This paper mainly discusses artistic topics such as painting means, techniques and artistic aesthetic consciousness, and expounds the importance of injecting painting techniques, aesthetic consciousness and emotions into students' hearts.
Painting skills, aesthetic consciousness of artistic beauty
What do people say about a painter? Painting skills? Anyway, it may just refer to painting skills.
If others comment? Level? How's this? Level? The word "two characters" is not only a skill, but also contains the effects caused by the painter's works.
Of course, the appearance of the work still comes from skill. Without painting skills, there is no painting, and the painter's consciousness and emotion are out of the question.
Let's talk about skills first.
In the commercial society, impetuous and speculative quick success and instant benefit hover in every corner of contemporary art like flies, forming vulgar culture and popular culture. In this context, the hard training of painting skills should be regarded as the mother of success.
No pains, no gains. A painter should first be a master of painting skills.
Sketch is to understand the shape correctly, and it can also be said that it is for the convenience of modeling. Under special circumstances, avoid using color for the time being, and use monochrome to shape the shape.
Sketch is to guide and train beginners to correctly observe and understand shapes and accurately describe them.
Understanding the structure of the object, aligning the outline, correcting the proportion, mastering the dynamics and depicting the details are all general laws of modeling.
Color is an important factor in painting and a means for artists to convey their feelings. Only by observing colors correctly and skillfully blending colors can we express colors artistically.
To put it simply, it is based on the objective color, through the painter's feelings and imagination, with a concise and summarized style, emphasizing vivid feelings, plus his own imagination, eliminating those repetitive and complicated components, thus making the color more vivid and vivid.
The color mentioned here is not the color of the copied object as it is.
Even if color is classified as a painter's pure skill, it is not always given to objects? Taking pictures? Speaking of which? Feeling? 、? Imagine? And then what? Eliminate? The painter's subjective factors are added.
Since it is a work of art, the subjective role of the painter is the first to bear the brunt.
It can be said that the objective world is indifferent, and only through the painter's subjective creation can we inject warmth.
A plate of apples and a plate of apples in the painting were put into the exhibition hall at the same time. The real apple may stimulate the viewer's stomach, but the apple in the painting can cause the viewer to crash, cause the viewer's aesthetic consciousness to fly, and also cause the viewer's inquiry psychology.
The audience shed not only saliva, but also the color jump on the screen, the reality of the structure, and even the shouting. This is the charm of art.
Holding an exhibition, although the painter and the visitor have never met, through the works, the painter and the visitor can achieve close spiritual contact.
The painter's sadness, sadness, depression, anger, optimism and the escape of his soul can all be conveyed to visitors through his works, thus causing * * * voices, which is the role of plastic arts.
As a painter and sculptor, the fundamental responsibility lies in injecting independent and innovative consciousness and emotion into your works, thus touching your visitors; If your work itself is as light as water and as thin as paper, it is impossible to make your visitors sigh and feel uneasy. As the folks say, it takes hard to strike while the iron is hot.
Why is a good work of art more loved and more beautiful when you look at it? Why is a beautiful concert so exciting and unforgettable? It is because painters and musicians pour their emotions into their works, create the environment with their heart through their thoughts and feelings, convey their hearts with their hands, and express their feelings through the scenery, so as to achieve a beautiful realm of scene blending, so that the appreciator can sing for it, make the appreciator feel novel and shock his heart.
The aesthetic effect inspired by the interest, emotion and strength of the work is a kind of emotional life full of spiritual undercurrent, and the soul of this life is the edification of the creator's thoughts and feelings and his profound understanding and understanding of life and objective things.
In other words, the audience of your works and your exhibition is bleak. You can't blame the visitors or the organizers of the exhibition. You can only blame the author himself, you are duty-bound.
For painters and authors of works of art, although you have skillful skills, although you have made unremitting efforts for a long time to acquire skillful skills, and although you can talk endlessly about skills to students or others, your works can't surprise the world and praise critics. Those skills are only fleeting, and your life is short.
Fu Lei, a translator of modern literature in China, said: It is artisans, not artists, who have been playing tricks. A person can't jump out of this level, nor can he dream of art all his life. Art is the end, and skill is the means. ? For painting, your skills are skillful. You can describe objects realistically first and then realistically, which is called craftsmanship.
A work should pay attention to artistry, appropriateness, uniqueness and creativity.
Even if a painter is trained to sketch in kind, he should go through in-depth observation, discover new feelings through analysis and research, and absorb the source of creation from subtle and endless changes.
Make yourself in a saturated and passionate impulse during the whole creative process (you should regard sketching as a kind of creation).
For the objects or characters in front of us, we can choose dramatic actions and exaggerated expressions to show the potential passion in the plain, or intercept the plain in the plain to form a contrast with the passionate years.
Creating new beauty is the embodiment of the true and inner emotional image in the eyes of the painter.
Art, beauty is the purpose, technique is the technique, and technique serves the purpose.
Artistic beauty is not only a painter's skill, but also a painter's heart.
For painting, although we can start with the solution of form, and then rise to express our thoughts and feelings, we can't stay in form.
Similarity is not the whole of plastic arts.
Modeling can only be the beginning, but only by injecting the painter's emotion into modeling, light and shade, color, jumping the painter's emotion and igniting the painter's emotion can we really enter the creation.
Artistic beauty is the highest and only standard of painting art. No matter how good a painting is, it will be ignored if it can't give people a sense of beauty.
However, the connotation of beauty cannot be understood so simply.
Visual splendor is not true beauty. A beautiful appearance may not be endowed with a beautiful soul, but a rough shell may breed pearls.
Beauty is the light of life from the heart.
Beauty is a kind of mind gymnastics, which gives us spiritual integrity, inner purity, correct feelings and beliefs.
Beauty makes people noble and elegant, compassionate and disgusted with ugliness.
Beauty attracts people, magnificence touches people, and beauty is power.
Beauty is not only a kind of relaxation, escape and joy, but also a kind of touching, calling, calling and cheering; Beauty can activate people's mind and behavior and move towards the light.
In this way, the success of a painting lies not only in its shape, lines, colors, texture and sense of space, but also in its deep connotation that arouses and inspires the viewer.
Such an audience buys a work from the exhibition, not only to decorate his room, but to get a priceless treasure.
As an art teacher, you should have both rich skills and rich thinking. In fact, two rich and one rich are inseparable.
The essence of richness lies in profundity, and profundity is the real richness.
A firewood collector carries a bundle or a cart of firewood, but it is only firewood, no matter how heavy it is; A grower, sowing seeds in the ground and letting the roots of plants form on the ground, is truly rich and can bear heavy golden fruits in the future.
An art teacher should inject painting techniques, aesthetic consciousness and emotion into students' hearts at the same time.
Art teaching may be limited to the classroom, and beauty education is not limited to the classroom. Words and deeds can be a big classroom for aesthetic education anytime and anywhere.
A new generation of people, those who have been cultivated or raised by aesthetics, may not necessarily become painters in the future, but their feelings, their horizons and their lifelong practice will all reach a new height.