During the Hongzhi period of the Ming Dynasty, he entered Rendian, and the official was the governor of Jinwei. He is a representative painter of courtyard flower-and-bird painting in Ming Dynasty, and he is as famous as Bian Jingzhao and Liang Lin. His painting style can be divided into two categories, one is mainly ink and wash, with a slightly lighter color and luxurious brushwork, and the other is rich in color, harmonious in use and full of interest in court decoration. The more direct reason why Lv Ji changed from light ink painting to meticulous painting was to adapt to the different tastes of different emperors. Specifically, hongzhi emperor Zhu Shitang's appreciation interest is different from that of his father, Emperor Chenghua Zhu Jianshen, which leads to Lv Ji's painting of phoenixes, pheasants, cranes, peacocks and mandarin ducks, with flowers, trees and stones mixed and full of vitality. Both meticulous painting and ink painting can be freehand brushwork, and they are good at combining. Lv Ji studied Tang and Song Dynasties and Bian Jingzhao at the same time, and formed his own style. His flowers and birds are colorful and full of vitality, and he is known as the first flower and bird painter in Ming Dynasty. It is said that Lv Ji often used fable techniques in his paintings to persuade the emperor. Knowing his intention, the emperor once said, "Work is done by art, and Lv Ji owns it." His representative works include Double Pheasants in the Spring Festival, Birds in the Mountain of Osmanthus, Residual Eagle Heron and Hà Thu. Appreciation of works:
The Pomegranate Flower and Two Warblers depicts a pomegranate with a flower and a pair of orioles perched on a branch. When they get up and down, they sing accordingly and look lively. The typical style of college sports painting in the middle of Ming Dynasty is meticulous and colorful.