Wen Xin Diao (Southern Dynasties Liang) Liu Xie Zhu People's Literature Publishing House 1985.
Liu Xie's "Wen Xin Diao Long" is the earliest existing work in China that systematically expounds literary theory. This book is divided into two parts, each with 25 articles. The first part of the first part is an introduction, and the last twenty articles describe the stylistic characteristics and changes respectively; The next 25 articles mainly discuss the principles and methods of literary creation style and criticism, as well as the relationship between literature and the times. The last preface is the preface of this book. Fan's notes are based on Huang's Notes on Wen Xin Diao Long in Qing Dynasty, and are collated by Sun Zhongrong's Notes on Gu Xiao, Huang Xiao, Tan Xiao, Japanese suzuki torao and Zhao Wanli Wen Xin Diao Long. Model essay notes are not limited to sparse sentences, and all documents related to understanding the text are quoted in detail, so they are the most detailed compared with various notes. This book is also accompanied by the preface and bibliography of Hufu Suzuki's collation of Huang's Wen Xin Diao Long for scholars' reference.
Zhong Rong's Liang Shi Hua, People's Literature Publishing House 1980
Zhong Rong's Shi Pin is a literary criticism work devoted to the study of five-character poems and their poets. The author selected 122 poets from Han Dynasty to Qi Liang, and divided them into three categories (top grade 1 1, middle grade 39, and inferior grade 72), and formed Zhong Rong on the basis of studying the writers' works. Chen's notes refer to various versions, which are sorted and annotated, concise and convenient for beginners. The appendix "Selected Poems" at the back of the book is the works mentioned in Zhong Rong's "Selected Poems" compiled by the annotator, which is particularly convenient for readers to consult and refer to. The postscript written by the annotator at the end of the book is also of guiding significance to Zhong Rong's selection of poems and comments on the first chapter.
Textual research on Yan's Cang Lang Shi Hua (Song Dynasty) Textual Research on People's Literature Publishing House 1983.
Yan Yu's Cang Shi Lang Hua is a work that uses Zen as a metaphor for poetry and pays attention to the form and art of poetry. Guo's Cang Lang Shi Hua is based on the Jiajing edition of Ming Dynasty, revised with reference to the poet Yu Pian, and made notes in Cang Lang Shi Hua and Hu Caifu's Cang Lang Shi Hua, adopting some textual research on Cang Lang in Tao Yuanming's Miscellanies of Shi Hua. There is a "note" in front of the book, which briefly combs and evaluates Canglang's version and viewpoint. The book is divided into proofreading, annotation and interpretation according to the order of five parts of the original book: on poetry, poetic style, poetic method, poetic evaluation and textual research. Proofreading is mostly for textual research and has the power to correct fallacies. Annotations pay attention to the source of words and allusions, which are concise and clear; Interpretation plays a guiding role in origin exploration and theoretical invention. Appendix Yan Yu's answer to Lin 'an Book is helpful for readers to understand Yan's poetics. This book is the most detailed and clear research work on Cang Shi Lang Dialect at present.
The original poem (written by Ye Xie in Qing Dynasty) was annotated by Huo People's Literature Publishing House 1979.
Ye Xie's "Original Poetry" is a theoretical criticism of poetry that pays attention to the origin of poetry creation and opposes literary revivalism. It is divided into two parts: internal and external, in which there are many incisive discussions on righteousness and change, knowledge, talent, courage, reason, things and feelings. Huo's collation is based on Qing Shi Hua and Ye Xie's Ji Jie, and the original poem is collated, punctuated, punctuated and annotated. There is a preface in front of the book, which briefly introduces and evaluates the theoretical thought and style of the original poem. The notes in the book focus on the sources of quotations and reference materials, and generally do not analyze the words.
Art Outline (Qing) Liu Xizai Shanghai Ancient Books Publishing House 1978
Liu Xizai's Introduction to Art is a theoretical criticism work on literary theory. The author's exposition on literature and art covers a wide range. The book includes six parts: Wen Jian, Poem Notes, Fu Notes, Qu Notes, Shu Notes and Jing Yi Notes. In "Xu", Liu claimed that his method of commenting was "generalizing from this, generalizing from less", that is, making outstanding comments in concise language and expressing complex contents through "analogy". Throughout the book, especially the papers, poems, words and poems, we can see from time to time how to evaluate the writer's works, the evolution of literary forms and the elucidation of artistic characteristics. This "Outline of Art" was compiled according to the original version in the 12th year of Tongzhi in Qing Dynasty (1873), and some typos were punctuated and corrected. There is a preface written by Wang Guoan in front of the book, which gives a detailed introduction to the original work.
A New Comment on Ci Hua in the World —— Annotation of Qilu Bookstore by Hua Wang Guowei and Teng Xianhui 1982
This book is divided into two volumes, the first volume is "Ci Hua on Earth" and the second volume is "Appendix to Ci Hua on Earth". The first volume is based on Wang Guowei's "Human Thorns". The second volume is Wang's sporadic comments on words other than human words. This book has two parts: proofreading and annotation. The important differences between the interpretation of "Jiao Kan" and other editions (especially compared with the revised versions of Xu Tiaofu's notes and Wang Youan's notes by People's Literature Publishing House (1962 edition) can be seen from the author's mastery of historical materials and meticulous attitude towards documents. The Notes are supplemented and revised with reference to the old notes. Its quotation can also indicate the source, which makes people clear at a glance. There is Zhou's preface and Teng Xianhui's "On Wang Guowei's Aesthetic Thoughts" in front of the book, in which Teng Wenyu's "Theory of Realm" and his aesthetic thoughts in "The World" are discussed in detail for readers' reference.