There are cars and neighbors, horses and horses. See the gentleman, the order of the temple people.
Osaka has paint and Kyrgyzstan has chestnuts. See a gentleman and sit on the drum. "Today's people are unhappy, and the dead are gone."
Osaka has mulberry and Ji has yang. See a gentleman, and sit on the drum spring. "Today's people are unhappy, and the dead are gone."
The Book of Songs Neighboring Qin Feng is a particularly interesting poem, in which a similar quoted poem appeared for the first time. In the second and third sections, "Today is unhappy, the dead are gone" and "Today is unhappy, the dead are gone" are completely different from other poems. Judging from the theme of performance, there are also great differences.
In the era of The Book of Songs, punctuation has not been invented. Of course, we can't find the direct evidence of the poet's quotation through the punctuation marks in ancient bamboo slips, but we can still vaguely feel the existence of another person's "voice" in the poem.
It is common for people to quote others' words in their own articles or poems. But in the era of the Book of Songs, this is unusual. It's like a child, after returning to his familiar world and telling everyone about his fantasy experience, he directly quoted a sentence from a person he had seen in order to emphasize the authenticity of his experience. In this way, the poem itself suddenly becomes simple and sincere.
"Today's people are unhappy, the dead are gone" and "Today's people are unhappy, the dead are gone" are not the words of the poet himself, but the words of the poet looking to the gentleman. Obviously, this gentleman's words let the world see and feel a kind of beauty different from his own experience. The poet iqbal said, "Once you can realize the beauty in this world, you are no longer a slave". From the moment the poet quotes this gentleman's words, he has actually transcended his own world and completed a sublimation and detachment for his own life.
Wu Maoqing said in "Records of Mao's Poems Retro": "Swallow a guest minister, and sing according to the western hills"; The Preface to the Poems of Mao Zedong holds that The Book of Songs Qin Feng Chelin is a good book. From the beginning, Qin had good chariots, horses and music to serve the royal family. "Cheng Junying's explanation of The Book of Songs is that it is a poem reflecting Qin Jun's decadent life and thoughts. Gao Feng admitted in the annotation of The Book of Songs that "this is a poem written by an aristocratic woman, singing about the happy life of their husband and wife". These views are no longer regarded as different opinions. It's more like people from different backgrounds read the life of their respective times from the same poem.
If there is a gap between readers and poets, isn't there a gap between poets and gentlemen in poetry? How to eliminate and control this obstacle and help ourselves and the people in the poem get detached with a sympathetic understanding?
Are the second and third sections really just urging people to eat, drink and be merry? If so, why didn't the poet express this idea in his own words?
Is the poet trying to satirize the gentleman in the poem? If the poet holds such a mentality, why should he write "the order of the temple people but not the gentleman"? Who wants to go to the trouble to meet someone they hate? What's more, the descriptions of "sitting on a drum when you meet a gentleman" and "sitting on a drum when you meet a gentleman", coupled with the intention of blackening this gentleman, make people think of the villain who "takes the bowl to eat meat and puts down the bowl to curse the mother". Would a poet be willing to be such a villain?
A neighbor has a car and a white-topped horse. He can visit a gentleman in a carriage, and there are also good horses like "Bai Ding" among the horses pulling the carriage. It can be seen that the poet himself is not simple, but he is eager to meet a "gentleman" who is simpler than himself. Li Guangdi, a Qing Dynasty man, may also have a poet's mentality. He said in "Poetry House": "Since ancient times, entrepreneurial kings have never neglected etiquette, and courtship is enough. This is also the foundation of Qin. " When Liu Bei listened to Zhuge Liang's "Long Zhong Dui" and Guangxu listened to Kang Youwei's "Reform", who can say that Liu Bei and Guangxu are masters of eating, drinking and having fun in time? If they can also express the gentleman's feelings in the poem "The present is unhappy, the deceased is like a husband"?
People born in our generation never ask us to judge and dominate the nature of others formed by the environment, but ask us to learn sympathetic understanding because of seeing it, so that we and others can be guided and detached.
Nineteen Ancient Poems wrote, "Life is not a stone, how can you live long?" "Life is suddenly like a stone, but life is not solid." "Why can you stay here when you are happy?" Although these words are the continuation of the gentleman's words in The Book of Songs Qin Feng Che Lin, they are not necessarily his true intentions. The Book of Songs tang style Du Dan Jump We should read the book of songs Qin Lin, which says that "the present is unhappy, the deceased is like a husband" and "the present is unhappy, the deceased is like a husband". If a saint has read two poems, which country would he prefer to go to to display his talents?
The voice of the car dealer was scattered by neighbors, and the white-topped horse was also used to pull the car. Wait quietly in front of the elegant house and ask the people in the temple to inform him.
Lacquer trees are dense on the slope, and chestnut trees are born in low-lying areas. I want to sit with this gentleman, and I want to meet Boya in the drum. A gentleman talks too much about wine, and he is eighty years old if he misses it.
There are many mulberry trees on the hillside, and many poplars are planted in the idle fields in the valley. You must sit with this gentleman and enjoy the music together. If a gentleman doesn't give up, he will be happy, and if I laugh, he will die young.