In the tidbits of the disc, there is a letter from Godard to Jane? Fonda's letter. He said that the photos taken by Fonda in Vietnam (Fonda is a famous anti-war figure) should be used as a poster for the film at Cannes Film Festival. Where did Susan go in the movie? What can Susan all over the world do? Maybe it's Jane. What Fang Da did just gave Godard an answer. But this answer is still not the answer in life. The inner entanglement of intellectuals, like this long letter of Godard, is constantly entangled in the reading of "meaning".
The word "meaning" is too expensive If you don't pay attention to "meaning", nothingness and vulgarity will easily invade individual life, but if it is foreign "meaning", it will make people wary. I don't know how this meaning will advance individual life. For the son of a bourgeois like Godard, becoming a leftist is an opposite dimension for him to establish himself. His pursuit of "meaning" is an intellectual logic deduction from the inside out and eventually becomes an ethical appeal. And his greatest strength, of course, lies in his simple and powerful lens, cutting and counterpoint between sound and painting-every detail can be separated and a little "meaning" can be discussed. However, the most rare thing about him is that he did not abandon life in his "thesis". Everyone is still a specific person under his lens, and can communicate and understand * * *. Susan was depressed and quarreled with her boyfriend. She knocked over a teapot lid on purpose and then kicked her boyfriend. But how "elegant" does this detail belong to Jane? A leftist like Fonda. Ge Daer's grip is so sweet!