You have a headache about translation, don't you? Let me give you some advice.
1. You should be familiar with the structure of modern Chinese sentences, and you should be proficient in adverbial attributive complements. If you can't learn this well, it's useless to translate classical Chinese. Because classical Chinese is generally a word of its own.
For example, "although" is a typical objection in ancient and modern times. In ancient Chinese, "although" and "ran" are two words, the former means although, and the latter means so. If understood in modern Chinese, "although he is also happy" can only be translated as: although he is also happy. Obviously, this sentence is incomplete, and the correct translation is: despite this, he is still happy. This is the problem of sentence structure analysis.
2. Memorize commonly used interchangeable words and ancient and modern synonyms. The common "anti" is actually "back" and "only" is actually "stop" ... There are nearly 100 loanwords in the whole middle school, and there are nearly 20 to remember. There are not many opportunities to translate interchangeable words, but it is always good to know when you meet them.
Ancient and modern objections are more important, such as "although" mentioned above, and "false" means "borrow" in ancient times, as well as "can" and "very". In fact, there are many opposing words in ancient and modern times because ancient prose is generally unique, so this truth must be kept in mind. Therefore, in ancient times, "energy" was "energy" and "use", and "extraordinary" was "no" (no) and "normal" (ordinary) in ancient times.
3. Be familiar with the flexible use of parts of speech. Noun usage, adjective usage, causative usage, intentional usage and so on. This is the formal grammar of classical Chinese.
These can also be analyzed by sentence structure. For example, the use of nouns, I will give you a well-known example, Confucius said: "Jun Jun, minister, father, son." At least you know that a complete sentence, subject and predicate are essential (except interjections, of course). "Jun Jun" seems to be two nouns, obviously lacking a predicate, that is, a verb or adjective, otherwise it can only be translated into "monarch", then the second monarch must obviously be a predicate, and "Jun Jun" means "the monarch is mainly like a monarch"
This kind of classical Chinese grammar is relatively difficult and requires long-term knowledge accumulation and memory, but if I do what I say, it will be much easier to master.
Let me give you another example, such as the use of adjectives, saying that a doctor is a "living dead". Literally, does it mean that doctors are "living dead"? Regardless of whether this meaning is in line with the original intention, let's analyze the sentence structure first. "Doctor" is obviously the subject. What is the predicate? If translated according to the surface meaning, the predicate is obviously lacking. Even with the word "yes", ancient Chinese needs the expression of the verb "nai" or the interjection "ye". So this sentence must be dismantled. According to the principle of word formation, "death" is a dead person, and movable type must have a separate meaning. If you know the usage of adjectives, then you know that "the living dead" should be translated as "let the dead live". Even if you don't know the usage of conation, you can analyze that there is a problem.
I don't think it is necessary to recite classical Chinese because of my experience. Of course, in order to pursue the effect of flying literary talent, such as preface to Wang Teng-ting, I think recitation is necessary, and nothing else is necessary. As long as I study, I can learn the three related things mentioned above well, pay attention to accumulation, and add a little language talent to cope with the college entrance examination.
Be sure to remember the word-formation principles of classical Chinese! (Khan! Of course, except names of people, places and officials)
2. Ask for an argumentative essay in classical Chinese. I heard that my uncle wanted to see Han. He was worried about poverty. My uncle congratulated him.
Zi Xuan was puzzled and asked, "Why congratulate me?" . Uncle Xiang regards Luan's grandparents and grandchildren as the place where poverty and morality belong, saying that poverty need not worry, and there is no sorrow for virtue and morality.
I heard here that what is the source of success? Only when it is suitable for twists and turns will it increase what it can do! It is not the only case that everything in the world can adapt to music and become a device. Where is the vast Gankun? Have you ever seen a stream around a mountain forest? The song of this stream is also.
Choosing a straight person is not for the sake of good, and eventually it will not be admired by tourists, and then it will become famous in the world, which is also a landscape; Those who choose songs are not afraid of dangers and obstacles, or splash thousands of feet on cliffs, and get white water like cotton, or stand by mountains and waters, so that peaches and plums on both sides of the strait compete to bloom, and the rapids in deep valleys stop flying boats, making tourists linger. Have you ever seen ants climb walls? The song of this trip is also.
People who choose straight will give up halfway, and it is not easy on the road. Ten thousand games will be unified, and you can't climb over the wall to see the scenery outside the sky. Although the songwriter carries a heavy load, he has to see the universe through the wall.
Look at the shape of things, the winner, Song Ye. Above the history of history, it is not appropriate to give a big job.
Xuanzang's move, the official of Ao Shu, is always happy; Sun Bin is not easy to win, but he is not discouraged by the car crack. He chose his own life because of the song of the wheel of life, and finally ended up in Sun Tzu's Art of War. Although besieged on all sides, it can also kill the enemy and break through, sweeping away fate, making the rebels fearful. There is also the ambition of the marquis of Wu, who inherited the virtue of the first emperor and devoted himself to his death. The sword refers to the Central Plains, and the list goes on and on. He won a reputation for himself and won the follow-up of future generations.
From the point of view, composers are mostly against adversity. People who never give up their ambitions can become masters.
It looks around at every little setback, but does not dare to linger on the former, which is immeasurable at present and now and has become a great player. It is known that Ma Xu won't abandon ten drivers, and those who choose to suppress the flag will return after three meals; Those who choose to work hard, although tired, will eventually achieve their goals, and there is still a long way to go.
There must be a reverse path in the journey of life. The person who chooses the greenhouse has nothing to do in his life, and the later person died in the building, which is unknown to future generations. Those who choose to crawl forward will go through thousands of difficulties and dangers, wait for the night to disappear, bathe in the breeze and enjoy themselves. And the cold number and the magpie.
Those who choose the cold number choose to live in the cave, and it is inevitable to freeze to death in the cold weather with crisp autumn air; Those who choose magpies will fly to Wan Li to find a hundred branches, and the temperature is suitable, and the branches will grow in winter. There are also black stones in the mountains, which endure fierce calcination and are still innocent in the world.
I sighed, because I was right: detours are trying to increase what I can, and detours are choosing where to go. Everyone has his own interests and cannot impose them on others. However, if you succeed, you won't get it.
Therefore, in summer, we have money, in winter, we have money, be prepared for danger in times of peace, be comfortable in adversity, not be discouraged, face life with a smile, cross-eyed, why not? This is broad-minded and optimistic.
3. Who can provide an argumentative essay to explain and appreciate ancient poetry? The answer format is that the argumentative essay is divided into three small paragraphs, and ancient poems can be appreciated without segmentation. Suppose this question is 50 points. A: In the first paragraph, it is self-evident to summarize the general meaning through your understanding. (15) In the second paragraph, through the subtle analysis of artistic conception, background and scene, tell the central idea that the author wants to express and the author's thoughts and feelings. (20 points) In the third paragraph, tell your feelings by reading this article. Of course, it is important to stick to the theme of the article, the encouragement or thinking it gives readers, and so on. You can also point out some good sentences or ideas in the article, such as the eyes of words and the finishing touch in ancient poems, and describe them in your own words.