zhimo's words with the most beautiful music and have the deepest feelings.
Xu Zhimo has passed away forever at the age of 35, but his words have spread through the ocean of time to this day, just as his romance is always young and always ends with everyone who has read his words. Even when I was so young, I was shocked to see him travel through time and space. The one who has feelings in his heart and the one who flew to Zhimo ... can be a useful reference for selecting talents in current political circles.
Reflections on Luxun's Articles: Reflections on Luxun's Diary of a Madman
The madman in Lu Xun's works is impressive. If such a person is put into reality, he is absolutely crazy in people's eyes. However, when we read carefully, we found something deeper. Let's talk about my feelings after reading it. It may not be accurate, just what my family said.
In the "One" of A Madman's Diary, the hero (hereinafter appearing as a madman) wrote in his diary that he has not seen the moon for more than 30 years, which is obviously impossible in reality. But these words, which seem crazy to others, are symbols of the madman's spiritual awakening here, and they are also the beginning of his madness in the text. The fear in Zhao's dog's eyes shows that he is living in this panic.
In the eyes of the world, watching a madman will naturally be a little different. There is no doubt that a madman is a madman in everyone's eyes. In a crazy state, the hero feels that people around him and even Zhao's dog are looking at him maliciously, as if to eat himself. The truth is, of course, no one else will eat him. Others just imagined that he was in a crazy state. But if you really think this is a fantasy, then you are really reading Diary of a Madman. In my opinion, cannibalism among the crazy population is poisoning by criticizing the feudal ethical code system, and people are psychologically distorted, but they have to instill feudal ideas into the next generation and bury the next generation in this cannibal feudal ethical code. In such a society where almost everyone is "eaten" by feudal ethics, people who are too poisoned by feudal ethics have to pull unpolluted people into the circle of "cannibalism". The ignorance of the people is reflected in the fact that the dutiful son wants to cut the meat and cook it for his sick parents. It can be said that in fact, the stage of the protagonist's madness is the period of his short awakening from feudal ethics. Unfortunately, however, the protagonist's awakening words were only misunderstood as madness at that time. In fact, when the world made fun of the madman, he sang bitterly in his heart, "The world laughed at me for being crazy, and I laughed at the world for not seeing clearly."
Perhaps I expected that after my short awakening, I would eventually be swallowed up by the feudal ethics of cannibalism, so I sent out in my last diary before being swallowed up, "Are there still children who didn't eat people?" Save the children ... "Call. Through Diary of a Madman and its madness, the author appeals to people poisoned by feudal ethics to return to human nature. Those children who have never eaten people are pure children who have not been poisoned by feudal ethics. They are the future of this country and nation.
In this diary of reality and imagination, Mr. Lu Xun expressed his profound understanding and unique discovery of China history. I may not reach such an understanding. I can only look at my unfamiliar history from my husband's point of view.
Urgent:: Who has any idea about Lu Xun's reading? I know. I'll tell you that my email is ready. I'll contact you after you send it.
After reading Lu Xun's Medicine, I feel that medicine has three pains.
The suffering of the people at the bottom. Let's take a look at these poor people struggling at the bottom: from Xiao Shuan, who was troubled by consumption, to humble old Shuan, to miserable Aunt Hua, to grandma, who was in rags and buried her son, to uncle Kang, who had a gray beard, and the fifth young master with a hunchback-a giant mansion that I didn't know what it was, but now it is called a young master, but there is a joke of "hunchback" in front. What kind of people were at the bottom of society at that time!
The pain of "taking the wrong medicine" makes people excited! For example, the tenth one-handed baby in Lao Shuan's arms. Running a small teahouse with trepidation and caution in order to save his son's life. Proud executioners, "Wrap it up, wrap it up ..." are all ignorant China people. Many people say that Hua Laoshuan and his wife are numb, but they love their son. I'm afraid not. He has been busy in the teahouse for most of his life, working diligently and saving money to treat his son. Take out the foreign money accumulated for years to treat my son, and only get a few bloody steamed buns, which is a sign of ignorance and backwardness! Imagine if the Hua family had several sons and Xiao Shuan was ill, would Hua Laoshuan still be in such a hurry? I'm afraid not. I'm afraid the reason why he took pains to treat his son is because of the feudal morality of "there are three unfilial things, and there is no future"! For the sake of Fahrenheit's incense, they even "transplanted" it with the life of someone else's son. What Mr. and Mrs. Hua Laoshuan did was not so much love for their son as "filial piety" to Fahrenheit's ancestors, which reflected the feudal spirit of being together from one side.
The pain of "destroying hope" should be the core pain.
Yu Xia is a bourgeois democratic revolutionary. He represents the interests of the broad masses, but the masses do not support him. People are "angry" when he talks about revolutionary truth; He was beaten by the warden, and people gloated; He called his aunt "pitiful", people called him "crazy", he was killed, and people watched the fun in a flood. Summer saves China, China eats summer, and "China" is a family! Yu Xia should have relied on Lao Shuan but didn't, and Lao Shuan should have supported Yu Xia but didn't; Those who bleed don't know for whom, and those who eat blood don't know whose blood they ate. Start with indifference and end with the same goal. Through this role, Mr. Wang expressed sympathy and praise, and also expressed the backwardness and ignorance of the people at that time and the cruelty of the rulers. At the same time, a pun reveals the reasons for the failure of the Revolution of 1911: without the strong support of the masses, the wreath that appeared in front of Tomb-Sweeping Day's grave in this article shows that revolutionaries still miss him, and the flame of the revolution has not-will not go out. It gives hope in the dark.
Grandma Si Xia is Yu Xia's mother. She was "hesitant" and "ashamed", but she was ashamed to go to her son's grave, because she felt that his glorious and heroic sacrifice was detrimental to his face. A mother is not proud of her son, but ashamed of her son. I don't understand that supporting my son is a mother's sorrow! She thinks that the wreath is the performance of her son, and hopes that the crow will fly to the grave. This is a kind of sorrow of feudal superstition!
Mr. Wang arranged an almost crazy plot and exposed an almost crazy nation. The most painful thing is that hope is destroyed before it starts.
Reading Mr. Wang's articles is usually mixed. There are three flavors of medicine, all of which are bitter.
Lu Xun's Thoughts on Snow: Lu Xun
The rain that warms the country has never turned into a cold, hard and brilliant snowflake. Well-informed people think he is monotonous. Does he feel unhappy? The snow in Jiangnan is very beautiful. It is still a faint message of youth, and it is an extremely strong virgin panel. In the snowfield, there are blood-red camellias, single-petal plum blossoms with dark green in white and wintersweet with dark yellow chin; There are cool green weeds under the snow. Butterflies really don't exist; I really can't remember whether bees come to collect honey from camellia and plum blossoms. But my eyes seem to see flowers blooming in the snow in winter, and many bees are busy flying. I can hear their buzzing sound.
The children are red with cold, and their little hands are like purple ginger. Seven or eight people will make snow arhats together. Because it was unsuccessful, whose father also came to help. Lohan is much taller than children, although it is only a bunch of small tops and big bottoms, and finally it is unclear whether it is a gourd or a Lohan; But it's white and bright, and it's glued together with its own water, and the whole ground shines. The children made his eyes with longan seeds and stole rouge from his mother's powder and put it on his lips. This time it's really a big arhat. He just sat in the snow with burning eyes and red lips. The next day, several children came to see him and asked him. By the way, he clapped his hands, nodded and smiled. But he finally sat alone. Sunny days come to release his panel again, and cold nights freeze him and turn him into an inconspicuous crystal shape; The continuous sunny days made him want to know what it was, and the rouge on his mouth gradually faded.
The snowflakes in the north, flying around, will always be like powder and sand, never sticking together, and will retreat on the house, on the ground and on the hay. That's it. The snow on the house has faded because of the warmth of the fire in the house. In addition, on a sunny day, a whirlwind suddenly came. It flew vigorously, shining brightly in the sun, like a fog with flames, spinning and rising, permeating space; Let the space rotate, rise and twinkle.
In the boundless wilderness, under the cold sky, the shining soul of rain is spinning and rising. ...
Yes, it is lonely snow, dead rain, the soul of rain.
2. What does the author want to tell the readers by putting together the three images of "rain warming the country", "snow in the south of the Yangtze River" and "snow in the north"?
The author obviously prefers Snow in the North, but why does he spend a lot of ink to write Snow in the South of the Yangtze River, and even use two sections to write the scene that shapes Xue Hai?
"Jiangnan Snow" symbolizes a beautiful world, while "Jiangbei Snow" symbolizes an unyielding struggle against beauty.
Snow was written in 1925 65438+ October, 1925 65438+ October. At that time, on the eve of the Northern Expedition, the two parties formed a United front, and the revolutionary form appeared a gratifying situation. However, Beiping, where Lu Xun lived at that time, was still under the dark rule of the northern warlords, and the reactionary forces were rampant and the struggle was extremely fierce.
The author describes three kinds of snow in the whole paper: one is the "rain that warms the country" that has not yet turned into snow; The second is "Jiangnan Snow Scene" which moistens the beautiful scenery; The third is lonely, free and soaring Snow in the North. It takes a lot of space to describe the "snow arhat" that melts rapidly after makeup. By describing the snow in the north, we are dissatisfied with the present situation in the north and think that we should strive for freedom like the snow in the north.
The author's basic attitude towards the three images seems to be consistent with his sense of color in his language and his attitude towards life.
The author shows his concern about the situation in the south, which is a temporary illusion that is beautified and touted. It is just a lifeless "sea of snow". And pointed out that the revolution is not so easy to succeed, but it needs countless revolutionaries to fight for it through struggle, so that there will be a bright day.
Comments on Lu Xun's Death Death is an essay written by Lu Xun one month before his death. At the beginning of the article, I quoted a passage in the preface written by Smedley (translated by Smedley and translated by Lu Xun in Death) for Colehuizhi's print collection:
"For many years, Katie Colwitz-she never used the title that was given to her-drew many sketches, sketches, pencil and pen sketches, woodcuts and bronze sculptures. There are two main themes in studying these findings. The theme of her early years was resistance, and the theme of her later years was maternal love, maternal love protection, liberation and death. What shines in all her works is suffering, tragedy and a deep and passionate consciousness of protecting the oppressed.
I once asked her,' You used to use the theme of resistance, but now you seem a little obsessed with the concept of death. Why, "she replied in a bitter tone," maybe it's because I'm getting older every day! ' ……"
Lu Xun, who never wanted to talk nonsense, quoted so many other people's words. It seems a bit evasive on the surface, but it is not. Lu Xun's mental journey is very similar to what Smedley said. Lu Xun has been fighting all his life. Lu Xun's life is a life of fighting. All his life, he struggled with imperial hegemony and homomorphic lackeys and literati, and even relentlessly analyzed himself, which was more important to the national inferiority. In order to arouse people's hearts, I often feel that I am going to "cuckoo tears blood." As for the theme of death in Kohler Huizhi's works, Lu Xun quoted Smedley for a reason. Lu Xun wanted to convey his views on death from this passage, and it was no accident that Lu Xun quoted this passage. Before that, Lu Xun had introduced and explained Kohler Huizhi's The Woman Captured by Death (also known as "The Woman Captured by Death").
"'Death' appeared from her own shadow, attacked her from behind, entangled her and cut her back; The rest of the weak children can't call her back ... "
Obviously, Lu Xun showed some recognition and tacit understanding of the meaning of "death" in this print work. In his essay Death, he wrote: "When I saw it, I thought of it ... This year's Think about it is of course related to my age, but I didn't have such a deep memory of death more than ten years ago." At that time, I just "thought about it", but what is it that I feel so deeply now? It's death consciousness. Death comes with illness and old age; Death psychology can be said to be the most important and typical psychology in old age. But relatively speaking, twilight is still a long process, and its arrival is often unconscious. People may not feel the shadow of death in their twilight years at once. Most of them just have a psychological feeling of aging and physical decline because of physical changes, so they "think of it when they see it" but just "think of it". Today, more than ten years later, for sensitive Lu Xun, Lu Xun, who was seriously ill, was only slightly better, but when the consciousness of death in his later years came back to his heart, he felt more deeply than the word "deep", which could be carried in one sentence or a few words. Lu Xun, after all, is a mortal. He can't completely get rid of the physical fetters of reality and completely transcend the limitations of reality and the most basic thinking mode and spiritual quality of human beings. But in these most common and general psychological expressions, Lu Xun is great. From his next article in Death, we can immediately feel that Lu Xun is a man with lofty life will and profound life consciousness. He is far above the average person.
Structurally, a review of Lu Xun's Beauty Snake should consist of at least three parts: first, introduce the title, content and characteristics of the original; The second is to analyze and evaluate the content and characteristics of the original work according to my own understanding, that is, to talk about the overall impression of the work as a whole; The third is the feeling and experience after reading, that is, the explanation part, the evidence-based evaluation part and the feeling part, with the emphasis on the word "feeling".
Reading is the basis of writing. Only by reading carefully can we deeply understand the content of the article, grasp the key points, grasp the thoughts and feelings of the article, and feel something. Only by studying hard can we find the connection between reading feelings, that is, the central idea of the article, that is, the sentences that point out the central idea in the article. For a work, you should write about the changes in your thoughts and actions after reading it, and make a fuss about one of them.